Filmmaking - Distribution


Spoiler Alert! How to Tell the Story Without Telling the Story

Amy Adams in Nocturnal Animals

(WARNING: There will be spoilers) When Charlie McDowell’s mysterious film The Discovery debuted at Sundance last January, its distributor, Netflix, premiered a teaser trailer along with it — a good strategy, considering the film’s intriguing premise (that science has proven the existence…  Read more

By Mar 23, 2017

When It Comes to Raw, Focus World Sees Red: On Red Band vs. Green Band Trailers


“Aberrant behavior, bloody and grisly images, strong sexuality, nudity, language and drug use/partying.” So reads the information box on the R rating for Raw, Julia Ducournau’s tasty little horror film about a vegan who becomes a cannibal. Explicit films (gross-out…  Read more

By Feb 15, 2017

Why Make a Microbudget Film? Five Questions for Director Paul Harrill on the Virtues of Ultra-Low Budgets

Something, Anything

Is there a business in microbudget filmmaking? The question is begged by the title of an upcoming class at the IFP’s Made in New York Media Center titled, yes, “The Business of Microbudget Filmmaking.” The program copy reads: In this…  Read more

By Feb 12, 2017

Sundance: Exploring the Implications of Amazon’s New Distribution Play

Earlier this week, Amazon Video Direct (AVD, a department within Amazon focused on self-publishing distribution tools for filmmakers) announced an intriguing new opportunity available to Sundance 2017 feature filmmakers. Dubbed the “Film Festival Stars” program, AVD is offering, in exchange…  Read more

By Jan 20, 2017

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