Filmmaker Kyle Henry was one of our “25 New Faces” in 2006 on the basis of his excellent debut feature, Room, and now he’s blogging about his fascinating follow-up, Fourplay. Executive produced by Jim McKay and Michael Stipe, and produced by Jason Wehling, Fourplay is a series of short films highlighting sexual transgressions, and, as the blog makes clear, the final product may be compiled into a feature, released as a series of shorts, or may be part of some other, more fluid kind of format. From the description of the film on the blog: Four transgressions, four transmissions, four […]
by Scott Macaulay on Nov 22, 2009A few weeks ago I attended a reception at Ira Deutchman’s house in which Columbia University‘s new Focus in Creative Producing was announced, and I’ve been remiss in posting here about what is a really promising and, in these times, necessary course of study up on Morningside Heights. From the press release: Building upon a strong record of faculty and alumni recognition at the Oscars, Sundance and other film festivals, Columbia University School of the Arts is expanding its master of fine arts film program. Film: Creative Producing, a newly introduced course of study, will train the next generation of […]
by Scott Macaulay on Nov 22, 2009I came across this short video of Doug Rushkoff speaking at the Web 2.0 Expo, and in it he echoes some of the things he spoke about at the DIY Days in Philadelphia, which I attended back in June. In that keynote as well Rushkoff hopskotched through the creation of central currency, detailing the role of governments in controlling the our ability to exchange value. It’s a lot to cover in 12.5 minutes, and while I’m no expert in economic history, there’s plenty to quibble with in his broad shorthand. Like, as a colleague pointed out after his Philadelphia lecture, […]
by Scott Macaulay on Nov 22, 2009Contributing Editor Brandon Harris has posted on his blog a new preview of Filmmaker and MoMA’s annual “Best Film Not Playing at a Theater Near You” program, which unspools at the museum this week. Screening will be the five films that will be competing for the Gotham Award we sponsor on December 1. (For schedule and film descriptions, visit MoMA’s site.) Brandon writes that this year’s program is the strongest we’ve put together in the six years of doing this series, and I agree. This isn’t to say that previous years haven’t been strong, but in the past we’ve always […]
by Scott Macaulay on Nov 20, 2009It didn’t used to be all reality shows. In 1990 MTV aired Buzz, an experimental video art collage show by director Mark Pellington. Genesis P-Orridge, William Burroughs, RU Sirius, David Byrne, and other transgressive thinkers (oh yes, and Jon Bon Jovi) were all featured in the debut show, which was openly inspired by Bruce Conner and other experimental filmmakers. Boing Boing noticed that the first episode has been been posted to YouTube, and I’ve embedded the clips below.
by Scott Macaulay on Nov 19, 2009Thanks to everyone who came out tonight for the first in our series, “A New World: A User’s Guide for Filmmakers and Audiences” at the IFC Center. The speaker was Jon Reiss, who gave listeners an accelerated yet detailed overview of his thoughts on DIY distribution and what a theatrical release means today. (Some of these thoughts can be found in this article in Filmmaker.) There was a lot to take away, but here are a couple of things that impressed themselves on me. 1. During the development of your project, think of five specific audiences your film will appeal […]
by Scott Macaulay on Nov 17, 2009Forget the Oscars, as a producer, I can die now. (You need to watch both clips, and the first one especially to the end.) Original Video– More videos at TinyPic Seriously, when Harmony Korine forwarded me these links, I thought they were great and couldn’t stop laughing. And then I thought about what we producers go through when trying to obtain music for our films. I can’t remember how much we paid for the music rights for the Roy Orbison version of the Patsy Cline song “Crying” that closes out Gummo, but I’m sure it was a lot less than […]
by Scott Macaulay on Nov 15, 2009We inaugurate our “Weekly Player” series with filmmaker Jon Reiss (Bomb It), who will be on the forums all this week (November 9 – 16) answering your questions about DIY distribution, marketing, publicity and outreach. Jon is the author the new book, Think Outside the Box (Office): The Ultimate Guide to Film Distribution and Marketing for the Digital Era, and readers will know him from the great series of articles he’s written for us — “My Adventure in Theatrical Self-Distribution,” “My Adventure in Home Video,” and “How to Market Your DVD Online.” These articles grew into the book, which I’ve […]
by Scott Macaulay on Nov 8, 20092ND UPDATE: We have our winners. Thanks, all! UPDATE: To win a digital copy of Objectified, answer the question below and email editor.filmmakermagazine AT gmail.com. Almost three years ago I decided to check out what seemed to be an obscure little documentary about graphic design at SXSW and was surprised to find the line to get in stretching all the way down the length of the convention hall. As the editor of a magazine, the subject matter of Gary Hustwit’s Helvetica — an examination of the historical, communicative and ideological meanings of that ubiquitous typeface — interested me. I hadn’t […]
by Scott Macaulay on Nov 6, 2009Aaron Leming, who works as a specialist at the Southlake Town Square Apple Store in Dallas, created this resonant typographic rendition of Paddy Chayefsky’s famous Howard Beale “Mad as Hell” speech from Network. Mad As Hell! Kinetic Typography from Aaron Leming on Vimeo.
by Scott Macaulay on Nov 4, 2009