Over the course of three features, Brooklyn-based writer/director Tim Sutton has excelled in creating visually gorgeous, tonally mysterious works that find intriguing new atmospheric territories by drifting away from conventional narrative structures and character arcs. His debut feature, Pavilion, is a diptych about a teenage son shuttled cross-country between divorced parents. Follow-up Memphis exploded the “artist battling creative block” storyline into a tale of spiritual crisis set in that city’s streets, recording studios and forest parks. His latest film, Dark Night, released this February by Cinelicious, is his strongest and certainly most challenging work. In a world where the value […]