In honor of the Criterion release of The Complete Jacques Tati, David Cairns looks at the building blocks of the auteur’s visual gags in PlayTime, his finely choreographed exploration of technology and the modern era. In particular, Cairns examines Tati’s use of reflections and mirror images, as well as the illusion of space, which all play into the rigidity of the film’s expansive set pieces and its fractured narrative.