Dan Mirivish on the Bahamas pier at the Bahamas International Film Festival
The Competition
John David Washington and Adam Driver in BlacKkKlansman
“I Wanted Men to Engage with the Subject of Sexual Violence….”: Nancy Schwartzman on Roll Red Roll
Mar 22, 2019
“I Had To Tell a Story About Five Guys Working Behind Computer Screens”: Hans Pool on Bellingcat: Truth in a Post-Truth World
Mar 22, 2019
“I’d Spend 24 Hours with My Family, Fly Back, Sleep for Five Hours and Shoot the Next Day”: Cinematographer Chris Teague on Russian Doll
Mar 21, 2019
“I Have an Interest in Women Who Are on a Mission, Who Want to Create Impact”: Marie Skovgaard on Her CPH:DOX Opening Night Film, The Reformist
Mar 21, 2019
SXSW Notebook: E-Scooters, Three Studio Comedies, and the Political Party at the Paramount
Mar 20, 2019
“What I Discovered Was a Unique Bond Between Man and Dog…”: Heddy Honigmann on Buddy
Mar 20, 2019
Valuable Mistakes of a First Time Film Editor
Mar 19, 2019
“Giving Yourself Time to Sculpt”: Pawel Pawlikowski’s Qumra Masterclass
Mar 19, 2019
Back to One, Episode 50: Michael Mando
Mar 19, 2019
Back to selection
Recent graduates of the David Lynch MFA in Screenwriting Program with David Lynch at his studio in Los Angele, December 2018 (Photo by Juliet Jarmosco) 