Cinematic innovation is often driven by creative needs. The desire to help viewers connect to stories has resulted in the development of new camera systems, visual effects processes and advancements in audio capture and presentation. Stanley Kubrick’s determination to shoot by candlelight, in order to be authentic to the 18th-century setting of Barry Lyndon, birthed the Zeiss high-speed prime lens. A frustration with the state of theatrical sound in the early 1980s inspired George Lucas to develop THX to ensure pristine audio playback in theaters. When James Cameron wanted a realistic look for Pandora in Avatar, he innovated “performance capture” …

We are swimming in a sea of data. In 2012, Facebook passed the one billion-user mark, 48 hours worth of new video was uploaded to YouTube every minute and Apple received their one-millionth app submission while the Android store listed more than 600,000 apps with more than 20 billion installs. These stats represent an incredible amount of online activity with a decent percentage attributed to a rise in smartphone and tablet usage. Fame and riches await those who can effectively capture and monetize even a small percentage of this activity. In April, Facebook announced that they were acquiring Instagram, a …

I saw Zero Dark Thirty twice. The first time, the auditorium was nearly full. The second, about a week later, there were only two other people. But both times, the auditorium felt empty, as if, in commanding the attention of its viewers, the film left no room for thought. Whether Zero Dark Thirty endorses torture or not has been much discussed elsewhere, and that discussion and debate has, in its own way, framed the very way we think about the movie. And yet there is another form of torture depicted in the film and that is the torture perpetrated by …