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Editor’s Letter
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The Competition
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John David Washington and Adam Driver in BlacKkKlansman
“Nothing is More Gorgeous than When Things Get Real in a Movie”: Editor Barry Alexander Brown on Three Decades Cutting for Spike Lee
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“I Wanted Men to Engage with the Subject of Sexual Violence….”: Nancy Schwartzman on Roll Red Roll
Mar 22, 2019
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“I Had To Tell a Story About Five Guys Working Behind Computer Screens”: Hans Pool on Bellingcat: Truth in a Post-Truth World
Mar 22, 2019
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“I’d Spend 24 Hours with My Family, Fly Back, Sleep for Five Hours and Shoot the Next Day”: Cinematographer Chris Teague on Russian Doll
Mar 21, 2019
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“I Have an Interest in Women Who Are on a Mission, Who Want to Create Impact”: Marie Skovgaard on Her CPH:DOX Opening Night Film, The Reformist
Mar 21, 2019
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SXSW Notebook: E-Scooters, Three Studio Comedies, and the Political Party at the Paramount
Mar 20, 2019
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“What I Discovered Was a Unique Bond Between Man and Dog…”: Heddy Honigmann on Buddy
Mar 20, 2019
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Valuable Mistakes of a First Time Film Editor
Mar 19, 2019
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“Giving Yourself Time to Sculpt”: Pawel Pawlikowski’s Qumra Masterclass
Mar 19, 2019
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Back to One, Episode 50: Michael Mando
Mar 19, 2019