Since part of the mission of Stranger Than Fiction is to promote “lost gems,” it should come as no surprise that programmer Thom Powers would choose to screen Dziga Vertov’s Man With A Movie Camera, a little seen (outside of film schools) Soviet classic that has had a profound influence on everything from Jean-Luc Godard to car commercials. A mish-mash of documentary material and visual effects, Man With a Movie Camera is a rapidly edited documentary experiment — and perhaps the world’s first music video. Last night’s screening featured a modern score arranged by John Walter, an editor and filmmaker […]
by Mary Anderson Casavant on May 26, 2010Like history itself, historical documentaries tend to be written by the winners – experts whose “greatest hits” style approach is as comforting as the muzak that plays underneath their interviews. Last night’s Stranger Than Fiction featured director Robin Hessman’s My Perestroika, a documentary so good at breaking the rules of historical docs that it makes you question why anyone ever follows them. Hessman focuses on the Meyersons, an ordinary Moscow couple who teach history at the same school they attended as children. Struggling to articulate what it meant to grow up Soviet to a group of students that did not, […]
by Mary Anderson Casavant on May 19, 2010For enthusiasts of Second Life, a 3-D virtual world that enables users to interact with each other through avatars, all the hype surrounding Avatar must have seemed kind of overblown. After all, they’d been living their own science fiction fantasies for years, and their virtual world reflects the fantasies of millions of people, not just Mr. Cameron’s. Last night, Stranger Than Fiction featured a screening of Life 2.0, a dreamy documentary that explores what happens when people start living a Second Life. Director Jason Spingarn-Koff explores the phenomena from the inside – his filmmaker avatar straps on a digital camera and […]
by Mary Anderson Casavant on May 12, 2010It may be hard to imagine, but there was a time when documentaries about off-brand sporting events and competitions were a rare thing. In this pre-Spellbound era, Pin Gods managed to make a small bowling-ball sized splash at the Toronto festival, only to fall through the cracks of the distribution system (a fact bemoaned last night by one of Pin Gods’ biggest fans, Stranger Than Fiction programmer Thom Powers). A film about what its director Larry Locke calls, “the small dream,” Pin Gods is an endearingly humane look at four men, each one trying to make a life out of professional […]
by Mary Anderson Casavant on May 5, 2010Despite being born and bred on our shores, Mormonism is still something of a fringe religion. For a lot of Americans, there’s something vaguely worrying about its army of clean-cut, nametag wearing missionaries. Neither Hollywood nor the independent film scene have helped the Mormon case for normalcy – their portrayals tend to fixate on the church’s checkered history with polygamy. Last night’s Stranger Than Fiction featured Cleanflix, a sympathetic look at the more mainstream side of Mormon culture. Directed by Andrew James and Joshua Ligairi, two filmmakers who grew up in the tradition (James is no longer practicing, but Ligairi […]
by Mary Anderson Casavant on Apr 28, 2010