Wong Kar Wai
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World of Wong Kar Wai, The Ten Commandments, Southland Tales and More: Jim Hemphill’s Home Video Recommendations
The Criterion Collection adds another indispensable boxed set to its library with this month’s release of World of Wong Kar Wai, a package of seven essential features, all restored and remastered and accompanied by an abundance of interviews, deleted scenes, and alternate endings. Chungking Express and In the Mood for Love have been released by Criterion before, but the remaining five films – As Tears Go By, Days of Being Wild, Fallen Angels, Happy Together, and 2046 – are new to the label and presented here in vastly superior presentations to prior U.S. home video releases. The early films are […]
by Jim Hemphill on Mar 26, 2021 -
“Those Two Characters are There, Forever Young”: Wong Kar-wai on Chungking Express
The night before my interview with him, Wong Kar-wai addressed a sold-out crowd assembled for a screening of one of his greatest films, 1994’s Chungking Express. Hawaii International Film Festival’s longtime director of programming, Anderson Le, affably overcame some introductory ribbing by Wong (“Anderson, why do you ask me that question! It was 25 years ago, and after 25 years, it’s still that same question!” he jokingly responded to the first, somewhat innocuous query), and coaxed out some remarkable storytelling and reminiscences from the director. “Every film [has] their luck,” Wong began. “Certain films, the process is really difficult: the […]
by Jason Sanders on May 7, 2019 -
Wong Kar-wai on Screenwriting, Patience and His Next Feature, Blossoms
A debate over power napping (“Hong Kong people have never even heard of that!”) proved least of the memorable things covered by Wong Kar-wai during his appearances at this past winter’s Hawaii International Film Festiva Taking time off from introducing films, appearing at the festival’s gala, and touring the island with his wife (and celebrating her birthday), Wong was kind enough to sit down with Filmmaker one leisurely Friday afternoon, amidst the becalmed tropical surroundings of Waikiki’s Halekulani Hotel. Born in 1958 in Shanghai, Wong “was born in a generation where watching films was the main entertainment for kids. You could […]
by Jason Sanders on May 1, 2019 -
Christopher Doyle, Live and Uncut, at the Big Screen Symposium
Screen luminaries from around the world are invited once a year to New Zealand for its annual industry gathering, the Big Screen Symposium. Last year, guest speaker Sebastiàn Silva (Nasty Baby, The Maid) shared his horror stories of working with Christopher Doyle, who (Silva claimed) exposed himself to everyone on the set of Magic Magic, refused to shoot close ups (“That’s HBO bullshit”) and generally caused chaos. When Doyle himself was announced as a guest speaker for this year’s event, it was clear the Symposium intended to take the announced theme of “Playing With Risk” quite literally. And so from […]
by Doug Dillaman on Sep 28, 2016 -
“Have You Been in Jail Recently?” Chris Doyle on How to Be a Cinematic Artist
The preacher in torn blue jeans and brown suede boots sipped his pint before delivering his sermon as video projections all around flashed clips of films. The church was the open-air foyer at the TIFF Bell Lightbox in downtown Toronto, and about 60 of the faithful gathered Saturday night to hear world-renowned d.p. Chris Doyle pontificate about cinematography, aesthetics, and his alter ego, Dù Kefeng. Last week, Dù Kefeng was one of the stars gathered to launch TIFF’s Century of Chinese Cinema summer program. The program will present the likes of action superstar Jackie Chan and heavyweight producer Nansun Shi, […]
by Allan Tong on Jun 10, 2013 -
Alexis Dos Santos, Unmade Beds
FERNANDO TIELVE AND DÉBORAH FRANÇOIS IN WRITER-DIRECTOR ALEXIS DOS SANTOS’ UNMADE BEDS. COURTESY IFC FILMS. If there’s a restlessness to the filmmaking of Alexis Dos Santos, you only have to look at the background of the young Argentinian writer-director to understand why. Born in Buenos Aires, Dos Santos relocated with his family to a small village in Patagonia when he was eight. He returned to the capital city to study Architecture at the Universidad de Buenos Aires, then moved on to study acting, and finally settled on filmmaking as his vocation. After completing his undergraduate studies at the Universidad del […]
by Nick Dawson on Sep 2, 2009 -
Cannes ’07: Wong Kar-wai on My Blueberry Nights
It’s a rainy mid-day in late August — the wetness welcome, following an intolerably hot week, even by New York City summer standards. At night during that unpleasant spell the postmodern auteur Wong Kar-wai — the master of lush visuals and unpredictable soundtracks, the absolute perfectionist concerned with memory, loss, loneliness, and the subjectivity of time — had been shooting scenes downtown on the West Side of Manhattan, on SoHo’s funky Grand Street, for My Blueberry Nights, his first movie in English and the out-of-competition opening night presentation at this year’s Cannes Film Festival (The Weinstein Company will release the […]
by Jason Guerrasio on May 15, 2007 -
DIVIDED IMAGES
James Seo, whose Lossless Blog covers music, film, and, generally, all things Wong Kar-Wai, has created a new blog, Split Screen. It’s “dedicated to the art of the split screen and multi-layered visuals, as seen in movies, music videos, commercials and other media based on moving images.” Along with various art pieces, music videos (like ones from the Pixies and the B-52s), and links to clips from TV’s primary split-screen narrative, 24, the site highlights makers and projects like artist and designer Brendan Dawes and his Cinema Redux. Some quotes from Dawes’s site: “Using eight of my favourite films from […]
by Scott Macaulay on Aug 20, 2005
