“Ms. Monroe, it’s time,” are the first ominous words heard in the just-released trailer for Andrew Dominik’s long-awaited Netflix production, Blonde, based on Joyce Carol Oates’s book about actor and movie star Marilyn Monroe. Ana de Armas plays Monroe in the dark drama. In addition to first glimpses of de Armas’s performance, among what’s striking about the trailer is Chayse Irvin’s cinematography, which, across scenes, instantly recalls the different period photographic styles — in cinema, paparazzi shots, and media and magazine coverage — associated with Monroe’s depiction. Interestingly, Blonde is Irvin’s second credit this year. The BlacKkKlansman DP also shot […]
by Scott Macaulay on Jul 28, 2022Film writer and festival curator Travis Crawford, who worked extensively with various home video labels in the restoration of classic foreign-language, independent and genre work, died this week, I was saddened to learn via social media. He was 52. Crawford, who for many years curated the Philadelphia Film Festival’s Danger after Dark series, wrote extensively for Filmmaker over the years, predominantly in the late aughts and early ’10s, when he headed up the print magazine’s “Load and Play” columns. His pieces on Brian De Palma’s Blow Out, David Lynch’s Blue Velvet, and the seven-disk Criterion box-set, American Lost and Found: […]
by Scott Macaulay on Jul 22, 2022Writer/director Cutter Hodierne, one of Filmmaker‘s 25 New Faces of 2012 and the director of the short and feature Fishing without Nets, is currently fundraising for a new film, The Shepherd, a UFO thriller to be hot in the Sacred Valley of Peru. Based on a short film currently in post, and co-written with star Amiel Cayo, The Shepherd is about a rural herder searching for his missing daughter who becomes paranoid and beset with visions following a mysterious event. From the press release: The Shepherd is a sci-fi thriller set in one of the most formidable, mystical and lush landscapes on […]
by Scott Macaulay on Jul 22, 2022In my recent online interview with Olivier Assayas about his HBO series, Irma Vep, we talked about a certain anxiety around the subject of television—its usurpation of critical and audience interest from cinema, as well as the kind of career imperative young filmmakers today feel about directing for the small screen. So much work is there that most young directors I know feel like they have to try and land series gigs, if for nothing more than to keep a roof over their heads as features take longer and longer to set up. One argument in favor of TV that […]
by Scott Macaulay on Jul 14, 2022When I interviewed Dean Fleischer-Camp and Jenny Slate about their short film, Marcel the Shell with Shoes On, for Filmmaker‘s 2010 25 New Faces series, both remember the project resulting from a period where they were a little down. Then a couple, Fleischer-Camp described being “unfilled” at work, while Slate said, ‘I was depressed… a little bit. We were at a time in our lives when whatever we made would have a layer of gravity. And the real magic of [the movie] to me is that it has this layer of gravity, but it’s still about an adorable little shell.” […]
by Scott Macaulay on Jul 13, 2022I’m very happy to be welcoming to Filmmaker‘s staff this week Natalia Keogan, who is our full-time Web Editor. Readers will be familiar with Natalia’s byline, as she’s written for the website and print magazine since 2019. Among her recent pieces for us are interviews with Saul Williams and Anisia Uzeyman about their Afrofuturist musical Neptune Frost, Leslie Harris about her seminal independent Just Another Girl on the IRT, and Jane Schoenbrun and Alex G about We’re All Going to the World’s Fair. A graduate of New York’s Craig Newmark School of Journalism, Natalia’s work has also been published at […]
by Scott Macaulay on Jul 8, 2022A ridiculously huge cast — Chris Rock, Christian Bale, Margot Robbie, John David Washington, Anya Taylor-Joy, Robert DeNiro, Rami Malek, Taylor Swift, Alessandro Nivola, Andrea Riseborough, Matthias Schoenaerts, Michael Shannon, Mike Myers and Zoe Saldaña! — are (mostly) all highlighted in this first trailer from David O’Russell’s latest, the comedy/thriller Amsterdam. With cinematography by Emmanuel Lubezki and production design from Judy Becker, the film is set in the 1930s and deals with three people who witness a murder and find themselves drawn into “one of the most outrageous plots in American history.” Previously, David O. Russell was interviewed for Filmmaker‘s […]
by Scott Macaulay on Jul 6, 2022This interview with the director of the recommended The Unknown Country was originally posted during the 2022 SXSW Film Festival and is being reposted today as the film opens in New York, Los Angeles and other markets via Music Box Films. — Editor From the plains of the Dakotas to the Mexican-American border, landscape — seen through rain-streaked windshields at night, from overhead drone shots, and from the point-of-view of a single woman moving across a country that’s both reassuring and suddenly alien — is both subject and setting in The Unknown Country, the debut dramatic feature from artist and […]
by Scott Macaulay on Jun 27, 2022In the early 1990s, French director Olivier Assayas was invited to develop a remake of a classic work of French cinema for television. “I hadn’t known where to start until I remembered [Louis] Feuillade’s Vampires,” he remembered in 1996, referring to the 1915 silent serial in which Musidora played the costumed criminal Irma Vep. “I spent a few weeks considering the possibility, then I decided that, attractive as it was, I couldn’t take it any further. Somehow, my heart wasn’t in it.” A few years later, another invitation: this time to join Claire Denis and Atom Egoyan in the sort […]
by Scott Macaulay on Jun 23, 2022During the lead-up to the release of Rebeca Huntt’s first feature, BEBA, a raw documentary portrait of the artist as a young Afro-Latina filmmaker on a path towards self-acceptance and discovery, the filmmaker and DP Sophie Stieglitz led a one-day workshop on 16mm production at the cinema arts organization Mono No Aware. Presented by NEON (Beba’s distributor) and Ghetto Film School, six women of color filmmakers were invited to take place and attended “an intimate discussion around personal filmmaking” led by Huntt before being sent outside to the streets of Brooklyn with a roll of film and a Bolex camera. […]
by Scott Macaulay on Jun 23, 2022