Want 87 minutes of something bright and beautiful with a cool kind of “hotness?” Try Kimi, a minimalist thriller in which Steven Soderbergh’s camera and an electric-blue-haired Zoe Kravitz move in sync like two rare birds in flight. Kravitz plays Angela Childs, a data stream analyst for a company behind “KIMI”, a more responsive version of the ALEXA smart audio device, that’s about to go public. The movie opens with a sleazy-looking guy doing a Zoom presser from his kitchen (COVID remote rules, a sketchy company or both?) explaining that KIMI is better than other devices because its communication skills are […]
by Amy Taubin on Feb 9, 2022His fifth feature, and the first following his co-directed (with Martha Stephens) breakthough comedy Land Ho!, Gemini returns writer/director Aaron Katz to the character-based neo-noir of his earlier Cold Weather but with the cloudy Portland grays of that film replaced here with a sunlit sensuality befitting the picture’s L.A. setting. Indeed, shooting in his new hometown for the first time, Katz looks for inspiration to the kind of ’80s thrillers — American Gigolo and Bad Influence in particular — that found their treacheries and ambiguities within the city’s sunlit highways, dark nightclubs and oversized mansions. And while city geography is […]
by Scott Macaulay on Mar 31, 2018The soldiers can barely agree to disagree. They are primarily ex-pilots but a few video gamers have recently thrown into this mix that operates drone strikes from the safety of temporary metal trailers on a military base outside the rhinestone city of Las Vegas. The year is 2010; the U.S. drone program is at a new high. Some of these armchair warriors have increasingly strong feelings against the manner in which drones are deployed in places like Afghanistan, Yemen, and Waziristan; others feel that anything goes to keep America safe following the events of 9/11; and a couple are practical […]
by Howard Feinstein on May 14, 2015The below post was written by Billy Mulligan, producer of the SXSW film, Yelling to the Sky. Six days of nonstop on-the-go hustle, with a few moments of pause for food coma recovery. That’s my SXSW in a nutshell. As a SXSW first-timer, I had heard countless times that it’s important to take the time to appreciate the Austin foodscape. After finally experiencing some of the culinary delights myself, it can’t be stressed enough that the Trailer Food culture that is ingrained into every fiber of the city is enough of a reason for any man, woman or child to […]
by Filmmaker Staff on Mar 17, 2011Producer Billy Mulligan, who is attending SXSW with Victoria Mahoney’s Yelling to the Sky, is filing a series of guest blog posts. Here’s the first. I’ve just touched down on Texas soil, a first for this pale-skinned, mid-winter-hibernating New Yorker. It’s a truly wonderful thing to be here conveying my experiences promoting a film I produced that is extremely close to my heart. The film is Yelling to the Sky, a narrative feature born from the rib of debut writer/director/producer, Victoria Mahoney. The occasion is our North American premiere this weekend in the Spotlight section of SXSW. We have flown […]
by Filmmaker Staff on Mar 12, 2011Filmmaker Victoria Mahoney premiered her first feature,Yelling to the Sky, in Competition at the Berlin Film Festival this month, and arriving in the city with her was British graffiti artist Robbo. And by the time of the film’s premiere, the city was the richer for a wall-sized mural of the film’s lead character, Sweetness (Zoe Kravitz). Below, Mahoney writes about the process of finding a home for Robbo’s work. Her story has an ironic coda given Robbo’s recent street rivalry with Banksy. Read on. I always knew I’d be mounting a graffiti piece in tandem with the premiere of Yelling […]
by Scott Macaulay on Feb 26, 2011