Winter Sleep
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Nuri Bilge Ceylan on Collaborative Writing, Discarding a Screenplay and Returning to Russian Literature
Nuri Bilge Ceylan’s 2014 effort Winter Sleep won what is arguably cinema’s most coveted prize, Cannes’ Palme d’Or. Since then, he has been remarkably quiet. So it was with some anticipation that the 57-year-old Turkish director delivered a master class at Qumra, an industry event taking place in Doha at which filmmakers funded by the Doha Film Institute present their projects to the great and good of the film industry. During the master class, Ceylan revealed that he had discarded a script that he had spent a year slaving over after his Cannes victory. That was just one of many tidbits that Ceylan […]
by Kaleem Aftab on Mar 24, 2016 -
Towards the Palme d’Or: A Conversation with DP Gökhan Tiryaki On the Set of Asif Kapadia’s Ali and Nino
When you have one of the most anticipated films of the year about to premiere at the Cannes Film Festival, how do you prepare? For Asif Kapadia — director of Amy, the forthcoming documentary about the British jazz singer Amy Winehouse — the answer is to direct another film. His adaptation of Kurban Said’s 1937 novel Ali and Nino is the first fictional narrative the British director has helmed since 2007’s Far North; both it and Amy are his first features since 2010’s much-admired documentary Senna. For his fictional narratives, Kapadia has made a habit of shooting in remote, unique locations. […]
by Kaleem Aftab on May 13, 2015 -
“I Always Try to Find Something Better”: Nuri Bilge Ceylan on Winter Sleep
Over the course of his seven feature films – the last five of which have won prizes at Cannes – the Turkish filmmaker and photographer Nuri Bilge Ceylan has moved from a dramaturgy primarily based in photography (in films such as 2002’s Distant) to one based firmly in screenwriting, as in the elegant structure and dialogues of 2011’s Once Upon a Time in Anatolia. This development as a screenwriter has been accomplished in tandem with his wife, Ebru Ceylan, with whom he has co-written the last three films. Nuri Bilge Ceylan was trained first as a chemical and then electrical […]
by David Barker on Dec 17, 2014 -
Once Upon a Time in Cappadocia: The Scaping of Winter Sleep
According to the Institutional Theory of Art, a work becomes Art only after it has been validated by institutions and other taste maintainers (festivals, exhibitions, etc.). Given that Turkish director Nuri Bilge Ceylan’s latest film, Winter Sleep, earned him the Palme d’Or at Cannes in May, you could build a case that, officially anyway, his was the best of the 2014 harvest. Now MoMA is hosting a complete retrospective October 29-November 5 of his relatively small body of work (seven features, one short). Nuri Bilge Ceylan (pronounced “noo-ree beel-gyeh jay-lan”) will be present to introduce Winter Sleep and Once Upon […]
by Howard Feinstein on Oct 28, 2014 -
Cannes Day Three: Expendables Tanks and Political Turmoil
The outside world’s political problems are intruding more than usual on the Cannes Film Festival. Some relevant items: • A few days ago, Turkish culture minister Omer Celik was excited about coming to Cannes and bullish about the development of his country’s film industry. In an interview with Variety, Celik managed to more or less duck questions about Turkey’s attempted recent bans on YouTube and Twitter (“Turkey is a country with rule of law. Access to certain social-media sites such as Twitter and YouTube has been limited on legal grounds”). But Tuesday’s deadly coal mine collapse in the city of […]
by Vadim Rizov on May 16, 2014
