Author Daniel H. Wilson, whose Roboapocalypse has been in the works for some time from Steven Spielberg, has the first adaptation of one his stories receive its online premiere today over at Wired. Embedded here, The Nostalgist is the adaptation of Wilson’s first published work of fiction, and it’s described thusly: In the futuristic city of Vanille, with properly tuned ImmerSyst Eyes & Ears the world can look and sound like a paradise. But the life of a father and his young son threatens to disintegrate when the father’s device begins to fail. Desperate to avoid facing his traumatic reality, […]
by Scott Macaulay on May 3, 2016One of the most powerful pieces at Tribeca’s Storyscapes program this year was a nine-minute evocation of the experience of solitary confinement produced by The Guardian. Now available for Google Cardboard or simply viewed as a web video on The Guardian‘s site, 6×9, directed by Lindsay Poulton and Francesca Panetta, is both a masterful exploration of VR’s promise as well as a penetrating look at the corrosive psychological effects of solitary confinement. Overused in the American prison system — to say nothing of being simply inhumane — solitary confinement becomes, as 6×9 succinctly demonstrates, a form of torture. On an […]
by Scott Macaulay on Apr 29, 2016Adding an anxious frisson to the upcoming Cannes Film Festival, The Hollywood Reporter reports on the city of Cannes’ terror training exercises in advance of this year’s event. From the Hollywood Reporter: With the world’s biggest film festival only a few weeks away, Cannes made a very public show of force. Last Thursday, the city on the Cote d’Azur staged a dramatic, some would say chilling, test run of what might happen if terrorists target the stars, film industry execs and thousands of fans that descend on the Croisette every year. A video of the exercise, which featured masked gunmen […]
by Scott Macaulay on Apr 27, 2016Winner of the euphoria Calvin Klein-sponsored “Live the Dream” grant at the 2015 IFP Gotham Awards, filmmaker Chanelle Aponte Pearson is the director of the upcoming web series, 195 Lewis, as well as the head of operations at the Brooklyn-based production company MVMT. In other words, she’s a consummate juggler, working on the business side of film while evolving her own film and web practice. With an excerpt of 195 Lewis, Pearson’s Brooklyn-set, queer polyamorous love story, having screened at this year’s International Film Festival Rotterdam, we decided to check in with Pearson for a status update on the larger […]
by Scott Macaulay on Apr 26, 2016Dean, Demetri Martin’s gently comic picture about a Brooklyn illustrator unable to move on with his life following the death of his mother, won the Founders Award for Best Narrative Feature today at the 15th Annual Tribeca Film Festival. Udi Aloni’s Junction 48 — a drama about a Palestinian rapper in the mixed-city of Lyd that won the Audience Prize at this year’s Berlin Festival — took home the Best International Narrative Feature Award, while Craig Atkinson’s Do Not Resist, about the increasing militarization of United States’ police forces, won the Best Feature in the World Documentary Competition. About Martin’s […]
by Scott Macaulay on Apr 21, 2016Many years ago I was invited to be the co-editor of The Off-Hollywood Report, the precursor magazine to Filmmaker, by its new editor, James Schamus. To start me off, James handed me a long-form assignment. He told me about several UCLA film school students who were skipping their thesis shorts and going straight ahead to making no-budget features while in school. I talked to a number of them, including Caveh Zahedi, whose first feature (directed with Greg Watkins), was just one of these films — A Little Stiff — and that feature appeared in our first issue. So, I’m finding […]
by Scott Macaulay on Apr 21, 2016In the ’90s, French screenwriter and now director Thomas Bidegain was a familiar face in the L.A. and New York film communities. He worked in distribution in L.A. for Connoisseur Films, produced independent films out of New York, and worked in Paris for distributor MK2 and production company Why Not during the years when both were eagerly scouting the latest American independent auteurs. But after writing a series of short films, Bidegain made his biggest career shift yet, moving into screenwriting as he wrote, with Jacques Audiard, the tough prison drama A Prophet. Since then he’s co-written all of Audiard’s […]
by Scott Macaulay on Apr 21, 2016“Stop thinking as an individual and start thinking as a team,” says Legs (Makyla Burnam), one of the Lionesses — a dynamic Cincinnati high-school drill team — to a group of young recruits, who include the shy, diminutive, but quietly purposeful 11-year-old boxer Toni. Played in writer/director/producer Anna Rose Holmer’s terrific, formally assured dramatic feature debut, The Fits, by the self-possessed and emotionally transparent Royalty Hightower, Toni has been drawn away from the comforting routine of her boxing practice by the sounds, music and movement of the Lionesses and, by extension, the more adult world they represent. But soon after […]
by Scott Macaulay on Apr 21, 2016Oculus Rift Just reaching stores is the long-awaited Oculus Rift ($599), the highest-end VR headset presently on the consumer market. Launched in 2012 with $2.5 million in Kickstarter funding and purchased two years later by Facebook for $2 billion, Oculus Rift in this early iteration is focusing on gaming, with EVE: Valkyrie bundled with the kit. The company is developing film applications too. There’s Oculus Video, an app allowing viewers to watch movies in either 2-D or 3-D from within a virtual cinema space. (You can even select your seat and angle of view.) And there are already dramatic VR […]
by Scott Macaulay on Apr 21, 2016The third and final short from UnionDocs’ Living Los Sures project premiering here at Filmmaker is Danya Abt’s Eric, Winter to Spring. UnionDocs describes the project like this: After losing his brother two years ago, cab driver Eric Martine quit using drugs and began a new chapter in his life. Although he still visits some of the same punk-rock haunts and friends, Eric is re-mapping his life onto the city he knows by turning his experiences into prose poems and trying to draw meaning from an extreme past. (2014) The short won Best Short Documentary at the 2015 Brooklyn Film […]
by Scott Macaulay on Apr 20, 2016