“Because I was a no-name filmmaker,” says Lily Henderson, who made Filmmaker’s 2014 25 New Faces list on the strength of the lookbook and demo reel for her forthcoming documentary, About a Mountain, “I felt I needed to go to Nevada on spec and shoot some images for myself to see whether it was worth it to make the film.” Her initial trip was a fruitful one, generating footage—shot on the URSA Mini—and photos that captured both the lonely, dry heat and consumerist fantasy world that would be the stage for her film. As she writes in the lookbook’s introduction, […]
by Scott Macaulay on Mar 14, 2019“There’s a great infrastructure, and the credit is solid,” said Entertainment Partners (EP) executive vice president, John Hadity, in these pages one year ago about the New York State Film Production Tax Credit Program. Governor Andrew Cuomo had just extended its sunset date until 2022, with $420 million in annual funds appropriated. “That means television series that do their planning 18 to 24 months in advance have certainty that the program is going to be around for another few years,” he said. But just a year later, Hadity cites the New York program as one of his worries when surveying […]
by Scott Macaulay on Mar 14, 2019Ask me what’s changed the most regarding pitching independent film over the years and the first thing I’ll say is the rise of the lookbook. In the 1990s, lookbooks were exotic things. A few directors had them, but the cost of making them made these collections of reference images, and sometimes original art, stand out for their uniqueness. I remember a French auteur who sent us one at our Forensic Films office—a 100-or-so pages of smeary screen grabs and disturbing pornography/pop-culture collages—that was like a perfect-bound art book. Then there was the filmmaker with an excellent script whose lookbook had […]
by Scott Macaulay on Mar 14, 2019
A welcome sight on the SXSW feature list is a new film from Hilary Brougher, who has been making inventive, emotionally acute independent film across three decades now, always working in some degree of low to ultra-low budget. Her debut, Sticky Fingers of Time, was lo-fi sci-fi with a time-travel hook that might remind you of Looper but with a feminist slant. Stephanie Daley, starring Tilda Swinton and Amber Tamblyn, followed in 2006, a mystery both legal and existential about an unwanted pregnancy. And now there’s South Mountain, which finds Brougher working with her smallest budget yet but with a […]
by Scott Macaulay on Mar 11, 2019
Following her vibrant and raucous concert doc, Gogol Bordello Nonstop, Colombia-born, New York-based filmmaker Margarita Jimeno makes her dramatic feature debut with the Cinequest-premiering Grind Reset Shine, another story about an art and artmaking but one that unfolds in a very different way. From the press release: When the worlds of a struggling artist and a nun entangle, how will they break free? Peter is a struggling artist who moves from New York to Berlin to explore his luck and join an art collaborative. Alicia, preparing for nunhood in a remote Polish village, tries to decipher the existence of Satan […]
by Scott Macaulay on Mar 10, 2019
With SXSW already underway, here’s my quick list of films of interest at this year’s edition of Austin’s annual tech, music and film festival. The Beach Bum. Harmony Korine’s latest, The Beach Bum, which time travels the stoner comedy ethos of ’70s Cheech and Chong to the upscale mansions and beer-soaked boardwalk of contemporary Miami Beach, is sure to be a SXSW standout this year. Matthew McConaughey plays Moondog, a cheerfully debauched would-be poet whose writer’s block is more a product of his 420 lifestyle than existential exploration. “The idea of getting wasted is a virtue to Moondog, living in […]
by Scott Macaulay on Mar 9, 2019
Version Industries designer Caspar Newbolt — who, in addition to being Filmmaker‘s print magazine designer (along with Charlotte Gosch), has designed some of the more striking independent film posters of recent years — has just premiered his first short film over at NoBudge. (You can watch it above as well.) It’s an eerie and dreamlike NYC drama that has, in addition to a compelling performance by Laine Rettmer, bravura final sequence that illustrates Godard’s (or is it Griffiths’s?) dictum of the minimum requirements for a film. From the description at NoBudge: Suffering a loss, a woman finds a mysterious book […]
by Scott Macaulay on Mar 6, 2019
Independent Filmmaker Project (IFP), Filmmaker‘s publisher, announced today Jeffrey Sharp as its new Executive Director. Sharp, as longtime Filmmaker readers will know, is a veteran producer whose credits include Boys Don’t Cry, You Can Count on Me, Evening and The Yellow Birds. He was also co-founder and President of Open Road Media, a pioneering digital publishing company that has an early innovator in the book space. Sharp’s non-profit experience comes from his role as co-founder and Chair of the Hamptons International Film Festival Advisory Board, and his most recent producing work with his Sharp Independent Productions has focused on productions […]
by Scott Macaulay on Mar 6, 2019
After the extraordinary and accomplished Hereditary, writer/director Ari Aster returns quite quickly to the screen with a new feature from A24, Midsommar. Based on this trailer, visually, at least, this film, which stars Jack Reynor, Will Poulter and Florence Pugh, is quite different, moving from the dark interiors and woodsy exteriors of Utah to the sunlit Swedish countryside. That said, a similar menace can be felt, as well as a similar vibe to that A-frame house at trailer’s end. Here’s plot info from the press release: “Pugh and Reynor will play a couple that travels to Sweden to visit their […]
by Scott Macaulay on Mar 5, 2019
With a sea of short films washing up on the shores of YouTube and Vimeo each day, how can filmmakers make their work stand out? One team with a solution is Jake & Will — Will Blank and Jake Bradbury — for whom their 16-episode online short film series Twentieth Century Faux is both a smartly packaged exploration of millennial anxieties as well as a kind of personal filmmaking challenge that connects these two filmmakers back to the essential pleasures of making movies. The shorts run from one to three minutes each, are released weekly, are titled after well-known movies, […]
by Scott Macaulay on Mar 5, 2019