Authors — Scott Macaulay
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Five Questions for American Fable Writer/Director Anne Hamilton
The below interview was originally published during SXSW 2016, when debuting filmmaker Anne Hamilton premiered her ’80s-set, gothic thriller, American Fable, which melds del Toro-esque fantasy with a critique of Reagan-era economic policy. The film opens today in New York at the IFC Center. World premiering in the Visions section of SXSW is American Fable, the debut film from 2014 AFI Directing Workshop for Women graduate Anne Hamilton. Before beginning her career in film by working on the set of Terrence Malick’s The Tree of Life, Hamilton studied law and philosophy, and, as she relates below, she applied aspects of […]
by Scott Macaulay on Feb 17, 2017 -
5 Questions for Lovesong Writer/Director So Yong Kim
A 25 New Face from 2006, So Yong Kim’s Lovesong premiered at the Sundance Film Festival in 2016 and opens today in New York from Strand Releasing. The below interview was originally published during the film’s Sundance premiere. While continuing to make subtle, emotional, character-based stories, So Yong Kim’s cinema has been one of change and evolution. Her debut feature, 2006’s In Between Days, spent several days surveying the burgeoning first love of two Korean teenagers living in Toronto. Largely filmed in Korean, and shot on a micro budget with non actors, the film landed Kim on our 25 New […]
by Scott Macaulay on Feb 17, 2017 -
Why Make a Microbudget Film? Five Questions for Director Paul Harrill on the Virtues of Ultra-Low Budgets
Is there a business in microbudget filmmaking? The question is begged by the title of an upcoming class at the IFP’s Made in New York Media Center titled, yes, “The Business of Microbudget Filmmaking.” The program copy reads: In this class, you will learn proven, cost-effective filmmaking and business techniques for producing a $50,000 (or less!) film project. We’ll go step-by-step through the filmmaking process to discover tips and tricks for developing, planning, producing, and distributing a microbudget film. The class — a two-parter taking place February 13 and 20 — is taught by filmmaker Paul Harrill, which is itself […]
by Scott Macaulay on Feb 12, 2017 -
Trailer Watch: Trey Edward Shults’ It Comes at Night
When I interviewed Trey Edward Shults for our 25 New Faces list in 2015, he spoke of his new project: For his next film, Shults is again drawing on a family story — his father’s death. “It’s not a straight drama about a guy passing from cancer,” Shults says. “I’m trying to take those feelings and emotions and put them into something bigger. And, yeah, it’s like my version of a horror movie. People ask, ‘Wasn’t Krisha that?’ But it’ll be even more intense than Krisha.” I don’t know how much those intentions of Shults’s have shapeshifted since our interview, […]
by Scott Macaulay on Feb 8, 2017 -
Trailer Watch: Kristen Stewart in Olivier Assayas’s Personal Shopper
No film has stayed and resonated with me from Cannes this past year as much as Olivier Assayas’s Personal Shopper, an eerie ghost story/character study laced with dark forebodings entirely entwined with our current political moment. IFC has just dropped a new trailer which focuses aptly on Kristen Stewart’s riveting performance as a buyer and stylist to a Davos-set celebrity socialite. Intrigued with the paranormal in all its historical dimensions, Stewart’s character is grieving her recently deceased brother while exploring the possibilities of communication in an age in boundaries are increasingly blurred. IFC releases the film on March 10. (And […]
by Scott Macaulay on Feb 4, 2017 -
Watch: Martin Scorsese’s Romance with New York City
This new video essay by Leigh Singer from the BFI posits, not so controversially, that director Martin Scorsese and the location of New York City are one of cinema’s great screen couples: This video essay focuses exclusively on Scorsese’s features and argues that, in his hands, the physical place transforms into psychological space: an X-ray not just of a city’s psyche, but of a nation’s soul. It makes for often brutal viewing, rarely indulging the aspirational side of the American Dream (does the Statue of Liberty feature even once in a Scorsese film?); but few can deny its authenticity. And […]
by Scott Macaulay on Feb 3, 2017 -
I don’t feel at home in this world anymore, Dina Top the 2017 Sundance Film Festival Awards
In a ceremony last night hosted by Jessica Williams — and one marked by presenters, winners and festival reps denouncing, in ways subtle and direct, the Trump administration’s immigration ban — the winners of the 2017 Sundance Film Festival were announced. First-time feature director Macon Blair’s character-based crime thriller I don’t feel at home in this world anymore won the Dramatic Grand Jury Prize, while Dan Sickles and Antonio Santini’s comedy-tinged doc about a romance between a couple living on the autism spectrum, Dina, won the Documentary Grand Jury Prize. On the World Cinema side, Tarik Saleh’s The Nile Hilton […]
by Scott Macaulay on Jan 29, 2017 -
Watch the Sundance Awards Live
Jessica Williams, star of the Sundance film The Incredible Jessica James, is hosting tonight’s award ceremony, which you can watch live here at Filmmaker. Check back after the show for the complete list of awards.
by Scott Macaulay on Jan 28, 2017 -
Working Through Fear: An Interview with Blumhouse’s Jason Blum
Driving down Beverly, you head opposite Hollywood, away from Studio City, toward the nondescript, single-level, brown-bricked building that’s the literal Blumhouse — the offices of horror movie maestro Jason Blum. Since founding the company, Blum has produced dozens of films that have made varying degrees of impact on the zeitgeist: the found-footage scares of the Paranormal Activity films, the reinvented haunted house of the Insidious pictures, the social violence of The Purge series. And then, of course, there’s megahit Get Out, Jordan Peele’s ferociously intelligent satire on racism that, despite its share of lobotomies and knifings and violently applied white […]
by Scott Macaulay on Jan 25, 2017 -
Parting Shot: Tim Sutton
Over the course of three features, Brooklyn-based writer/director Tim Sutton has excelled in creating visually gorgeous, tonally mysterious works that find intriguing new atmospheric territories by drifting away from conventional narrative structures and character arcs. His debut feature, Pavilion, is a diptych about a teenage son shuttled cross-country between divorced parents. Follow-up Memphis exploded the “artist battling creative block” storyline into a tale of spiritual crisis set in that city’s streets, recording studios and forest parks. His latest film, Dark Night, released this February by Cinelicious, is his strongest and certainly most challenging work. In a world where the value […]
by Scott Macaulay on Jan 18, 2017
