Authors — Matt Prigge
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“Audio Is A Very Visual Medium”: The Makers Of ESPN’s 30 For 30 Podcast On Working Without Images
The team behind the ESPN podcast 30 for 30 hate the word “podcast.” They think “audio documentaries” is a better fit. “The word podcast is just so unhelpful,” said Jody Avirgan, the show’s host and executive producer. “A lot of people hear ‘podcast’ and think two people in a room talking. I like those podcasts. But we’re trying to do stuff that’s much more akin to a short film than to that kind of podcast.” Of course, the 30 for 30 audio documentary series only exists because of film. They’re a spin-off of the 30 for 30 films, which began […]
by Matt Prigge on Sep 20, 2018 -
“There’s Nothing in the Story That Predetermines That the Creature Becomes a Monster”: The Makers Of Frankenstein A.I. On Being Optimistic At IFP Week 2018
What is Frankenstein A.I.? The name itself is something of a Janus symbol, looking back to classic literature—an early work of horror and, lest we forget, of science-fiction—while looking forward to our potentially human-less future. And like Mary Shelley’s creature itself, it’s something of a patchwork, stitched together from different mediums. It’s part installation, part theater, part audience participation, part improv, even part dance. It’s not quite film, though there is a screen with moving images. Whatever it is, it premiered—under the full name Frankenstein A.I.: A Monster Made By Many—at Sundance last winter, earning raves and awe. Perhaps most […]
by Matt Prigge on Sep 20, 2018 -
“We Just Have To Go One Gentle Step After Another”: Members of England’s The Space Arts Council On Embracing New Digital Platforms at IFP Week 2018
To be in the arts right now is to be excited and scared, often at the same time. The old ways are dying, but no one actually knows what the new ways even are. There’s so much potential in the digital landscape, but it’s unclear how it can be used—to find audiences, to fix old (and new) problems, to maybe even make money. These are issues that consume those involved with The Space, an English arts council set up at the BBC not only to fund art but to find new ways to get them out into the world. “There […]
by Matt Prigge on Sep 20, 2018 -
‘Nobody Wanted This Story’: Paula Eiselt And Heidi Reinberg On Making 93Queen At IFP Week 2018
Here’s a typical story about a documentary (or an indie, or occasionally even an experimental film): It cruises the festival circuit, likely at Sundance. It builds up buzz. Perhaps it collects some awards. It scores a distributor. Several months — or even a year, now and then even years — later it opens in theaters, riding on hazily recalled accolades and hopefully at least polite reviews. It is or isn’t a success, and there’s a chance it spends eternity lost in the vast bowels of iTunes. Some people (and a few reviewers) assume this is the tale of 93Queen, Paula […]
by Matt Prigge on Sep 19, 2018 -
‘We Know You, But You Guys Don’t Know Us’: Female Filmmakers Talk Diversity And Inclusivity At IFP Week
Gender and inclusivity are two key buzzwords floating about the film world these days, but how are these ideas being implemented? Are they being implemented? And are these issues always binary, black and white? Talking to filmmakers who aren’t Caucasian, male and/or cis, you don’t get clear-cut answers. You don’t always get encouraging answers, though you sometimes do. One gets the impression that this is an industry struggling with ideas that may change it radically, and that some people — even well-meaning allies — are still glomming onto old traditions. These issues were confronted directly during IFP Week, particularly at the […]
by Matt Prigge on Sep 19, 2018 -
What Keeps You Alive‘s Colin Minihan and Brittany Allen on Their Survive-the-Night Serial Killer Grinder
Film directors casting their significant others is a trend as old as film itself, but Colin Minihan and Brittany Allen are different. They met when he cast her in his 2014 alien invasion pic Extraterrestrial. Not only did they start dating, she started producing his films, in addition to being their star. There was the zombie-thonIt Stains the Sands Redin 2016. Now there’s What Keeps You Alive, a romantic cabin getaway that abruptly turns into a survive-the-night serial killer grinder. It’s not just about putting the one you love on screen; theirs is a true collaboration. Ever since his debut […]
by Matt Prigge on Aug 30, 2018 -
James DeMonaco on The First Purge, Test Screenings, Filming Guns in Washington D.C. and the Trump Administration
When I speak to James DeMonaco, The First Purge is only 48 hours from hitting theaters, but the franchise’s creator is otherwise engaged. DeMonaco has two production days left on his latest film, Once Upon a Time in Staten Island. It’s a personal movie, a coming-of-age drama starring Naomi Watts and Bobby Cannavale. The film that exists because DeMonaco wrote and directed 2013’s The Purge, plus its two sequels. His latest is even funded by his boss of the last several years, Jason Blum, the namesake head of horror unit Blumhouse Productions, making it only the second non-genre picture they’ve handled […]
by Matt Prigge on Jul 3, 2018 -
“You Really Had to Struggle to Get Your Music”: Olivier Assayas on Cold Water‘s Long Journey to American Screens
In the opening minutes of Olivier Assayas’ Cold Water, two boys huddle around a radio like it was a small fire in the woods. The year is 1972; the place, just outside Paris. They madly fumble for reception. Finally, success! They get a decent (though still fuzzy) signal, just in time to bob their heads to Roxy Music’s “Virginia Plain.” It’s a moment that must seem alien to anyone who grew up pre-Internet, who have no idea what it was like when everything (if not everything) wasn’t a click away. For ages, you had to fight to find Cold Water too. […]
by Matt Prigge on Apr 26, 2018 -
Cash Back: How Film Tax Incentives Work
Let’s assume you got into filmmaking because you wanted nothing to do with business school. Well, tough. Movies are the most expensive art form; even ones they call “no-budget” aren’t. You need to learn about business eventually, and in today’s world, even independent filmmakers need to understand terms like “transferable rebates,” “soft money” and “100 percent deductibility.” In fact, there’s one financing term both Hollywood and independent producers must know: “tax credits.” The studio world is continually on the lookout for states offering production rebates that will reduce the cost of their movies and TV shows, while independent producers scout […]
by Matt Prigge on Mar 8, 2018 -
Greenslate’s John Finn Talks Rebranding and How Technology Can Revolutionize the Payroll Industry
John Finn, founder and CEO of Greenslate, remembers the good old days — and they weren’t that good. In 1995, when he first got into the independent film industry, he was a freelance production accountant, loaning himself out to productions where every penny counted. The standard practices of production accounting were daunting back then: there were seas of paperwork, year-end production company tax filings were strenuous efforts and, on set, accountants would spend entire days running around just trying to get signatures on start paperwork from producers and crew members. “I realized there was a need for financial acumen,” Finn recalls. […]
by Matt Prigge on Sep 27, 2017
