The following article appears in Filmmaker’s Summer, 2018 print edition and is being posted today to mark the premiere, this Friday, of Terence Nance’s Random Acts of Flyness on HBO. When Brooklyn-based filmmaker and musician Terence Nance last appeared in this magazine’s print pages, it was in our 25 New Faces section — in 2012 — and he had been working on his debut feature, An Oversimplification of Her Beauty, since 2006. A loose-limbed autobiographical drama detailing Nance’s own near-romantic relationship with an attractive friend (Namik Minter, who played herself in the film), the film unspools, I wrote, “like some […]
by Scott Macaulay on Aug 1, 2018
IFP, Filmmaker‘s publisher, announced today the 150 films, series, digital and audio projects to be showcased at the Project Forum during 40th anniversary of IFP Film Week this September. The Project Forum, says IFP, is the “United States’ only international co-production market featuring stories for all platforms.” Indeed, in addition to writers and directors, the event now specifically highlights the role of showrunners and audio storytellers in its various projects. “We’re thrilled to celebrate IFP Week’s 40th edition this year,” said IFP Executive Director Joana Vicente in the press release. “This highly anticipated event has, continued to evolve over the […]
by Scott Macaulay on Jul 26, 2018
Director and film critic Neville Pierce, who we interviewed several months ago around the online premiere of his shorts, has a new film, Promise, up on the interwebs, and it’s tied to the announcement of an unusual short film contest that offers filmmakers $40,000 in production funds for their winning pitch. From the press release: The Pitch is an annual online pitching competition which invites filmmakers to submit a two-minute video pitching their idea for a short film inspired by The Bible. It can be in any genre, can emerge from any perspective, and can draw on any story, passage, […]
by Scott Macaulay on Jul 23, 2018
As with life, beginnings are easy but endings are hard. At least, that’s what one might take away from the two very different running times of videos screenwriter Michael Arndt (Toy Story, Little Miss Sunshine) has posted about these crucial elements of any movie. His “beginnings video” runs eight minutes while his video on endings has a whopping feature-length running time! Using three films as his examples — Star Wars, The Graduate and Little Miss Sunshine — Arndt talks about internal and external conflict, philosophical resolutions and much, much more. As the screengrab above illustrates, Arndt is heavy into structure, […]
by Scott Macaulay on Jul 8, 2018
With a Gus Van Sant retrospective currently playing at New York’s Metrograph Cinema until July 12, we’ve reposted the three interviews we did with the director for his celebrated “death trilogy.” Comprised of Gerry, Elephant and Last Days, these three films — all based on actual news reports, dealing with mortality and shot in a long-take style influenced by directors such as Béla Tarr and Chantal Akerman — constitute one of cinema’s most audacious, radical and rewarding change-ups from a director who has had at least one foot in mainstream cinema. All three films are part of the Metrograph series, […]
by Scott Macaulay on Jul 5, 2018
The following interview was originally published in our Fall, 2003 print edition. When I first interviewed Gus Van Sant, he had just finished editing his feature Gerry and was preparing to launch it at the Sundance Film Festival. A radical left turn from the two studio films, Good Will Hunting and Finding Forrester, that preceded it, Gerry mixed together movie stars (Matt Damon and Casey Affleck), the “long-take” style of such filmmakers as Béla Tarr and Chantal Akerman and a simple yet metaphorically rich scenario taken from the news headlines. Working without a formal script but with the remarkable director […]
by Scott Macaulay on Jul 5, 2018
For once the words “visionary director” on a trailer are not a misnomer. From Panos Cosmatos, who made our 25 New Faces list back in 2011, comes the first trailer for his ’80s-set revenge drama Mandy, starring Nicolas Cage and Andrea Riseborough. I can’t overemphasize how much I love this film. There are scenes in it that are beautifully, meaningfully lodged in my memory. Just watch now.
by Scott Macaulay on Jun 27, 2018
The following interview with director Jim McKay was published during last year’s BAMcinemafest and is being rerun today as his feature En el Séptimo Día is in release from Cinema Guild. The film can currently be seen at the IFC Center in New York and the Laemmle Music Hall in L.A. Many other cities are scheduled over the next two months, including, on Friday, the Roxie in San Francisco. Jim McKay, whose early, mid ’90s/early-aughts features (Girls Town, Our Song, Everyday People and Angel) were empathetic and involving New York dramas suffused with a love of neighborhood and feeling for […]
by Scott Macaulay on Jun 18, 2018Not too long ago, I watched Kevin Smith talk about having a near-fatal heart attack. It was from his hospital bed, streamed on Facebook Live, the day after doctors put a stent in his left anterior descending artery—the so-called widowmaker that felled writer John Gregory Dunne in the opening pages of Joan Didion’s memoir, The Year of Magical Thinking. Smith’s a great storyteller, so his recounting was hilarious, full of dick jokes and such—his quick mind had already assembled the events of the previous 24 hours into the funniest PSA for cardio health ever made. And indeed, by the time […]
by Scott Macaulay on Jun 11, 2018
When it came time for A.B. Shawky to make Yomeddine, a road movie about a leper trekking across Egypt in search of lost relatives, he turned to his NYU Tisch School of the Arts colleagues and faculty for advice. After all, the movie is both his first feature as well his NYU thesis film. Unlike many film schools, “NYU encourages you to do features for your thesis project,” Shawky told Filmmaker’s Tiffany Pritchard, explaining that the school granted him an extra year on top of the two normally allowed to complete the arduous production. The school also granted him key […]
by Scott Macaulay on Jun 11, 2018