You start with a character, or a situation, perhaps, and then…what? You work out the next step, get through maybe a scene, or an episode, or a first act, and larger themes and ideas emerge. And then, realizing that what you’ve done is all wrong, you rip it all up and start over. When the eight episodes of Russian Doll—the New York East Village–set fantastical time-loop drama starring Natasha Lyonne and created by Lyonne, Amy Poehler and Leslye Headland—dropped on Netflix earlier this year, my social media feeds all exploded. Everyone seemed to be watching this show, its storyline connecting […]
by Scott Macaulay on Jun 19, 2019
“Reproducing the status quo is deeply political because the status quo is crappy,” says the Newfoundland-based Civic Laboratory for Environmental Action Research’s Max Liboiron in Taylor Hess and Noah Hutton’s sharp and inspiring short doc, Guts, currently streaming at The Atlantic (and embedded above). At CLEAR, Liboiron’s work is both deeply political as well as practical. Her environmental science examining the effect of plastic pollutants on animal and human environments and food chains poses a more-than-rhetorical challenge to mainstream ideas around recycling and environmental cleanup. From The Atlantic: In the documentary, she asks a group of well-intentioned recyclers to look […]
by Scott Macaulay on Jun 18, 2019
Following its very good opening night film — Lulu Wang’s The Farewell (also Filmmaker’s forthcoming Summer issue cover) — BAMcinemafest the Brooklyn Academy of Music’s essential early summer fest, is underway. This year’s edition is typical of the fest: a well-curated and relatively compact mix of recent festival standouts, a world premiere or two, and assorted other programs, including tomorrow’s day-long (and free) program of industry panels presented in collaboration with IFP. The festival runs until June 22, and for those in or headed to Brooklyn, here are some recommendations from us at Filmmaker. So Pretty. Jessie Jeffrey Dunn Rovinelli’s […]
by Scott Macaulay on Jun 14, 2019
Through six seasons on House of Cards and multiple Emmy nominations, Michael Kelly has brilliantly embodied the character of Doug Stamper, navigating him through the highs and lows of loyalty, devotion, and dark-heartedness, culminating with a new layer of antagonism in the final season. It was a tour de force performance. In this episode he sits down to talk about the nuts and bolts of his craft, his meticulous and elaborate script breakdown process, how David Fincher knocked him off his game, and why he will never stop worrying about the next job no matter what awaits him post-Stamper. Back […]
by Scott Macaulay on Jun 11, 2019
SFFILM, in partnership with the Westridge Foundation, announced today the five filmmaking teams receiving a total of $100,000 in screenwriting and development for their narrative features. One of the few grants open to early-stage narrative filmmakers, the SFFILM Westridge grants, awarded twice annually, “are designed for US-based filmmakers whose stories take place primarily in the United States and focus on the significant social issues and questions of our time.” In a statement, the jury said, “We are thrilled to be able to support these five filmmakers and their exceptional projects. Each has used their unique voice and experience to illuminate […]
by Scott Macaulay on May 30, 2019
US in Progress, the biannual event connecting American independent filmmakers in postproduction with European industry support, has announced the eight films that will be presented June 19 – 21 at the Champs-Élysées Film Festival in Paris. The only European event devoted exclusively to American independents, US in Progress is a joint program between Champs-Élysées and November’s American Film Festival in Wroclaw. As the organizers write, “This professional programme is a collaboration between these two festivals and seeks to facilitate the circulation of American independent cinema in Europe by bringing decision makers from all over Europe to discover new US filmmakers.” […]
by Scott Macaulay on May 29, 2019
South Korean director Bong Joon-ho’s dark social satire/thriller Parasite won the Cannes Film Festival’s top prize, the Palme d’Or. It’s the first time a Korean director has won the award, and jury president Alejandro González Iñárritu said the jury was unanimous. First-time French-Senegalese feature filmmaker Mati Diop — the actress known for roles in Claire Denis’s 35 Shots of Rum and American indies like L for Leisure and Fort Buchanan had previously directed shorts and a medium-length documentary — won the festival’s second prize, the Grand Prix, for her Atlantics. It’s a magic-realistic-tinged tale of women left behind in Senegal […]
by Scott Macaulay on May 25, 2019
The Sundance Institute today announced the 25 nonfiction films that will receive Documentary Fund and Stories of Change grants. The grants span all the way from initial project development to audience building, and the list includes custom grants from The Kendeda Fund, which supports projects dealing with environmental themes as well as gun violence. Stories of Change grants, a creative partnership with The Skoll Foundation, support social entrepreneurs and independent storytellers. Reports the Sundance Institute, “the supported projects come from Canada, Chile, China, Estonia, Hungary, Iran, Israel, Kenya, Mexico, Poland, South Africa and the United States. 21 projects, or 84%, […]
by Scott Macaulay on May 24, 20195/25/19 UPDATE: This flash sale is now over — that is, if you’d like to get our Summer issue, which is already at the printer. We’ll keep the coupon code alive for a while for stragglers who stumble on this post. Your subscription will start with our next issue. As we gear up to ship our Summer issue of Filmmaker to the printer, which includes our annual Film School guide, we’re offering a 48-hour flash sale that discounts our print edition by 50%. Get one year, four issues, as well as access to our print issue archive back to 2007, […]
by Scott Macaulay on May 22, 2019
In its final week at Manhattan gallery signs and symbols is artist and filmmaker Michelle Handelman’s installation, LOVER HATER CUNTY INTELLECTUAL, a kind of remix of last year’s large-scale SFMOMA installation Hustlers & Empire for the smaller and more intimate studio space. The previous exhibition was centered around three archetypal characters — “real and imagined hustlers” drawn from three seminal works: Iceberg Slim’s Pimp (1967), Marguerite Duras’s The Lover (1984) and Federico Fellini’s Toby Dammit (1968). This new exhibition focuses solely on a character inspired by Duras and the semi-autobiographical protagonist of her novel and performed by queer Latinx artist […]
by Scott Macaulay on May 21, 2019