Before becoming a filmmaker I spent 15 years designing software. Started out as a Mac OS programmer and then moved to Microsoft Windows. My endeavors included all things visual—from icon design and screen layout, to the more abstract design patterns found in system architecture and coding. What I discovered along the way was that the most elegant solutions—the products that worked best, most reliably, and resonated strongly with their user base—were always the most simple and minimalist in design. And there was always room for improvement via testing, focus groups, and refactoring (a techie word for the iterative process of …

Robert Nagle studied mechanical engineering and racecar design before becoming a professional race driver. But when he found out that some of the other drivers were working in the film industry, it piqued his interest. Said Nagle, “What I found was that it fulfilled a creative side of me that I didn’t really realize was there.” He left the racing world and hasn’t looked back, doing stunt driving for a number of films, including The Dark Knight Rises and Drive. One piece of equipment he’s been driving lately is the Biscuit Rig Jr., a driveable platform developed by Allan Padelford …

Kanen Flowers describes himself as a “former technology guy” who got into filmmaking around 2001 with the goal of writing and directing his own material. In 2007, he started work on Jack Forgotten, a project that he says is still in postproduction. Other projects have met with greater success; he started the That Post Show podcast, and a show called That Media Show, and has produced a variety of shorts and web-based content through his production company, Scruffy.tv. At the moment he’s working on Hero Punk, a full-length feature which was shot using the Blackmagic Cinema Camera. Hero Punk is …

On small budget productions, coming up with locations can be a challenge – especially if you need something a bit unusual. An upcoming music video for the band Run 8 Rider required that a single location represent three different time periods to tell its story. Using a borrowed house as the location, director Sean Meehan turned to production designer Riley Fearon to supervise the transformation of the location. In this interview Riley talks about the challenges of working on a small budget, how he approaches production design, and how he came to the field. Filmmaker: For this project what have …

“There are no limits. There are only plateaus, and you must not stay there, you must go beyond them.” -Bruce Lee If you are pursuing something as ambitious as acting or filmmaking, you know that one of the most valuable assets you have is your time. I work full-time as a doctor, and if you work full-time like I do and you want to make it big in the film industry, you’ve got to learn how to make sacrifices and budget your time. For instance, I performed surgery this morning, did an interview at noon, and edited some scenes of …

Maya Landi is Boston-based hairstylist and makeup artist who works on everything from weddings and music videos to horror films. I talked to her recently about her work, how to age characters and how to create a head-shot effect, during the shooting of a music video for the band Run 8 Rider. Filmmaker: What have you been doing for this project? Landi: One of the characters plays a grandfather and a father in different eras in time. I had to do some aging makeup for him, as well as make everybody look appropriate for the era that they are supposed to …