One of the buzz titles at the Tribeca Film Festival this year is director Sam Fleischner’s sophomore feature, Stand Clear of the Closing Doors. The film has a compelling premise, as it deals with Ricky (Jesus Sanchez-Velez), an autistic 13-year-old boy from Brooklyn’s Rockaway Beach, who runs away from home and spends days on end traveling around on the New York subway system as his mother (Andrea Suarez) and sister (Azul Zorrilla) do their best to find him. Fleischner’s movie also garnered a modicum of attention as it was shot partly during Hurricane Sandy, and ultimately incorporated the storm into […]
by Nick Dawson on Apr 23, 2013Yesterday, David Lowery’s Ain’t Them Bodies Saints was the sole U.S. entry in Critics’ Week, playing in a special screening. However, in the Directors’ Fortnight lineup, there is a more healthy dose of U.S. filmmakers. Magic Magic, one of two films starring Michael Cera that New York-based Chilean director Sebastian Silva premiered at Sundance, makes the leap from Park City to the Croisette, as does Jim Mickle’s cannibal movie We Are What We Are, starring “25 New Face” Julia Garner. Jeremy Saulnier, maybe better known as a stalwart indie cinematographer, premieres his second feature, Blue Ruin, in the strand, while […]
by Nick Dawson on Apr 23, 2013In 2008, Noah Baumbach surprised many people by teaming up with Joe Swanberg, first on a couple of Saturday Night Live Digital Shorts (which Baumbach directed and Swanberg shot), and then on Alexander the Last, Swanberg’s fourth feature, which Baumbach produced. The director of The Squid and the Whale and Margot at the Wedding seemed to have little in common with the most prolific of the mumblecore directors, but the association was indicative of a desire on Baumbach’s part to reinvent himself and find new ways of working. For his 2010 comedy drama Greenberg, Baumbach recruited Swanberg’s former muse (and […]
by Nick Dawson on Apr 23, 2013A hit on last fall’s festival circuit was A Hijacking, writer/director Tobias Lindholm’s smart, gripping thriller about a Danish cargo ship captured by Somali pirates. (Writing about the movie in the previous issue of Filmmaker, Aaron Hillis called it “a tack-sharp, heart-in-the-throat Danish procedural,” while Adam Cook called it the best film he saw at the Abu Dhabi Film Festival.) The critical success of A Hijacking, released stateside by Magnolia on June 14, has brought some much-deserved international attention to Lindholm, who is a highly active and well-respected figure in Denmark. He made his feature debut in 2010 with the […]
by Nick Dawson on Apr 23, 2013Though the film only debuted at SXSW last month, Ornana’s euphonia is already out in the world, with the six-man collective we selected for our 2012 “25 New Faces” opting to generously stream it for free on Vimeo. I’ve been a huge fan of the film since I saw it in rough cut last summer, and it solidified my conviction that director Danny Madden and his collaborators — wh0 had previously made the charming animated short (notes on) biology — were on to something special. To further whet you appetitite, here’s Scott’s take on the film from SXSW: A real […]
by Nick Dawson on Apr 22, 2013Thanks to our friends at Focal Press, Filmmaker has two copies of Michael Rabiger and Mick Hurbis-Cherrier’s newly updated book, Directing: Film Techniques and Aesthetics, which is recommended by USC professor Jeremy Kagan as “the only comprehensive book on filmmaking that I recommend to my students.” This current edition, the book’s fifth, has been fully updated to be relevant to today’s readership and not only features practical exercises and immersive projects, and also has a website that complements and expands on all that is featured in the book. To win a copy of the book, simply email nick AT filmmakermagazine DOT […]
by Nick Dawson on Apr 19, 2013Between 2008 and 2011, Brooklyn-based documentary filmmaker Sean Dunne built a burgeoning reputation for himself with a series of short films that demonstrated both his strong visual sense and his ability to skilfully capture the world of his subjects. The standout films from this period were The Archive, a portrait of the largest collection of vinyl records in the U.S. and its owner, and American Juggalo, which featured devoted Insane Clown Posse fans at the annual Gathering of the Juggalos. Now Dunne has broadened his focus and made his debut feature, Oxyana, which zeroes in on the town of Oceana, […]
by Nick Dawson on Apr 19, 2013When François Ozon first started making features some 15 years ago, with films like Sitcom, Criminal Lovers and the Fassbinder adaptation Water Drops on Burning Rocks, he showed himself to be a raw, edgy and insistent talent. His ambition and style were at the fore in those early efforts, but over the years as he has continued to make movies — at the breakneck pace of almost one per year — he has visibly matured as a filmmaker. During his career he has done everything from colorful, large-scale retro musicals (8 Women) to bleak, formally rigorous relationship dramas (5×2) to lavish […]
by Nick Dawson on Apr 18, 2013Yesterday, a relatively convincing hoax lineup was “leaked” to a few websites, which presented a tantalizing vision of what Cannes 2013 had to offer. This morning, however, the real slate has been unveiled and its actually even more stacked with big name directors and exciting films. In competition, there are the new titles from U.S. directors Steven Soderbergh (his HBO “non-film” on Liberace), Alexander Payne, James Gray and the Coen brothers, with Europe represented by films from auteurs such as Paolo Sorrentino, François Ozon, Arnaud Desplechin, Abdellatif Kechiche (The Secret of the Grain), Nicolas Winding Refn, Valeria Bruni Tedeschi and Roman Polanski. From […]
by Nick Dawson on Apr 18, 2013Though I’m a huge Stone Roses fan and a big admirer of Shane Meadows, for some reason I was not aware that, to celebrate the band’s return after a 20-year absence, the director of This is England had been commissioned to make a documentary about Ian Brown and co. This is the first trailer for the film, which looks like it will be both a look back at the group’s history and an intimate chronicling of its surprising resurrection. The Stone Roses: Made of Stone is out in the UK in June, but as far as I’m aware there are […]
by Nick Dawson on Apr 17, 2013