Authors — Scott Macaulay
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Color Congress Announces $1.35 Million in Inaugural Grants to 17 People of Color-Led and Serving Doc Organizations
Color Congress, “the newly formed documentary intermediary organization,” announced today $1.35 million in two-year unrestricted grants to small-budgeted majority people of color and POC-led doc organizations across the U.S. The 17 grantees, selected from a pool of 120 applying organizations, are ones serving historically marginalized communities, have budgets under $300,000 and operate outside national media hubs. The inaugural grants range in amounts from $45,000 to $90,000. “Many of these organizations offer a creative home for documentary filmmakers of color that may not otherwise be served, while others ensure there are viable distribution pathways for the films that are produced,” explains […]
by Scott Macaulay on Jun 14, 2022 -
Watch: Behind-the-Scenes Clip Showing Tribeca Premiere Life Rendered‘s Use of Unreal Engine
Premiering at Tribeca, Emma Needell’s short film Life Rendered tells the story of a closeted gay Colorado man who lives on a ranch, where he takes care of his aging cowboy father while seeking romance in the virtual world. Set in the near future, the short draws inspiration from the director’s own childhood. “I explored the depths of the internet long before I ever saw a major city,” Needell says. “When I turned seven, my parents built a solar-powered cattle ranch in Colorado. The county was as rural as it gets, where everyone participated in the rodeo on Saturday and […]
by Scott Macaulay on Jun 13, 2022 -
“None of the Real Preppers I Have Met Would Ever Go on a Reality Show…”: Robert Machoian on His Tribeca-Premiering Survivalist Drama, The Integrity of Joseph Chambers
In Robert Machoian’s The Integrity of Joseph Chambers, insurance salesman Joe (Clayne Crawford) is a kind of oxymoron: a prepper weekend warrior. If most survivalists are steadfastly in it for the long game, larding their basement bunkers with all sorts of durable foodstuffs, solar panel-driven batteries and cartons of Cipro, Joe jumps into the doomer mindset impulsively early one Saturday morning by deciding to hunt a deer. “We need to know how to do this stuff,” he says to his skeptical wife (Jordana Brewster) in their beautiful range-hooded kitchen, before heading out in his jeep, shotgun by his side. Joe’s […]
by Scott Macaulay on Jun 9, 2022 -
17 Films and VR Pieces to Anticipate at the 2022 Tribeca Festival
The Tribeca Festival kicks off today, remaining in its pandemic-motivated June slot while embracing in-person screenings and events. The Godfather, accompanied by a discussion with Al Pacino, is the big retrospective, and among the celebrity-driven live talks is the sold-out conversation between director Mike Mills and Taylor Swift. As usual, for our recommendation list we at Filmmaker have tried to look past the higher-profile events, focusing on independent work by both promising new and established older creators that we’ve strong reason to believe will be worth your while. God’s Time. The feature debut from 25 New Face Daniel Antebi, God’s Time […]
by Scott Macaulay on Jun 8, 2022 -
Tabitha Jackson Steps Down from Role as Sundance Film Festival Director
Tabitha Jackson, Director, Sundance Film Festival and Public Programming, will be stepping down from the role following this month’s Sundance Film Festival London, the Sundance Institute announced today. Jackson ran Sundance’s Documentary Film Program from 2013 until taking over the festival leadership role in 2020. Her two years as Festival Director coincided with the pandemic, during which she led the festival’s pivot to a successful virtual model that saw increased audiences as well as a Satellite Screen program that extended programming to arthouses around the country. In her previous Sundance role as head of the Documentary Film Program, Jackson, a […]
by Scott Macaulay on Jun 7, 2022 -
“A Short Feels Like a Song, a Feature Would Be the Album”: Pepi Ginsberg on Her Cannes Short, The Pass
In The Pass, a young man bicycles into a small town looking for a place to go for a swim. Learning of a nearby clearing, he heads over there and takes that swim. That, minus one element, is the plot of Pepi Ginsberg’s Cannes-premiering short film, selected for the La Cinef program, but it’s that missing element — an ambiguously menacing encounter occurring while our protagonist is in the water — that gives the tremendously assured The Pass its cool, unsettling tone. Since 2016, the recent NYU Tisch grad has made a number of shorts, both narrative and documentary, as well as […]
by Scott Macaulay on May 25, 2022 -
Nine Films to Anticipate at the 2022 Cannes Film Festival
As, just before heading to the airport, I post this brief list of films we at Filmmaker are especially excited to see at the 2022 Cannes Film Festival, cinema’s most prestigious annual event is already having something of a bumpy opening, with a new (for those who didn’t experience its debut in last year’s low-key mid-pandemic edition) ticketing system returning all manner of “504 Gateway” errors and obscure messages, some of which contain their own brutal poetry: “Validation of viewstate failed… Purpose, purpose…” (Press has seen some alleviation as those badges are now redirected to a new server, while market […]
by Scott Macaulay on May 17, 2022 -
Czech That Film, Highlighting Recent Czech Cinema, Runs Online Through May 22
Czech That Film, the annual festival highlighting the best of recent Czech cinema, is now in the midst of its 11th edition. The festival has customarily travelled to over 20 cities, but given the ongoing pandemic, this year’s edition is partially online, with films available to stream on the Artinii platform. From the website: The event was established to accommodate increased interest in Czech cinema and culture in the United States and is dedicated to raising profile of current Czech films at an international level. It provides an opportunity for American enthusiasts of global cinema to experience successful new Czech […]
by Scott Macaulay on May 15, 2022 -
Trailer Watch: Tzvi Friedman’s Man
In my print issue article (now online) on two ultra-low-budget filmmakers, I described Tzvi Friedman’s Man as an “an eerily austere New York-set serial killer drama with a (possible) science-fiction twist and impressive formal control.” As the film finishes post-production and begins submitting to festivals, Friedman, who is making his feature debut with Man, has sent Filmmaker an early teaser from the film that aptly showcases its depiction of dread-filled urban anomie and assured tone. As I write in my piece, “The film was inspired when Friedman was locked out of a Brooklyn apartment where he was sleeping and wound […]
by Scott Macaulay on May 13, 2022 -
The American Pavilion Announces Its Emerging Filmmaker Showcase at the 2022 Cannes Film Festival
The American Pavilion announced today the 2022 program of its Emerging Filmmaker Showcase at the upcoming 2022 Cannes Film Festival. 33 films comprise this 25th anniversary edition, with the program screening at the American Pavilion along with finalist films from the 2020 and 2021 editions. All screenings with filmmakers in attendance with be accompanied by live Q&As. From the press release: The films in the Emerging Filmmaker Showcase focus on themes as diverse as the meaning of community, gender identity, the COVID-19 epidemic, self-perceptions and representation, the holocaust, the development and evolution cultural identity, family dynamics, the quest for love, […]
by Scott Macaulay on May 10, 2022
