On the occasion of the 40th anniversary of the IFP and its Film Week, filmmaker Maxi Cohen contributes the following guest essay on that moment of inception. — Editor Sandra Schulberg and I were in the train station after the 1978 Rotterdam Film Festival. I had presented Joe and Maxi, a film about my relationship with my father1, and Sandra had presented two movies produced for the PBS Visions series, The Gardener’s Son by Richard Pearce and Over-Under-Sideways-Down by the Cine Manifest collective. Marc Weiss had helped to arrange U.S. Indie Films in Rotterdam which they dubbed “Hollywood without Make-Up.” […]
by Scott Macaulay on Sep 18, 2018One thing independent feature films often aren’t able to deal with is very recent history. Films take so long to get developed, financed and produced, and by the time they arrive, whatever proximity they once had to the zeitgeist can be a step removed, which makes the exceptions to this problem thrilling. In this issue, Vadim Rizov interviews director Shevaun Mizrahi about her documentary, Distant Constellation, featuring the residents of a nursing home in Istanbul overshadowed by mega construction sites. Mizrahi shot the film over many years, and as news breaks now about Turkey’s currency crisis—which has its roots in […]
by Scott Macaulay on Sep 17, 2018
Photography was all over the New York City art world of the late 1980s. There was the Pictures Generation—artists like Cindy Sherman, Barbara Kruger and Laurie Simmons, who began in the mid ’70s and whose conceptual use of appropriated or staged photographs cast a critical and sometimes seductive eye at the way mass media imagery shaped consciousness. Jeff Wall, Philip-Lorca diCorcia and, later, Gregory Crewdson were bringing the staging techniques of film and theater to photographs charged with emotional and narrative possibility. And the work of photographers of an earlier generation, like Diane Arbus and Robert Frank, was still highly […]
by Scott Macaulay on Sep 17, 2018
Commencing while the Toronto International Film Festival is underway and overlapping with the first weekend of IFP Week, the Camden International Film Festival is an intimate documentary festival that, this year, is building upon the strengths of its 2017 edition with a line-up that includes a number of North American premieres as well as gender-parity across all sections. The team at the festival also stresses synergy between CIFF’s various sections as well as the intermingling of public and industry programming. Comments Executive Director Ben Fowlie, “As Camden grows into a festival that has more and more major films making their […]
by Scott Macaulay on Sep 13, 2018
The 40th anniversary edition of IFP Week is coming up, and we have 10 free tickets to give away to the opening day of Screen Forward Talks, which include luminaries like Boots Riley and Nina Yang Bongiovi (Sorry to Bother You), Julie Dash (Daughters of the Dust), Terence Nance (Random Acts of Flyness), Cathy Yan (Dead Pigs, upcoming Birds of Prey), Lauren Wolkstein (The Strange Ones), Julie Cohen & Betsy West (RBG), Nicholas Ma (Won’t You Be My Neighbor?). (Oh, and I’ll be moderating a panel on producing that includes some luminaries as well: Josh Braun, Julie Goldman, Riva Marker, […]
by Scott Macaulay on Sep 11, 2018
With the Toronto International Film Festival beginning today, Vadim Rizov — who is on the ground and filing his Critics Notebooks — and I offer you this humble list of films that we are more than reasonably sure are worth your viewing time. The Grand Bizarre. In her previous Dusty Stacks of Mom, animator and experimental filmmaker Jodie Mack turned a familial tale of Pink Floyd merch into a formal treatise on the demise of physical media. Mack’s focus in this new short feature (61 minutes) is similarly material: she looks at the semiotic uses of fabric and textiles as […]
by Scott Macaulay on Sep 6, 2018
Joana Vicente, a producer and currently the executive director of IFP, Filmmaker‘s parent organization and publisher, has been named the new Executive Director and Co-Head of TIFF, the presenter of the annual Toronto International Film Festival. She’ll join Artistic Director and Co-Head Cameron Bailey in the position beginning October 1. From the press release: “After an extensive search for a Co-Head we are thrilled to welcome Joana to the new role and to the TIFF family,” said Jennifer Tory. “The hiring committee was deeply impressed with Joana’s combined history as a producer, a champion of independent filmmakers, and with her […]
by Scott Macaulay on Aug 28, 2018
The Camden International Film Festival announced today its 2018 lineup, which includes 37 features, 43 short films, one episodic series and 20 virtual reality and immersive experiences from over 30 countries. Included among the features are three world premieres: Young Men and Fire, by Kahil Hudson and Alex Jablonski (a latter one of our 25 New Faces); Lana Wilson’s series, The Cure for Fear; and Jane Gillooly’s Where the Pavement Ends. The Opening Night film is Morgan Neville’s Orson Welles doc, They’ll Love Me When I’m Dead. Significantly, the festival is reporting that there’s gender parity across all sections, with […]
by Scott Macaulay on Aug 24, 2018
Opening in theaters today is the debut feature from actress and short-film director Jordana Spiro, whose Night Comes On subversively wraps both a coming-of-age tale and story of sister bonding within a work of hardboiled revenge. Dominique Fishback, the breakout star of HBO’s The Deuce, plays Angel, a teen who, after being sprung from juvenile detention, trades sex for a handgun and hits the road, traveling towards the man who murdered her mother years ago. She picks up her younger sister, Abby, from her foster home, and as their relationship is teased out, the film’s rhythms shift, with the hours […]
by Scott Macaulay on Aug 3, 2018
What a beautiful trailer! Filmmaker‘s #1 most anticipated movie of the year — Barry Jenkins’s follow-up to his his Oscar-winning Moonlight — has just dropped its first, a few weeks before the picture’s Venice premiere. The intimacy, the focus on faces, the dance of eyelines, the lovely burnished period mise en scene — I love this trailer’s whole style and vibe. Check out above the first images from Jenkins’s adaptation of James Baldwin’s If Beale Street Could Talk.
by Scott Macaulay on Aug 3, 2018