A shy, sheltered, OCD-afflicted only child, Baltimore native Matthew VanDyke was not the likeliest member of the 2011 Libyan rebel militia, but Point and Shoot, the new documentary from Academy Award-nominee Marshall Curry, chalks VanDyke’s trajectory up to sheer sense of adventure. Determined to give himself “a crash course in manhood,” VanDyke leaves Baltimore behind with a camera in hand, winding his way through Africa atop a motorcycle. Along the way, he meets Nuri, his iconoclast counterpoint who will draw him into the revolution. Filmmaker spoke to Curry about relating someone else’s footage, and the documentarian’s dilemma of capturing the moment truthfully and artfully. Point […]
by Sarah Salovaara on Apr 23, 2014Rooftop Films, New York’s pre-eminent outdoor Summer showcase, announced their lineup this afternoon, with a good dose of circuit selections and niche titles. Following a venue shuffle, Gillian Robespierre’s Obvious Child will kick things off on May 17 at Sunset Park’s Industry City, ahead of the film’s June 6 release. In my interview with Robespierre for the Spring issue, the director credited Rooftop’s grants and warm reception of her short as a necessary boost when deciding to press ahead with the feature, so it should be a nice homecoming. The slate will also showcase fellow New Directors/New Films titles, A Girl Walks Home Alone At Night and She’s […]
by Sarah Salovaara on Apr 22, 2014Earlier this month, we ran an interview with Monica Peña, a first time filmmaker who capitalized on the festival premiere of Ectotherms by immediately selling the film on her website. Such a concept is spreading beyond no-budget land and into the distribution strategy of alterna-mogul Joss Whedon. Following last night’s world premiere of In Your Eyes at the Tribeca Film Festival, Whedon — the film’s writer/executive producer — announced that it was immediately available for rent on Vimeo on Demand. He did so not in person, but from the set of the latest Avengers installment, ensuring the tidbit’s viral-ability. Chances are, it’s working nicely. In Your Eyes is available […]
by Sarah Salovaara on Apr 21, 2014I asked Nathan Silver to write a guest post on directing improvisation, largely because a spur of the moment slipup — in which one of his actors mistakenly entered a scene and decided to stay put — ended up reshaping the narrative of Soft in the Head, which opens today at Cinema Village. I wanted to know how he tacitly guides the actors without stifling them, how much preparation his outlines necessitate, and what sort of challenges the process presents in editing. He sent me the following, with the note that he “might be having a nervous breakdown.” Incidentally, it’s […]
by Sarah Salovaara on Apr 18, 2014I was a big fan of David Michôd’s familial crime drama Animal Kingdom, and not just because I saw it on an airplane. If his follow-up The Rover looks to try on a rather generic premise — a hero on the hunt for what’s rightfully his — that’s hopefully not much cause for concern: Animal Kingdom found its strength not in plot, but in its characterization and pacing. Reteaming with the always reliable Guy Pierce, Michôd trades in the rest of his local ensemble for the dubious star wattage of Robert Pattinson, performing an indiscernible accent as a discarded gang member. Premiering in […]
by Sarah Salovaara on Apr 17, 2014A generational meditation on masculinity, Keith Miller’s sophomore film Five Star explores the relationship between Primo — a Blood since puberty — and his would-be protégé, John. Set against sun-scorched Brooklyn projects, the film folds a casual shooting style into heavier thematic territory. Maintaining an alternately protective and imposing arm, Primo struggles to reconcile his history with his paternal instincts as John is pulled deeper into the gang’s underbelly. Filmmaker spoke to Miller about the film’s non-fictional foundations and his collaboration with the leading “non-actors.” Five Star world premieres today in the World Narrative Competition at the Tribeca Film Festival. Filmmaker: This is a world […]
by Sarah Salovaara on Apr 17, 2014There were few surprises to be had at this morning’s announcement of the Competition, Un Certain Regard and Special Screenings sections for the 2014 Cannes Film Festival — perhaps barring Fremaux’s proud, misleading assurance that a whopping 15 female directors were included in the lineup, which is evidently French for eight. Familiar faces returning to the Croisette include Assayas, Cronenberg, Zvyaginstev, Bilge Ceylan, Hazanavicius, Egoyan, Loach, Leigh and the Dardennes, whose Two Days, One Night may prove to be Marion Cotillard’s successful shot at the Best Actress title, after snubs for Rust and Bone and The Immigrant. The two American titles in Competition […]
by Sarah Salovaara on Apr 17, 2014Recent Grand Jury Prize recipient at the Sarasota Film Festival and a FIPRESCI winner in Toronto, Pawel Pawlikowski’s Ida tells the story of a would-be nun who haphazardly uncovers her Jewish background. Set in 1960s Poland, the discovery leads the eponymous Ida through a tear in her family’s history, stretching as far back as the Nazi occupation. Music Box Films releases the formally and emotionally stunning Ida on May 2.
by Sarah Salovaara on Apr 16, 2014Ahead of its June 6 release, A24 has released the trailer to yet another potential hitmaker in their arsenal: Gillian Robespierre’s Obvious Child. I interviewed Robespierre about the film for our upcoming Spring issue, which upends the traditional romantic comedy route of boy meets girl by wedging an abortion into the mix. Jenny Slate stars as Donna Stern, a comedian whose pathological on-stage oversharing is momentarily stunted when she finds herself pregnant by a one night stand. Surrounded by a winsome ensemble — including Gaby Hoffman and Gabe Liedman — Donna juggles her misstep and budding relationship with Max (Jake Lacy) […]
by Sarah Salovaara on Apr 15, 2014A producer friend of mine recently opined that if your film does not get into Sundance, it’s a financial failure. That’s a hard and fast rule that doesn’t necessarily hold, beyond the frightening fact that nowadays, only one in five Sundance films receives theatrical distribution. Independent films still ink deals out of SXSW, Tribeca and the margins of Toronto, but what of the films that aren’t afforded the spotlight of the festival circuit? More and more it seems that unique perspectives are cast aside for formulaic, middle of the road, audience pleasers at these high profile showcases. Filmmaker Nathan Silver is […]
by Sarah Salovaara on Apr 14, 2014