Nicholas Rombes’s “10/40/70” series is one of the freshest, most boundary-pushing bouts of film criticism in years, a collection of essays on films analyzing only the content of single frames occurring at the ten, 40 and 70-minute marks. Originally published, at The Rumpus, they are now published in 10/40/70: Constraint as Liberation in the Era of Digital Film Theory, an essential collection from Zero Books. The book is prefaced with an apt quote from Jean Baudrillard: “As for ideas, everyone has them. What counts is the poetic singularity of the analysis.” That singularity is here in ample supply, as Rombes’s […]
by Scott Macaulay on May 13, 2014
Abel Ferrara’s Welcome to New York is set to screen in the Cannes market on the 17th — the same day it will be released on VOD in France. No word yet on the date of the U.S. IFC release, but our appetite is whetted by a new, very NSFW trailer found on Italian television that beats the rather prosaic one that dropped online a few days ago. Watch it below. The trade reviews are out too, which suggest the film revisits the intensity of Ferrara’s classic Bad Lieutenant even as it also explores the actor/role psychodrama of Dangerous Game. […]
by Scott Macaulay on May 13, 2014
Talk to an independent filmmaker these tales and at some point in the conversation you’ll find out they are working on a web series. (Or, at least that’s been the case for me when I bumped into a recent 25 New Face here in New York and a filmmaker colleague in San Francisco last week.) But the web series/feature film continuum can work in reverse too. “The Angry Video Game Nerd” web series has been covering the world of video games since 2006, with its host Cinemassacre YouTube channel having almost 1.5 million subscribers. For the last two years, AVGN […]
by Scott Macaulay on May 12, 2014
Here’s some of what I’ve been reading this week for your Sunday perusing pleasure. At Vulture, producer Gavin Polone has developed into an excellent essayist. Here he is discussing the emotional complexities of a particularly Hollywood-type of relationship, the paid friendship: While I’m sure that paid friends exist in many walks of life, I doubt they are as common anywhere else as they are in the entertainment industry. I’ve encountered many big-deal stars and directors with an entourage of assistants and development executives who have crossed the business-personal line. Some were friends before they were employees. Others drifted the other […]
by Scott Macaulay on May 11, 2014
Arriving in theaters this weekend following its SXSW premiere is DamNation, Ben Knight and Travis Rummel’s ecological advocacy documentary supporting the removal of obsolete dams. Funded and distributed by Patagonia — and the winner of SXSW’s Documentary Spotlight Audience Award — DamNation and its release are a study, says Sub-Genre’s Brian Newman, in “how a brand can use film to create impact.” Newman is the film’s marketing and distribution consultant, and along with the company and other partners he’s implementing an innovative campaign employing Patagonia’s customer base, collapsed release windows, partnerships with affinity groups and the old-fashioned hustling of DVDs. […]
by Scott Macaulay on May 10, 2014
This video has already blown up everywhere, and if you’re like me, you might have ignored the countless posts and recommendations filling up your Facebook walls. Mistake. It really is something, spectacularly choreographed by Ryan Heffington and directed by Sia herself and Daniel Askill. The video features 11-year-old Maddie Ziegler, found on the reality show Dance Moms, in a wig referencing the singer but also, you can’t help but flash on, Daryl Hannah’s Bladerunner character. Ziegler’s dancing is thrilling, and the song itself is a monster, with its big chorus and Sia’s vocal pyrotechnics kicking in unexpectedly and breaktakingly early. […]
by Scott Macaulay on May 10, 2014
Anonymity is hot at the moment, with Secret gaining followers while anonymity fails — like Snapchat’s recent troubles — make front page news. As always, the key to catching a trend wave is to work the interstices and margins — to find the subtleties that will result in something new. With a particular storytelling flair, MIT Media Lab’s Playful Systems Group appears to have done that with a new app, 20 Day Stranger. Currently seeking beta testers, the app tells a personal story that places you in your own version of films like Hank and Asha or even The Double […]
by Scott Macaulay on May 9, 2014
Actor Michael Douglas pays tribute to legendary producer Saul Zaentz (The English Patient, One Flew Over the Cuckoo’s Nest), who passed away earlier this year, in a video presented last week at the New York launch event for “Make Your Mark,” a short film competition for emerging film producers by the Producers Guild of America and Cadillac. Douglas serves as one of the competition’s judges and will help select the winning short film, an excerpt of which will be screened in a :30 Cadillac spot appearing on next year’s Academy Awards broadcast. Douglas made the video statement for the event, […]
by Scott Macaulay on May 1, 2014
“It’s Better in Mentor.” A shot of that roadside sign offers an early irony in director Alix Lambert’s new documentary, named after the Ohio town — and high school — where five students committed suicide between 2005 and 2010. Focusing on two families who brought lawsuits against Mentor High, alleging that its administration ignored a clear pattern of student bullying that led to the deaths of their children, Mentor is both heartbreaking and soberly resolute in its inquiry into the institutional forces and “culture of conformity” that fail young members of our communities. As she has done in her previous […]
by Scott Macaulay on May 1, 2014
A moving, informed tale dealing with one man’s struggle with mental illness, Jono Oliver’s debut feature Home is graced with both heart and street smarts. The film tells the tale of Jack, an outpatient hoping to leave his group home, reunite with his son, and manage life on his own. Adversity comes from both his illness but also the day-to-day realities of life in New York. Indeed, Oliver’s great achievement is to make Jack’s reality an entirely palpable one while not sugarcoating the issues of his affliction. In a film with strong performances thorughout, Jack is wonderfully played by Gbenga […]
by Scott Macaulay on Apr 29, 2014