Authors — Scott Macaulay
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Editor’s Letter
I spoke to a writer/director friend last week who lives in Los Angeles, where, at the time, coronavirus case numbers were still escalating. My friend hasn’t shot anything during the pandemic but has been using these months to work on a new script and develop a TV show. But in the last few weeks, this writer/director has been getting urgent calls from execs to board shows and features that are financed and ready to go. It’s a bit of a whiplash, my friend said—trying to remain cautious, to be cognizant that the pandemic is still ongoing, but while grappling with […]
by Scott Macaulay on Feb 10, 2021 -
Post Empire
Empire, Nevada, “felt like a town suspended in the 1950s, as if the postwar economy had never ended,” writes Jessica Bruder in her nonfiction book, Nomadland: Surviving America in the Twenty-First Century. The small mining town consisted of four main roads, lined with homes populated by the workers of United States Gypsum, the manufacturer of Sheetrock. Subsidized rents were as low as $250 a month, the company covered TV and internet and, as one resident told Bruder, there were “no gangs, no sirens, no violence.” But economic forces caught up with Empire. In 2011, U.S. Gypsum, a company with a […]
by Scott Macaulay on Feb 10, 2021 -
Coda, Summer of Soul (…Or, When the Revolution Could Not be Televised) Take Top Prizes at The 2021 Sundance Film Festival Awards
“When we dreamed this idea, this is what we dreamed, but you all made it a reality,” said Sundance Festival Director Tabitha Jackson during the introduction to this evening’s 2021 Sundance Film Festival awards ceremony. Like the festival, the ceremony was a smoothly running virtual one, connecting the at-home Sundance directors and programmers with the filmmakers similarly ensconced around the world (or, in the cases of Summer of Soul (… Or, When the Revolution Could Not be Televised) director Ahmir “Questlove” Thompson, All Light, Everywhere director Theo Anthony and Users director Natalia Almada, respectively, in a car on his way to […]
by Scott Macaulay on Feb 2, 2021 -
20 Anticipated Films and New Media Works at the 2021 Sundance Film Festival
“It’s about energy — how do we preserve the energy around the work and the artist?” That’s Sundance Film Festival director Tabitha Jackson speaking this morning at Sundance’s opening press conference about the thinking that went in to this year’s necessarily altered pandemic edition. With a slimmed-down schedule and screenings happening through the Sundance platform as well as at various “satellite screens,” Sundance has fully embraced the challenges and potentials of translating the Sundance experience to the ways in which we are living our (viewing) lives now. But several principles guided the Sundance team, said Jackson. One was the concept […]
by Scott Macaulay on Jan 28, 2021 -
Back to One, Episode 138: Nicole Beharie
Some actors go through a transformation to the point where the word “performance” feels inadequate. “Embodiment” is more apt. Nicole Beharie transforms into Turquoise Jones in Channing Godfrey People’s film Miss Juneteenth. It’s a wonder to behold. On this episode, she talks about the immersive preparation work that went into her Gotham Award-winning performance, how the opportunity to take her time and “own the space” affected her work in a deep way, and the substitutions necessary to create the motherly bond so central to the film. Plus we discuss the benefits and drawbacks of unanswered questions in a performance, and […]
by Scott Macaulay on Jan 19, 2021 -
The Gotham Announces New Joel Schumacher Mentorship Award
During last night’s Gotham Awards, Gotham Film & Media Institute Executive Director Jeffrey Sharp announced the creation of The Joel Schumacher Mentorship Award in partnership and endowed by MTV Entertainment Group. Honoring the legacy and social consciousness of the director of such films as Tigerland, Falling Down, Car Wash and St. Elmo’s Fire will be a scholarship enabling four undergraduate students to attend the The Gotham EDU summer program, according to the press release, “an eight-week curriculum which will offer workshops to hone career development and technical skills, master classes hosted by industry decision makers, and insight from mentors through one-on-one […]
by Scott Macaulay on Jan 12, 2021 -
Nomadland, A Thousand Cuts, Time Take Top Prizes at a Virtual 2020 Gotham Awards
The Gotham Awards — the long-running event by IFP, which used tonight’s ceremony to formally unveil the organization’s name change to The Gotham Film & Media Institute — has long occupied pole position in the year’s film awards ceremonies, followed by, among others, the SAG Awards, the Spirit Awards and, of course, the Oscars. So too this very different year, when live events are precluded because of the COVID-19 pandemic. Tonight’s event was streamed live from The Gothams’ usual location — Cipriani Wall Street — with The Gotham Executive Director Jeff Sharp presiding over ceremonies that saw some presenters walk […]
by Scott Macaulay on Jan 11, 2021 -
IFP Rebrands Itself Gotham Film & Media Institute
Independent Filmmaker Project (IFP, Filmmaker‘s publisher), announced today that it is renaming itself The Gotham Film & Media Institute, or, simply, “The Gotham.” From the IFP’s email to members: For over forty years, IFP has worked to advance the groundbreaking, enduring, challenging culture of independent film. In that time, we’ve grown from a grassroots marketplace into a year-round organization with an annual conference, awards, labs, a membership community and a mandate to support storytellers across a wider range of media. Along the way, we’ve also outgrown our brand. So to better support our mission—and an expanding role in the film […]
by Scott Macaulay on Jan 6, 2021 -
Braking and Entering: Director David Cronenberg on His Austere and Unnerving J.G. Ballard Adaptation, Crash
The following interview with David Cronenberg about his film Crash originally appeared as the cover story of Filmmaker‘s Winter, 1997 edition. With Crash having just been rereleased in a new restoration by Criterion, it is being republished online for the first time. Also regarding Crash: Joanne McNeil’s essay on the relation of the work to the source material, J.G. Ballard’s novel. Blood, semen and gasoline are the liquids that course through David Cronenberg’s compelling study of sexual fetishism, Crash. But far from being a, well, messy affair, Crash is startling for its cool precision and astute manner of intellectual provocation. […]
by Scott Macaulay on Jan 5, 2021 -
“I Wanted to Explode the Will and Grace Stereotype about Idealized and Infantilized Gay Men and Women”: Writer/Director Jeremy Hersh Interviewed by Jeremy O. Harris About Hersh’s Powerful and Nuanced Drama, The Surrogate
Now streaming on STARZ and with a Gotham Awards nomination for its lead, Jasmine Batchelor, The Surrogate, Jeremy Hersh’s powerful and probing drama, begins with what might seem a familiar sort of indie film setup: a young, twentysomething Columbia grad, Jess (Batchelor) agrees to be the surrogate mother to the baby of her best friend Josh (Chris Perfetti) and his husband Aaron (Sullivan Jones). But very quickly writer/director Hersh establishes that The Surrogate will not be a bantery relationship comedy: a prenatal test reveals that the child will be born with Down syndrome, a development that destabilizes the progressive male […]
by Scott Macaulay on Jan 4, 2021
