In a free-flowing interview with June Stein in the Spring, 2008 issue of BOMB Magazine, Philip Seymour Hoffman discusses the insights into acting he gleaned from his experience as a director. Early on there is the following remarkable exchange, in which Hoffman says that acting is not about embracing one’s first instincts: PS: … Actors’ first instinct is to make themselves feel comfortable, to do things to make themselves feel like they’re in it, they’re truthful; I’m moving over here and that feels right, blah, blah, blah…. That’s what I do; so when I see another actor doing that, I […]
by Scott Macaulay on Feb 3, 2014Here are our most-read posts of January, 2014. 1. Why Your Film Needs a Good Gaffer: How Lighting Changes a Face. This hypnotic video featuring a pretty model whose face morphs from seductive to menacing to funny based on the lights that hit it went viral. It’s a great watch that prompted a lengthy dialogue about the relationship between D.P and gaffer on our Facebook page. 2. The Women of Sundance 2014. There has been a lot written about the underrepresentation of women directors, but I think filmmaker Danielle Lurie knocked it out of the park with this 5,000-word piece […]
by Scott Macaulay on Jan 31, 2014The absurdities of the U.S. patent system were brought into focus yesterday by Mark Cuban, whose Magnolia Pictures, along with Amazon, Apple and the Weinstein Company, has been hit by a bizarre lawsuit involving movie downloads. The title of Cuban’s blog post summarizes the suit: “So I Got Sued By A Patent Troll Who Thinks They Own Downloading Movies (only before they are released in theaters) over Cellular.” The suit has been filed in Illinois Northern District Court by Red Pine Point, a so-called patent troll, which is a company that files, holds but does not base its business around […]
by Scott Macaulay on Jan 29, 2014The International Film Festival Rotterdam tonight announced the winners of its 2014 CineMart Awards. A feature project about the youth generation following the war in Bosnia and an Italian-French co-production setting personal stories in North-East Italy picked up the two top prizes, while three projects received €10,000 grants funded by the Global Film Initiative. Winning the Eurimages Co-Production Development Award for the best CineMart 2014 project with a European partner was Tabija, Igor Drljaco (Bosnia and Herzegovina), a production of SCCA/pro.ba. Said the jury in a statement, “This is a project with great urgency developed by a young team, in […]
by Scott Macaulay on Jan 29, 2014A class action lawsuit alleging that a group of Silicon Valley companies, including Google, Apple, Pixar, Intuit and Intel, conspired to fix the wages of computer engineers has been cleared to proceed by the 9th Circuit Court of Appeals. Writes Mark Ames at Pandodaily, “…Apple’s Steve Jobs sealed a secret and illegal pact with Google’s Eric Schmidt to artificially push their workers wages lower by agreeing not to recruit each other’s employees, sharing wage scale information, and punishing violators.” The suit is the result of a 2010 Obama Department of Justice anti-trust investigation. Pando has extensive details and has also […]
by Scott Macaulay on Jan 25, 2014While many Sundance filmmakers last year this time were nervously awaiting distribution deals, one had done something completely different. Upstream Color director Shane Carruth entered the festival with a DIY distribution plan already in place. He partnered with Sundance Artists Services’s Joseph Beyer and distribution consultant Michael Tuckman, devised a theatrical campaign and swift VOD rollout, and was already at work on merch for the large fan base eager for the follow-up to his cult classic Primer. Carruth and his team pre-screened the film for journalists, including Filmmaker, and, we responded by endorsing both the movie and its distribution paradigm, […]
by Scott Macaulay on Jan 25, 2014The following interview first ran on this site in January 2013 to coincide with the world premiere of Towheads at the International Film Festival Rotterdam. It is republished here to mark the theatrical run of Plumb’s film at the Museum of Modern Art in New York between January 23 and 29. Premiering in Rotterdam, the disarming and oddly delightful Towheads is the feature debut of artist and experimental filmmaker Shannon Plumb. Exploring and extending aspects of her short-form Super-8 work within a feature context, Towheads is, on the surface, a familiar story of a bored housewife whose creative aspirations are […]
by Scott Macaulay on Jan 22, 2014At a private event featuring film screenings and a panel discussion, the Sundance Institute today announced the Sundance Institute Short Film Challenge, supported by the Bill and Melinda Gates Foundation. The Challenge intends to spur the production of documentary and narrative short films (three to eight minutes long) depicting the creativity of real people seeking solutions to the challenges of extreme hunger and poverty in their communities. Said Sundance Institute Executive Director Keri Putnam in a statement, “With the support of the Gates Foundation, we are proud to launch this short film challenge and support filmmakers around the world in […]
by Scott Macaulay on Jan 22, 2014Of Gods and Dogs, by the Syrian Arab Republic’s Abounaddara Collective, has won the 2014 Sundance Film Festival Short Film Grand Jury Prize. The film tells the story of a Syrian soldier seeking vengeance on the God who led him to kill an innocent man. Also announced today at a ceremony in Park City, UT, were seven other awards, including the Short Film Jury Award: U.S. Fiction, which went to Janizca Brava’s Gregory Goes Boom. A record 8,161 shorts were submitted to the festival, of which 66 were selected for screening. The Short Film jurors were: Vernon Chatman, producer, writer, […]
by Scott Macaulay on Jan 22, 2014“I couldn’t figure out if I was acting or telling the truth,” said singer Willis Earl Beal, making his film debut in Tim Sutton’s Memphis, at the movie’s U.S. Sundance Film Festival premiere yesterday. “That’s the way it is with my life. I’m trying to be real but I can’t. Or, if I am being real people don’t recognize it as that.” Beal — not from the film’s eponymous city, but like his character, a mysterious figure whose obliquely impassioned DIY soul soars over crackly, homemade backdrops — inflects Sutton’s film with his own very artful dodgery. Indeed, the spirit […]
by Scott Macaulay on Jan 18, 2014