Authors — Brandon Harris
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Desert Storm: the 7th Abu Dhabi Film Festival
Poor Tobe Hooper. It’s got to be tough to be best known for movies made over 40 years ago and desperate enough for a paycheck to make something like Djinn, the first movie I saw at this year’s Abu Dhabi Film Festival and perhaps the most astoundingly inane motion picture I’ll see all year. “Rosemary’s Baby meets The Shining in an ominously empty residential tower halfway between Dubai and Abu Dhabi” is apparently a pitch that gets you $9 million from ImageNation, the Abu Dhabi-based film finance outfit to make a rote and clumsy and predictable horror movie, with waves […]
by Brandon Harris on Nov 8, 2013 -
Prairie Song: Felix Van Groeningen on The Broken Circle Breakdown
The Broken Circle Breakdown spares you no sentiment at all. It’s willfully melodramatic and all the better for it. A broad, decade-spanning tale, set in an almost unthinkably weird but remarkably compelling European subculture. Belgian filmmaker Felix Van Groeningen’s newest film, a double prize-winner at Tribeca this year, leaps into loss and love and faith amidst the story of a Dutch couple, bluegrass musicians of all things, who confront, in vastly different ways, the untimely death of their young child. Set largely in the Flemish countryside, the movie goes back and forth in time, dancing from the start of the couple’s […]
by Brandon Harris on Oct 30, 2013 -
The Subject as Auteur: Jonathan Demme on Enzo Avitabile Music Life
Italian jazz saxophonist and composer Enzo Avitabile might not be a household name in the States, but in the annals of world music he’s quite a fixture. In his native Naples he is so famous that when he visits the neighborhood of his youth, folks bustle into the streets and onto rooftops and balconies to lay eyes on him. A scholar of jazz, he can hold court on the evolution of the form as long as you’d like him to, although as Academy Award-winning director Jonathan Demme discovers in his newest concert film, Enzo Avitabile Music Life, that may not […]
by Brandon Harris on Oct 25, 2013 -
A More Perfect Union: Joe Brewster and Michele Stephenson on American Promise
In the increasingly tony Fort Greene neighborhood just east of downtown Brooklyn, filmmakers Michele Stephenson and Joe Brewster raised a son named Idris. Very early on in his youth, just as their son was about to become one of the few young black males to enroll in The Dalton School, a vaunted Upper East Side prep school that either trains young masters of the universe in the ways of maintaining their hegemony or educates a diverse set of the city’s best students in a humane and liberal environment (all depends on your outlook), the couple decided to make a documentary. […]
by Brandon Harris on Oct 18, 2013 -
Spook Country: Spencer McCall on The Institute
Just what the hell was the Jejune Institute? After watching Spencer McCall’s fascinating and intentionally puzzling documentary The Institute, I’m still not quite sure. An interactive, multimedia, experiential game, based in a nondescript building in San Francisco’s central business district that thrives of]n the memory of a woman who disappeared into the Bay Area night a quarter century ago and never returned? Perhaps, I guess. A scripted experience surely, an alternate-reality game involving participants in events both spooky and merely bizarre, including scavenger hunts to fairly ominous locales, mock public protests and sundry hijinks that would feel right at home […]
by Brandon Harris on Oct 11, 2013 -
New Mexican Films Shine at the Zurich Film Festival
Quickly gaining stature as one of the best of Europe’s newer players on the fall festival scene, the Zurich Film Festival wrapped its ninth edition last weekend after it’s longest and most wide ranging event yet. One hundred and twenty-two films screened over the course of 11 days in Switzerland’s largest city, one which besides being a capital of world banking is among of the oldest continuous settlements in Europe, dating back over 6,400 years. The festival, run by Karl Spoerri and Nadja Schildknecht, featured its most star-studded group of guests yet, with the likes of Harvey Weinstein, Harrison Ford, […]
by Brandon Harris on Oct 10, 2013 -
In Mid-Coast Maine, Documentaries Take Center Stage: The 2013 Camden International Film Festival
Christened Megunticook (“great swells of the sea”) by the long eradicated Penobscot Abenaki native American tribe that first lived in the region before it took turns being in the hands of the French and British during colonial times, the town of Camden, Maine is these days primarily a summering community for the northeast’s wealthy; its tiny population of just over 4,000 triples in size between Memorial and Labor Days. No wonder — the natural beauty of the place is quite stunning. It’s rolling hills and mountains, those great swells of the sea the PA’s were referring to, are covered in […]
by Brandon Harris on Oct 4, 2013 -
Philadelphia Fire: Jason Osder on Let the Fire Burn
Jason Osder’s searing Let the Fire Burn is a look back at a damning chapter in American history, a moment so outrageous and shameful and multifaceted that all our culture could do was turn around and walk the other direction. A found-footage marvel with no narration and sparse title cards, it dives into the maelstrom that was the Philadelphia police’s tragic raid on the black separatist group MOVE’s West Philadelphia compound in 1985, during which the home, where 13 men, women and children lived, was fired upon 10,000 times, doused with enormous amounts of water and then finally firebombed, an event […]
by Brandon Harris on Oct 3, 2013 -
Strange Fruit: Jim Mickle on We Are What We Are
Jim Mickle, whose 2010 post-apocalyptic monster picture Stake Land launched him into the top tier of filmmakers making artfully rendered low-budget horror pictures, is back with a lyrically photographed, deeply felt family drama that also happens to be about people that eat other people. In his remake of Jorge Grau’s fabulous 2011 Mexican shocker/political satire/cannibalism-themed exercise in existential miserablism We Are What We Are, Mickle moves the action from a hideously corrupt Mexico City to the rainy forests of the rural Catskills. It opens with the sudden and distressing death of a mysteriously stricken woman, Emma Parker (Kassie DePaiva). Her family, […]
by Brandon Harris on Sep 27, 2013 -
Critics Notebook: 2013 Urbanworld Film Festival
Among the winners at last weekend’s Urbanworld Film Festival, Yoruba Richen’s The New Black, which took home the competition prize for best documentary, was the standout of the festival’s largest slate in its 17-year history. A probing look in the mirror, it confronts homophobia in the black community and its most important institutions (the church) through the prism of Maryland’s landmark passage of gay marriage during last year’s election. Richen talks to black Marylanders from all walks of life and activists on both sides of the ballot issue, from Conservative clergyman to LGBT volunteers, coaxing incredible candor from most of […]
by Brandon Harris on Sep 27, 2013
