Authors — Filmmaker Staff
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“We Learned to Lean into the More Lyrical Aspects of the Story and Let the Emotion Carry the Day”: Editors Michael Taylor and Jeff Betancourt on Nine Days
In an alternate reality, Will (Winston Duke) carries the burden of choosing which among nine candidates has what it takes to be born into the world as a full-fledged human being. Nine Days follows these souls through a series of trials designed to determine who among them will receive the gift of life and personhood, and who must resign from existence once the nine days are complete. Editors Michael Taylor and Jeff Betancourt delve into the many screenings, cuts and reworks that went into shaping director Edson Oda’s film. Filmmaker: How and why did you wind up being the editor of your […]
by Filmmaker Staff on Feb 3, 2020 -
“I See How Prevalent Transphobia Was and Still Is All Over the Media We Consume”: Editor Stacy Goldate on Disclosure: Trans Lives on Screen
Director Sam Feder grapples with the legacy and representation of transgender actors and characters onscreen in Hollywood. While these depictions have been overwhelmingly negative and lacking in a nuanced understanding of trans identity, the reality of American anxieties surrounding gender are explicitly conveyed through these depictions. Featuring interviews with Laverne Cox, Lily Wachowski and Yance Ford among other trans thinkers and creatives, Disclosure: Trans Lives on Screen chronicles a difficult legacy of trans characters in the industry, while also pointing to a more fruitful future for trans actors and representation on screen. Editor Stacy Goldate speaks about the use of […]
by Filmmaker Staff on Feb 3, 2020 -
“There Was So Much to Shoot in Such Little Time”: DP Matt Maio on La Leyenda Negra
In Compton, California, a teenage girl named Aleteia copes with being the new girl at school by immersing herself in underground activism. Aleteia grew up in the United States, but as an immigrant from El Salvador, she suddenly finds her protected status under attack. During this tumultuous time, Aleteia unexpectedly falls in favor with one of the most popular girls at school, Rosarito, and as their friendship blossoms, Aleteia finds it more important than ever to find a way to stay in her hometown. DP Matt Maio talks about the advantages of working with director Patricia Vidal Delgado and the […]
by Filmmaker Staff on Feb 3, 2020 -
“Not Playing Any Moment Expressly for Laughs Without Emotion”: Editor Robert Grigsby Wilson on The 40-Year-Old Version
Radha Blank writes, directs and stars in The 40-Year-Old Version, about a woman named Radha who struggles with the stigma of being single and struggling with her art at the age of 40. After what seems like a barrage of rejections from theater companies, Radha finally feels reinvigorated when she revisits her long-forgotten love of rapping. She eventually feels torn when interest is finally shown for a play of hers when she is in the midst of working on a rap demo tape. Editor Robert Grigsby Wilson talks about his own love of hip-hop, his own professional trajectory as an […]
by Filmmaker Staff on Feb 3, 2020 -
“Pretty Much Everything in Life Influences My Shooting”: DP Reuben Aaronson on The Cost of Silence
On April 20, 2010, BP’s Deepwater Horizon offshore drilling unit experienced a deadly explosion that would be the worst environmental disaster in U.S. history. Over the course of 87 days, 130 million gallons of oil spilled into the Gulf of Mexico, and deadly chemicals were used in the lengthy clean-up process that civilians and workers were not warned about, leading to the effective poisoning of those in close proximity of the disaster. The U.S. government and the petrol companies have not been held accountable for the misuse of this chemical nearly a decade after the incident occurred. DP Reuben Aaronson […]
by Filmmaker Staff on Feb 3, 2020 -
“It Was Primarily a Process of Just Grinding It Out. And Grinding…And Grinding”: Editor Joe Beshenkovsky on Into the Deep
On August 10, 2017, journalist Kim Wall accompanied Peter Madsen on his homemade submarine in order to report a story about the charismatic inventor—but she never emerged to write the story, as Madsen murdered her while the submarine was submerged in the waters outside of Copenhagen. The murder shocked the global community, prompting discussions about protections for journalists and the underlying cruelty of Madsen. Director Emma Sullivan had actually began documenting Madsen the year before he murdered Wall, eventually culminating into the documentary Into the Deep about the culture surrounding Madsen and what led to Wall’s murder. Editor Joe Beshenkovsky […]
by Filmmaker Staff on Feb 3, 2020 -
“Getting Things Right Is Always an Exercise in Perseverance”: Editor Steven Moyer on La Leyenda Negra
Aleteia, a teenage girl from El Salvador who has spent most of her life in the U.S., finds herself as the new girl at a high school in Compton, California. Amid the awkward feelings of being an outsider, Aleteia finds solace in underground activism, where she feels valued and heard. But suddenly, her own protected status as an immigrant comes under attack, and she unexpectedly finds comfort in a budding friendship with Rosarito, one of the most popular girls at her school. Finally feeling a sense of belonging, Aleteia takes it on herself to figure out a way to stay […]
by Filmmaker Staff on Feb 3, 2020 -
“The Physical Demands Were No Small Challenge”: DP Lincoln Else on Rebuilding Paradise
After a devastating wildfire nearly decimated the town of Paradise, California on November 8, 2018 and left 85 people dead, the townspeople of Paradise decided to embark on an ambitious rebuilding of the town as opposed to abandoning it. While thousands of citizens were displaced—some still effectively remaining refugees—the inherent beauty of the Sierra Nevada foothills and the strong sense of community among the remaining residence was enough to guide the community through tremendous grief and inspire hope once again. DP Lincoln Else talks about the difficulties in presenting the day of the fire and the unique challenges of shooting […]
by Filmmaker Staff on Feb 3, 2020 -
“We Wanted the Stories to Speak for Themselves, Without Distractions”: DP Ava Benjamin Shorr on Disclosure: Trans Lives on Screen
The portrayal of trans characters and their experiences comes under much-needed scrutiny in Sam Feders Disclosure: Trans Lives on Screen. Utilizing an archive of trans representation in media throughout the years along with interviews with transgender creatives and thinkers, Feder argues that the exploration of trans stories has often been one-dimensional, disparaging and reflective of our society’s anxieties regarding sex and gender. DP Ava Benjamin Shorr delves into the importance of shooting anamorphic for this film while also navigating the technical difficulties of lighting (and pesky windows). Filmmaker: How and why did you wind up being the cinematographer of your […]
by Filmmaker Staff on Feb 3, 2020 -
“A Bright Slice of Pepperoni”: Max Barbakow | Palm Springs
Whether capturing or creating a world, the objects onscreen tell as much of a story as the people within it. Whether sourced or accidental, insert shot or background detail, what prop or piece of set decoration do you find particularly integral to your film? What story does it tell? Led by our production designer, Jason Kisvarday, the art department was incredibly imaginative, passionate, and a bit twisted (in the best way), spoiling me with inspired options for every design choice. I had a lot of fun with the dream team of Marcy Silver (prop whiz) and Kelsi Ephraim (set dec) […]
by Filmmaker Staff on Feb 3, 2020
