For art-house movie theaters, already struggling during the pandemic, the wide expansion of Paul Thomas Anderson’s critically acclaimed Licorice Pizza on December 25 was seen as a godsend. When the film opened in late November in just four locations, it generated the year’s best per-screen average (at $83,852) and continued to show staying power in its subsequent weeks in limited release. But last Tuesday, just as theaters were starting to promote their Christmas opening of the film, United Artists Releasing pulled it from hundreds of locations, inciting at least one exhibitor to cry “bah, humbug!” Originally set to be released […]
This is a very weird time for film festivals and filmmakers. During the first year of the pandemic, it was fairly simple: Almost every festival around the world became online only. There were a few exceptions, of course: The Göteborg Film Festival in Sweden stranded one person on a tiny island for a week to watch every film. The Oldenburg Film Festival in Germany had living room premieres. And many festivals pivoted to drive-in and other outside venues (especially where the climate allowed for that). By summer of 2021, the feeling among festival organizers was that now that we have […]
In June Dedza Films and Kino Lorber announced their first collaborative release, an anthology picture, Who Will Start Another Fire, containing nine independent short films by young emerging filmmakers hailing from underrepresented communities. Dedza’s first curatorial and distribution project, the film has already been released through Kino Lorber’s virtual cinema platform, playing day-and-date on TVOD and in select arthouse theaters. And this week there’s physical media: a DVD that features an introduction by Charles Burnett. All told, it’s a robust roll-out that augurs well for the vitality of this new voice in discovery and distribution. The filmmakers included in the […]
NoBudge, the website devoted to ultra-low-budget and truly independent short films, recently launched a major new expansion of the organization’s mission and business: a subscription-based streaming platform that combines films from its collection with new shorts, features and music videos uploaded daily, many of which are exclusive to NoBudge. With Apple TV, Roku, Amazon Fire TV, iOS and Android apps, NoBudge costs $5.99 a month, and 60% of revenues flow back to filmmakers. One of the most remarkable elements of the NoBudge story is that over its history founder Kentucker Audley — selected for Filmmaker‘s 25 New Faces series in […]
Last week, we chronicled the winding but rewarding grassroots impact campaign for our feature documentary on early childhood education, No Small Matter. But we left off at a critical juncture we know many friends and colleagues faced this year — to release or not to release an indie film during a pandemic? Last winter, our team brought on distribution strategist (and this article’s co-author) Jon Reiss to help determine the best way to create a final launch for the film with a theatrical and VOD release to reach beyond our grassroots outreach. With Jon we began working with Abramorama and […]
The past year has thrown everything but the kitchen sink at filmmakers, disrupting distribution timelines, cutting the legs out from under theaters, and depriving our community of opportunities for networking, sales, and press. But there have also been bright spots. While contending with major disappointments this year, many filmmakers have successfully pivoted to unique and impactful releases — models that are worth learning from and iterating on in the years ahead. It’s tempting to reminisce upon the “before COVID” times with rose-colored glasses, but independent filmmakers were struggling to get by long before 2020. Following its completion in 2018, our […]
Amazon’s Prime Video Direct (PVD) service has a message for independent documentary and shorts filmmakers: You need not apply. Last week, Amazon’s PVD self-publishing program issued a change in policy: “At this time, we’re no longer accepting unsolicited licensing submissions via Prime Video Direct for non-fiction and short form content. We’ll notify you if these categories become available for consideration.” Suddenly, one of the largest streaming platforms in the world was out of reach for vast numbers of companies and content creators. Filmmakers across the world have used PVD, while established indie distributors such as Samuel Goldwyn Films, Kino Lorber, […]
On January 26th 2021 my film, LIKE, a feminist noir thriller, debuted on Apple TV, Amazon Prime and others. It has been a long and winding road just to get to the end of the beginning. Part 1 of my article, published in July, details my voyage into the opaque world of film distribution and the ever-evolving influence of streaming, which had for years been diminishing independent film theatrical box office. But then, of course, live audiences were near-obliterated when COVID-19 lockdowns shuttered theaters. In other words, the theatrical exhibition experience was all but gone until who knows when. I […]
December 28, 2020 update: After delaying his signature by several days, President Trump signed the COVID-19 relief package containing the Save Our Stages act. The final specifics of the act, as released by Senator Chuck Schumer’s office, can be found at the conclusion of this article, which has also been updated. Small and mid-sized movie theaters will receive a portion of $15 billion in funds contained within the COVID-19 relief package being voted upon by Congress today. In addition to $600 stimulus payments, an extension of the $300/weekly enhanced federal unemployment benefit and further Paycheck Protection Program (PPP) loans, the package […]
I made a microbudget movie called #LIKE. Amazingly it is wrapped, posted and on the festival circuit, and it has been receiving glowing reviews like this: “Writer/director Sarah Pirozek’s teenage noir #Like pulses with the energy of a ’70s thriller.” Discouraged by stats on Hollywood hiring and women directors — a 2015 DGA report reported that 84% of first-time scripted TV directors were white men — and inspired by the work of independent female filmmakers like Marielle Heller, Laurie Weltz and Anja Marquardt, I decided to stop waiting for permission to make my first feature. Instead of making a short-film calling […]