“You still can’t beat reality,” says Matthew Jensen. That may seem like an incongruous proclamation from the cinematographer of a $200 million superhero spectacle that concludes with a flying goddess facing off against a half human/half cheetah. But instead of simply shooting the film’s opening Amazon Olympics flashback in a greenscreen wonderland, Jensen headed to Spain’s Canary Islands and put 10-year-old actress Lilly Aspell (as a young Diana Prince) on horseback on an IMAX-rigged process trailer. Instead of digitally returning a gutted Virginia mall to all its 1980s glory, the Wonder Woman team rebuilt more than 60 period stores. And for […]