Before his directorial debut with Sorry to Bother You at this year’s Sundance Film Festival, Boots Riley was known for his role in the hip hop group The Coup. But Riley had been a film student before he found fame through music, and 25 years later he’s circled back to that original ambition with a wild film about capitalism, race and his hometown of Oakland. The film, one of the most talked about at the festival (and which was bought by Megan Ellison’s Annapurna Pictures), stars Lakeith Stanfield, Tessa Thompson and Armie Hammer in, not the future, but an alternate […]
by Miriam Bale on Jan 29, 2018One of my favorite memories of Josh and Benny Safdie is sitting at a table with them at a gala event where they were receiving an award: their attention was on their phones the entire time because the Knicks were playing. The Safdies’ twin obsessions with basketball and filmmaking came together three years ago in making the documentary Lenny Cooke, about the rise and fall of a one-time basketball prodigy who was a rival to LeBron James. One of the most remarkable thing about the film is the way LeBron is used as a main character in the film, primarily through […]
by Miriam Bale on Jun 20, 2016Justin Simien’s stylized comedy Dear White People takes place at the fictional Ivy League Winchester University, focusing primarily on four students but also capturing within its satiric gaze the campus as social microcosm. Each of the four undergrads takes on a different strategy for dealing with being a “black face in a white place.” Sam White (Tessa Thompson) is a biracial beauty who rocks a Lisa Bonet look. Perhaps in response to her own white privilege, she is trying on a radical identity: the school Angela Davis with a radio show called “Dear White People.” On her show, she leans […]
by Miriam Bale on Oct 20, 2014“We are all very much making Garrel’s film. He would have been happy to film at my place, or right nearby, using my clothes. Not to be realistic but for simplicity’s sake, because none of that counts for much. No colors. Nothing shiny. Elizabeth, the costume designer, and I are sometimes disconcerted by his flat rejections, right down to the stitching (too shiny).” — The Private Diaries of Catherine Deneuve, Catherine Deneuve, 1998 Though arguably less known than his model and actor son, Louis, Philippe Garrel is one of the great French filmmakers. He was considered a prodigy when he […]
by Miriam Bale on Jul 17, 2014While probably best known as belligerent barista Ray on the HBO show Girls (and also for his role as a lousy houseguest in Lena Dunham’s Tiny Furniture), Alex Karpovsky started out and continues to be a prolific indie film director who makes diverse styles of micro-budget films. His fourth and fifth films, the stylistically contrasting Rubberneck and Red Flag, are being released by Tribeca Film and screen at Film Society of Lincoln Center from February 22. In Rubberneck, Karpovsky plays a scientist obsessed with a former fling, and in the road trip comedy Red Flag he plays a filmmaker named Alex Karpovsky who is […]
by Miriam Bale on Feb 21, 2013In Nobody Walks, Ry Russo-Young’s third feature film, which she co-wrote with Lena Dunham, Martine (Olivia Thirlby), is a young artist from New York who comes to stay in the pool house of a Los Angeles therapist and sound designer (Rosemarie DeWitt and John Krasinski) to finish the sound mix on her film. Her presence alters the warm, supportive environment of this supposedly open-minded household. There are permanent repercussions for the whole family, and most crucially for Martine. It’s a smart, sexy, and unresolved film about the struggles a young woman can find in trying to express herself sexually and […]
by Miriam Bale on Oct 19, 2012Switzerland’s submission for the best international picture is Ursula Meier’s Sister, starring the stunning and earthy Léa Seydoux as a Swiss hot mess and Kacey Mottet Klein as her weedy 12-year-old brother who supports them both through petty thefts. It’s a subtle, complex film that avoids obvious polarities of class, family, even landscape. As director Meier said to me recently of the mountain resort setting, and about finding her way into the script by focusing on the location of the ski lift cable cars, “It’s the place where he belongs, between two worlds. And it’s also the rhythm of the […]
by Miriam Bale on Oct 5, 2012Tall and part blonde/part brunette, Leslye Headland darted into our interview and gave me a warm greeting and an intense gaze. She explained that she had just run across town in Manhattan to walk her dog in between interviews while promoting her debut film, Bachelorette. The film is based on her stage play of the same name, about a gang of attractive girls (Kirsten Dunst, Lizzy Kaplan and Isla Fisher) behaving badly before their friend’s wedding. I ask what her dog’s name is. “His name is Ramius. Which is Sean Connery’s name in The Hunt For Red October,” she says, […]
by Miriam Bale on Sep 7, 2012After the recent BAMcinemaFest screening that marked the first time Benh Zeitlin’s magical-realist Beasts of the Southern Wild screened alongside Bill and Turner Ross’s immersive New Orleans documentary Tchoupitoulas—both South Louisiana-shot pictures produced by members of the film collective Court 13—there were two celebrations on either side of BAM. At the beautiful dive-bar Frank’s, the Ross brothers and various doc and indie film bros were watching the NBA championships with loud exuberance and strong opinions. There was a rumor that there was a dance party across the street at the Fox Searchlight-hosted party for Beasts, which was flowing with delicious […]
by Miriam Bale on Jul 14, 2012