Portland-based Jon Raymond has four screenplay credits, all in the last decade, to his name, but his iMDB page only tells half the story. Raymond began his career and is still well known as a writer of novels and literary short fiction, and his film career has come not from the usual Black-Listed spec script but from adaptations of his work co-authored by a director/collaborator/friend, Kelly Reichardt. Two stories from his short story collection Livability, “Old Joy” and “Train Choir,” became Reichardt films (Old Joy and Wendy and Lucy, respectively), with the two co-authoring their scripts. That work, and the […]
by Scott Macaulay on May 31, 2014
Entering its final weekend, “Fassbinder: Romantic Anarchist” is part one of the Film Society of Lincoln Center’s massive survey of the work of the late, great Rainer Werner Fassbinder — a madly prolific, protean figure of the German New Wave. Marrying social commentary with emotional melodrama and, sometimes, genre entertainment, Fassbinder cranked out four and five movies a year, drawing from a repertory group of actors, exploring themes of love and obsession, and building a sustained critique of post-war capitalism that still penetrates today. In 1997, the Museum of Modern Art programmed a Fassbinder retrospective, and we asked several directors […]
by Scott Macaulay on May 31, 2014
Entering its final weekend, “Fassbinder: Romantic Anarchist” is part one of the Film Society of Lincoln Center’s massive survey of the work of the late, great Rainer Werner Fassbinder — a madly prolific, protean figure of the German New Wave. Marrying social commentary with emotional melodrama and, sometimes, genre entertainment, Fassbinder cranked out four and five movies a year, drawing from a repertory group of actors, exploring themes of love and obsession, and building a sustained critique of post-war capitalism that still penetrates today. In 1997, the Museum of Modern Art programmed a Fassbinder retrospective, and we asked several directors […]
by Scott Macaulay on May 31, 2014
Walter Potter: The Man Who Married Kittens is a new short documentary by The Midnight Archive webseries creator Ronni Thomas scheduled to have its premiere June 6th at the new Morbid Anatomy Museum at 424A 3rd Avenue Brooklyn, New York. From the Walter Potter Taxidermy website: This surprisingly tender and heartfelt film features never before seen footage of the great tableaux of eccentric Victorian anthropomorphic taxidermist Walter Potter and the collectors around the world who treasure them. You will meet in the course of this film tiny kittens in gowns attending a wedding or having a tea party; toads playing […]
by Scott Macaulay on May 30, 2014
Entering its final weekend, “Fassbinder: Romantic Anarchist” is part one of the Film Society of Lincoln Center’s massive survey of the work of the late, great Rainer Werner Fassbinder — a madly prolific, protean figure of the German New Wave. Marrying social commentary with emotional melodrama and, sometimes, genre entertainment, Fassbinder cranked out four and five movies a year, drawing from a repertory group of actors, exploring themes of love and obsession, and building a sustained critique of post-war capitalism that still penetrates today. In 1997, the Museum of Modern Art programmed a Fassbinder retrospective, and we asked several directors […]
by Scott Macaulay on May 30, 2014
Thunder Funder is the recently announced film production arm of Thunder Studios, a Long Beach, California soundstage and production house, and it’s making a bold play for independent projects. Rodric David, founder and CEO of both Thunder Funder and Thunder Studios, has announced $12 million in annual investment and partnerships with several other companies — post-production services vendor Pace Pictures, Red Digital Cinema and, to handle distribution, indie vet Cassian Elwes of Elevated Film Sales — to bring to independents “all the tools required to present audiences with a film that is truly the best it can be.” A dive […]
by Scott Macaulay on May 28, 2014
“What’s your elevator pitch?” people ask — the same people who’d recoil backwards, their body language flashing danger signals, if you actually collared them in an actual elevator and launched into a pitch of your movie. Indeed, it’s a paradox of the film business that the smooth-talking hustler is held up as some kind of model when most film industry types would prefer an approach by someone genuine — personable, even — who understands both the cultural and the transactional nature of their business. I watched one exec from an established production and distribution company last week at the 2014 […]
by Scott Macaulay on May 26, 2014
Turkish filmmaker Nuri Bilge Ceylan won the Palme d’Or at the 2014 Cannes Film Festival today for, Winter Sleep, his discursive tale of ethics, love and relationships set in and around a small inn in central Anatolia. The prize was awarded by Quentin Tarantino and Uma Thurman in a ceremony that saw nearly all of the most critically-praised films emerge with some award or another. (Interestingly, this was the second year in a row Cannes awarded its top prize to a film over three hours in length.) Earlier in the week, Winter Sleep was also awarded the FIPRESCI prize for […]
by Scott Macaulay on May 24, 2014
Launching today is the fifth and final season of ITVS’s online series, Futurestates — short films by independent filmmakers “exploring the visions and various challenges of what life might look like in an America of the not so distant future, where automation and artificial intelligence is becoming an even more dominant force in people’s day to day lives.” The series has a different form this year, with the seven shorts all part of one immersive storyworld that is expressed not just through the films but through social media and a striking website by New York interactive specialists Murmur. Comments series […]
by Scott Macaulay on May 14, 2014
Temperature rise can mean crumbling Antarctica glaciers, but, in New York at least, it also means the arrival of Rooftop Films. Now, this essential screening series is crowdsourcing a membership drive on Indiegogo that will support what is a killer 2014 line-up. Join by Wednesday at midnight and receive, in addition to tickets and season passes, bonus gifts including mugs, posters, DVDs and admission to VIP events. Check out this year’s lineup (which includes, this Saturday, our current cover film, Obvious Child) at the Rooftop site and consider joining — in the next day! — at the Indiegogo page.
by Scott Macaulay on May 13, 2014