RZA, born Robert Diggs, is most well-known as The Abbot, or leader, of the Wu-Tang Clan. Beyond his musical pursuits, however, he has been building an eclectic body of work in cinema for going on three decades. RZA’s cinematic beginnings can be traced to Jim Jarmusch’s elegant, and elegiac, urban samurai riff Ghost Dog: The Way of the Samurai (1999), for which he composed the score and played a minor role. He then appeared as himself in a trio of early aughts comedies: Coffee and Cigarettes (2003), which re-teamed him with Jarmusch; Scary Movie 3 (2003) alongside fellow Wu-Tang members Method Man, U-God, and Raekwon; and Be […]
by Justin LaLiberty on Apr 29, 2026
The following interview with Jim Jarmusch was originally published as our Spring, 2004 cover story, and it is appearing here online for the first time. — Editor “Why do people go to the cinema?” Andrei Tarkovsky writes in a book of essays, Sculpting in Time. “I think that what a person normally goes to the cinema for,” he goes on, “is time: time lost or spent or not yet had.” Time lost, spent or not yet had is the stuff of Jim Jarmusch’s new feature, his ninth, Coffee and Cigarettes. Consisting of 11 short vignettes, all featuring two or three people […]
by Scott Macaulay on Aug 24, 2019
Here are some of the articles I’ve read this week that I recommend for your Sunday afternoon reading. “Whose Brooklyn Is It Anyway?” wonders A.O. Scott at the New York Times as he considers Spike Lee’s recent comments on the borough’s gentrification: Every city is simultaneously a seedbed of novelty and a hothouse of nostalgia, and modern New York presents a daily dialectic of progress and loss. As Colson Whitehead notes in “The Colossus of New York,” you become a New Yorker — or perhaps a true resident of any place, whether you were born there or not — when […]
by Scott Macaulay on Mar 30, 2014