Authors — Matt Szymanowski
-
On Making a Proof-of-Concept Short and Getting Representation
The following article, filmmaker and author Matt Szymanowski points out, is not strictly an article about making a proof-of-concept short or getting representation. He says that if you only want to know about those subjects you can read these informative articles here and here, and here, and here. (There’s also an article on the subject here at Filmmaker.) Instead, Szymanowski, who has covered his filmmaking process several times in these pages, has written an article about how he made his own proof-of-concept short, how it helped him land legal representation, and how it has led to conversations with literary managers and agents. […]
by Matt Szymanowski on Sep 30, 2019 -
A Writer Director Responds to the Article “Disclosed” | A Brutally Candid Account of Indie Filmmaking
Taylor Hess’s article “Disclosed: Producers and Therapists on Dealing with the Stress of a Demanding Profession” struck deep with me, so much so that I was compelled to write this response. I’m not a producer by choice. I’m a writer/director, and out of necessity, I produced my first feature film, The Purple Onion. I didn’t wait around for anyone or for the perfect conditions. I worked with trusted people around me and we did it, we made a movie and it got distribution. Now I’m in the process of packaging my second feature film through ICM. Again I’m my own […]
by Matt Szymanowski on Mar 7, 2019 -
After Letting Go: How Walking Away from My First Film Led to Distribution and then Development on my Next
Last November I wrote a piece for Filmmaker about walking away from my debut film. “Just Let Go Already! 12 Takeaways After Making the Microbudget Feature, The Purple Onion” chronicles the five-year process of making my first feature film and sums up whatever wisdom I can impart to anyone making a film. Filmmaking can be likened to many things. It’s rewarding on so many levels. And yet the truth is that what began as a labor of love was becoming a growing burden with no end in sight. Now I’m here to prove why you should keep going anyway. After […]
by Matt Szymanowski on May 19, 2017 -
Just Let Go Already! 12 Takeaways After Making the Microbudget Feature, The Purple Onion
After four years of working on my first feature film, The Purple Onion, it’s now ready and available online. You can read two earlier articles on Filmmaker where I chronicle the filmmaking process here. Dtill, my nurturing of this film could continue indefinitely with more festivals to submit to, more promoting to do, more distributors and agents to contact. But how long can this go on for? Especially when it’s just one person, me, doing all the work? That’s why the time has come to let go. I’m releasing my film on VOD today. And I’m walking away. The experience […]
by Matt Szymanowski on Nov 22, 2016 -
Five Lessons From a Work-In-Progress Screening
At the end of 2012, Matt Syzmanowski penned a guest post for us on the development of his feature, The Purple Onion. Now, as he’s finishing the final cut of the film, he sends us this follow-up detailing one unusual step along the way: screening the film to a large audience at Cinequest as a work-in-progress. Below are his five pieces of advice for any filmmaker on improving a cut using audience feedback. — SM The Cinequest Film Festival invited us to screen our debut feature film, The Purple Onion, long before it was even completed. We knew we didn’t […]
by Matt Szymanowski on Apr 23, 2014 -
In Pursuit of The Purple Onion
When I was a doorman at San Francisco’s Punchline and Cobbs comedy clubs, I never would’ve thought that three years later, I’d be making my first feature film about a comedian. I went to film school in Poland, from where my parents emigrated. While there, I made several short films, which went on to play at international film festivals in France, Albania, Poland, and the U.S. Before I went to Poland, while working with my father in China, I passed on his proposal to expand his furniture-making empire, as he called it, in order to pursue filmmaking. Eventually, back in […]
by Matt Szymanowski on Dec 29, 2012
