Authors — Scott Macaulay
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Watch: Laura Moss’s Fry Day
New York-based director and production designer Laura Moss landed on Filmmaker’s 25 New Face list this past year on the strength of Fry Day, her entirely exemplary short film about a teenage girl selling Polaroid photos on the eve of serial killer Ted Bundy’s execution. With this macabre event as a backdrop, Moss goes on to create, as I wrote in the profile, “a nail-bitingly tense, mournfully sad coming-of-age adventure.” I went on to write: That Fry Day uses the disquieting atmospherics and moral turbulence of the serial killer genre without indulging in gratuitous physical violence is a testament to […]
by Scott Macaulay on Apr 30, 2018 -
“Take Me Back to That Day, If You Could”: Errol Morris’s Wrenching Distracted Driving Shorts
Errol Morris brings the full force of his filmmaking to a pair of PSAs he’s made as part of AT&T’s “It Can Wait” campaign, which raises awareness about distracted driving. Those who’ve seen his recent work, especially his Netflix six-part film, Wormwood, will recognize a number of stylistic devices here, including multi-angle talking heads material, unusual photo crops, and, of course, Morris’s pertinently shouted off-screen questions. But the films, particularly the devastating “Forrest’s Story,” go further than the usual PSA, exploring, in addition to Morris’s usual epistemological inquiry, the different forms of grief and the enduring mysteries of loss. The […]
by Scott Macaulay on Apr 27, 2018 -
The Present Moment: Sam Green on His Kronos Quartet Hybrid Film A Thousand Thoughts
There’s a sequence early in A Thousand Thoughts, Sam Green and Joe Bini’s “live documentary” about the Bay Area musicians, the Kronos Quartet, that may seem familiar to anyone who has watched a music biopic. Scored to the ticking of a metronome, it’s a “rise to fame” montage of newspaper headlines, all taken from the years in which Kronos were becoming new music superstars. On top of each article, the bold-faced type indulges in the same wordplay, a riff on the Greek meaning of the group’s moniker: Kronos’s “time is now,” one headline reads; the group has hit “the big […]
by Scott Macaulay on Apr 23, 2018 -
23 Films (and Virtual Reality Works) We’re Looking Forward to at the Tribeca Film Festival
Well, the curtain has already risen, but I’ve yet to see a film — I’m heading to my first screening in about 90 minutes. So, it’s not too late for my annual list of movies I’m looking forward to at the Tribeca Film Festival. This list is just what it sounds like — anticipated movies based on buzz, knowledge of the filmmakers, word of mouth, etc. And it’s heavily skewed towards premiere titles that haven’t been reviewed yet. A quick note that this list has been easier to put together this year simply due to the sheer number of films […]
by Scott Macaulay on Apr 20, 2018 -
Page View: Daniella Shreir on the Debut Issue of Feminist Film Journal Another Gaze
Feminist film journal Another Gaze heads to New York this week for two events surrounding the issue launch of their debut print edition. On Saturday at the Renee and Chaim Gross Foundation there will be a free day of discussions and panels, and, on Thursday at Union Docs a screening of shorts in which women filmmakers reframe onscreen sexual violence. From our own print issue, here’s our interview with editor Daniella Shreir about her decision to add an analog component to her already impressive web publication. “I didn’t want it to look too essentialist or zine-y,” says London-born writer, editor […]
by Scott Macaulay on Apr 16, 2018 -
“I Think Hope is When We Step out of the Cinema and Begin to Question Ourselves”: Director Andrew Dosunmu on his Michelle Pfeiffer-Starring Where is Kyra?
In his previous two features, Restless City and Mother of George, Nigeria-born photographer-turned-filmmaker Andrew Dosunmu has placed vivid human dramas within ultra-specific pockets of New York City. His films have examined how immigrant characters find their lives shaped by the often very subtle clashes that come from their retaining their own identities within the larger melting pot of the city. Working continually with the great cinematographer Bradford Young, Dosunmu also makes extraordinarily beautiful films, full of arresting images that convey the rhythms, exuberances but also pathos of these city streets. With his new picture, Where is Kyra?, opening today from […]
by Scott Macaulay on Apr 6, 2018 -
“We Made a Cult that People Might Have Wanted to Join”: Five Questions for The Endless Directors Justin Benson and Aaron Moorhead
Offering a blend of psychological seduction and physical threat, cults have provided charged settings for a number of recent movies, both fiction and doc. But The Endless, the latest feature from innovative independent genre filmmakers Justin Benson and Aaron Moorhead, puts a new spin on the cult-film genre; they writers, directors and stars make their “UFO death cult” one in which the very ambiguity of its danger is just one of their film’s existential menaces. Benson and Moorhead play Justin and Aaron Smith, brothers who escaped the California cult years ago. Aaron has fond memories of growing up in the […]
by Scott Macaulay on Apr 6, 2018 -
“It Was Important to Me Not to Fetishize a Classic Vision But to Look to the Present for Inspiration”: Director Aaron Katz on his L.A. Neo-Noir, Gemini
His fifth feature, and the first following his co-directed (with Martha Stephens) breakthough comedy Land Ho!, Gemini returns writer/director Aaron Katz to the character-based neo-noir of his earlier Cold Weather but with the cloudy Portland grays of that film replaced here with a sunlit sensuality befitting the picture’s L.A. setting. Indeed, shooting in his new hometown for the first time, Katz looks for inspiration to the kind of ’80s thrillers — American Gigolo and Bad Influence in particular — that found their treacheries and ambiguities within the city’s sunlit highways, dark nightclubs and oversized mansions. And while city geography is […]
by Scott Macaulay on Mar 31, 2018 -
“When I Write a Script, I Am Making a Hypothesis of What the Film Could Become”: Laurent Cantet on The Workshop
Laurent Cantet’s The Workshop boasts a concept that in another picture might result in a piece of twisty, intellectualized metafiction: a semi-successful novelist, Olivia (Marina Foïs), teaches a writing workshop to a multi-racial group of young students in La Ciotat, a small town just south of Marseille. She encourages the students to explore the concept of genre — to conceive of a murder mystery — and to also connect to the working-class history of the place itself. One student, a young white teenager named Antoine (Matthieu Lucci), seems both engaged and roiled by the assignment; his cooly disturbing writings sit […]
by Scott Macaulay on Mar 24, 2018 -
Trailer Watch: Ryan Koo’s Amateur
Filmmaker and No Film School founder Ryan Koo — one of our 2008 25 New Faces of Independent Film — has been working on his debut feature for years. His extremely successful Kickstarter (over $140,000!) launched in 2011, and in a series of updates — and one 2013 Filmmaker interview — he’s been transparent about the long road that developing and making a first feature can become. Well, Netflix ultimately came on board to finance the film, and now there’s a first trailer, with the feature itself set to drop on April 6. You can read more about the film […]
by Scott Macaulay on Mar 19, 2018
