Authors — Ariston Anderson
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Five Questions with The Great Beauty Director Paolo Sorrentino
The interview below first ran as part of Filmmaker‘s coverage of the 2013 Cannes Film Festival, where The Great Beauty had its world premiere. It is released today through Janus Films. Paolo Sorrentino’s latest film, The Great Beauty, premiered in competition in Cannes this year, wowing fans with its over-the-top depiction of modern Rome. Seen through the sad eyes of an aging journalist, Jep Gambardella (Toni Servillo), the film uncovers a series of unsettling scenes where everyone in Rome aims to be an actor on his or her own stage. And Jep is at the center of it all, a man who squandered his […]
by Ariston Anderson on Nov 15, 2013 -
10 Lessons on Filmmaking from Director Alejandro Jodorowsky
Alejandro Jodorowsky premiered his first directorial feature in 23 years at Cannes this year with the fictionalized autobiographical film The Dance of Reality. The man behind cult favorites El Topo and The Holy Mountain delighted audiences with his magic-realist account of growing up in Tocopilla, Chile. It was met with a standing ovation, and the director called the film’s reception in France one of the proudest moments of his life. The Dance of Reality is marked by fantastic, surreal characters, from an opera-singing mother to an overzealous anarchist to a painted religious guru. It is easy to see how Jodorowsky’s […]
by Ariston Anderson on Jun 17, 2013 -
Five Questions with The Great Beauty Director Paolo Sorrentino
Paolo Sorrentino’s latest film, The Great Beauty, premiered in competition in Cannes this year, wowing fans with its over-the-top depiction of modern Rome. Seen through the sad eyes of an aging journalist, Jep Gambardella (Toni Servillo), the film uncovers a series of unsettling scenes where everyone in Rome aims to be an actor on his or her own stage. And Jep is at the center of it all, a man who squandered his writing talents in exchange for a hard-partying lifestyle. He is surrounded by characters too distracted by their urban surroundings to make anything meaningful. Yet behind every image of decadence […]
by Ariston Anderson on Jun 14, 2013 -
Ten Lessons on Filmmaking from Director Takashi Miike
Few directors out of Japan are as controversial as Takashi Miike, a man who has been surprising audiences for years with anything from stomach-wrenching horror films to slick yakuza films to happy-go-lucky children’s films, with no less than 70 directing credits to his name. This year at Cannes he surprised fans perhaps more than ever before by premiering his most mainstream film yet, a smart thriller that seems to be begging for a Hollywood remake. Shield of Straw follows a team of security police who must transport a psychopathic killer across Japan to Tokyo for trial. The criminal in question […]
by Ariston Anderson on Jun 3, 2013 -
Cannes 2013: Five Questions with Miele Director Valeria Golino
Never one to shy away from difficult topics, Italian actress Valeria Golino chose the subject of euthanasia for her feature directorial debut, Miele. Showing the human stories behind an issue few want to discuss, with Miele Golino succeeds in creating a film that is both touching and sincere. Playing in this year’s Un Certain Regard in Cannes, it tells the story of a young Italian women, Irene (Jasmine Trinca), who travels once a month to Mexico to buy over-the-counter barbiturates designed to put dogs to sleep. Back home, Irene goes by the name Miele, or “Honey,” delivering the drugs to terminally ill […]
by Ariston Anderson on May 31, 2013 -
Cannes 2013: Five Questions with The Congress Actor Danny Huston
Few movies were so widely talked about at Cannes as Ari Folman’s The Congress, a part live-action, part-animated adaption of Stanislaw Lem’s sprawling sci-fi novel. It’s a film that explores society’s obsession with celebrity culture, its constant need for escapism, and what effects technology may have on the future of storytelling. In addition to the gorgeous, other-worldly animation, the acting is stunning, with unforgettable performances by Robin Wright as the aging actress, Harvey Keitel as the hustling agent, and Danny Huston as the scary studio executive, Jeff. Huston nails the character of Jeff, creating both a serpentine man who’s all […]
by Ariston Anderson on May 29, 2013 -
Cannes 2013: Five Questions with The Congress Director Ari Folman
It’s been five years since Ari Folman came out with the Academy Award-nominated Waltz with Bashir, an animated personal combat story. He’s back with an incredibly ambitious project, The Congress, that blends real life with fantasy in an adaptation of Stanislaw Lem’s celebrated book. The movie opens with actress Robin Wright being scolded by her agent, played by Harvey Keitel, for all the poor choices she’s made throughout her career. Faced with a sick child and no job prospects, she meets with Jeff, the studio head of Miramount, a daunting figure played impeccably by Danny Huston. Jeff is sick of […]
by Ariston Anderson on May 28, 2013 -
Ten Lessons on Filmmaking from James Franco
There’s a trend in actor-turned-director helmed films at Cannes this year, an impeccable direction of the people on screen. You can tell there’s a sense of trust and cohesive goal to create something great. One of the clearest examples of this is James Franco’s new feature film, As I Lay Dying, based on the great American classic by William Faulkner, the story of the death of Addie Bundren and her family’s quest to honor her wish to be buried in the town of Jefferson. The vivid characters have come to life on the big screen through Franco’s split-screen filmmaking, led by […]
by Ariston Anderson on May 21, 2013 -
Cannes 2013 Opens with 3-D Glamour, Call Girls & Sci-Fi Animation
This year’s 66th Cannes Film Festival opened with a venerable love fest at the Jury Press Conference on Wednesday. Led by Steven Spielberg, this year’s panel drew an incredible mix of cinema talent Ang Lee, Nicole Kidman and Christoph Waltz, as well as Romanian director Cristian Mungiu and Scotland’s Lynne Ramsay. Spielberg and Lee admitted to the assembled press that they absolutely worshipped each other, despite being pitted up against each other at the Oscars this year. Although Spielberg said he was ready to judge, he claimed, “I look at this as two weeks of celebrating film, not two weeks […]
by Ariston Anderson on May 18, 2013 -
Five Questions with Night Train to Lisbon director Bille August
Danish film director Bille August has consistently brought a strong vision to international stories. He is best known for Pelle the Conqueror, the 1987 film about Swedish immigrants in Denmark, which received the Palme d’Or, the Academy Award and the Golden Globe. He is one of the few directors who have won the Palme d’Or twice, putting him in the ranks of Francis Ford Coppola, Emir Kusturica, and the Dardenne brothers. His second came with the 1992 film The Best Intentions, a semi-autobiographical family story written by Ingmar Bergman. Twenty years ago August explored love and revolution in The House […]
by Ariston Anderson on Mar 29, 2013
