If two recent adaptations of the “Snow White” tale offer any indication, the film industry takes the modern revisionist’s pleasure in applying its cutting-edge tools to the creaky joints of bedtime stories. But Spanish director Pablo Berger swerves away from the familiar path taken by the likes of Snow White and the Huntsman and Mirror Mirror. His latest, Blancanieves, is a silent black-and-white film that appropriates more of the old than the new — and yet it feels fresher than the rest. The binary palette is no limitation, rendering the velvety texture of shadows and the film’s gothic sensibility. Berger […]
by Esther Yi on Mar 29, 2013Cayetana de los Heros, the eight-year-old protagonist of The Bad Intentions, is precociously preoccupied with death. She idolizes her nation’s independence heroes, imagining the many exotic ways in which they have been executed for their valor. “Massacre, massacre,” she whispers into the ears of her sleeping cousin. Beautifully shot in steely gray and blue hues that look cold to the touch, The Bad Intentions moves away from the conventional pastel-hued whimsy often used to depict childhood. Death — the fear and the fact of it — quietly pervades the entire film. Cayetana’s divorced parents mean well but have too many […]
by Esther Yi on Dec 17, 2012If you were to view the documentary Trashed without audio, the visuals alone would leave a strong impression: Our globe, as captured by the camera’s sweeping gaze, is loaded with staggering amounts of waste. Household rubbish, rotting animals, matted paper and plastic form mountains many yards high, towering ominously over oceans and towns. Steam drifts from the mounds, like great animals giving off heat. According to Trashed, we throw away 200 billion plastic bottles and 58 billion disposable cups every year — figures we’ve likely heard before, but easily forget for lack of visual perspective. Candida Brady’s film provides just […]
by Esther Yi on Dec 14, 2012In the documentary The Loving Story, Richard and Mildred Loving say very little, preferring to lean in close, exchange meaningful glances, and drape an arm around the other. Hardly exhibitionist, the two seem unlikely candidates as powerful, public symbols of the fight for marriage and racial equality during the Civil Rights era. Mildred, of African American and Native American descent, met Richard, a white neighbor, in a small Virginia community where, as he says, “there’s a few white and there’s a few color” who “mixed together” without trouble. The couple married in Washington, DC in 1958 and returned to Virginia. […]
by Esther Yi on Dec 11, 2012New York City’s taxi drivers are as ubiquitous as they are invisible. In his new documentary Drivers Wanted, Joshua Z Weinstein takes the passenger seat — often literally — and trains his camera on the men at the wheel, as well as the gristly mechanics and staff who work behind the scenes at a Queens-based taxi company. Though this may be a niche community, larger economic forces are clearly at play: many of the drivers are bankrupt, broke, or struggling to support their families. From the bustle of the garage, full of camaraderie and occasional conflict, emerge several key characters […]
by Esther Yi on Dec 3, 2012Upon discovering his “inner hippie” many years ago, Duncan Bridgeman left a successful career in music production — for artists like Paul McCartney, no less — and committed himself to “taking things out of their boxes,” he said in a recent conversation with Filmmaker. His desire to challenge musical convention introduced a new artistic medium altogether to his work: film. Bridgeman joined forces with Jamie Catto, from the electronica band Faithless, to create the multimedia project “1 Giant Leap.” True to their name, the pair traveled to over 20 countries, where they shot film of musical performances and interviews that […]
by Esther Yi on Nov 30, 2012