Festivals & Events
Festivals & Events
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“A Larger Than Life Revolutionary”: DP Rose Bush on The Disappearance of Shere Hite
Filmmaker Nicole Newnham’s latest, The Disappearance of Shere Hite, explores the author behind The Hite Report, one of the best-selling books of all time since its 1976 publication. Few remember Shere Hite today, and Newnham’s film interrogates why that might be. Cinematographer Rose Bush discusses how working on The Disappearance of Shere Hite was a perfect fit for her. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Bush: I’m a person […]
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“From the First Assembly, I Knew the Film Was There”: Editor Lindsay Armstrong on Young. Wild. Free.
Teenagers Brandon (Algee Smith) and Cassidy (Sierra Capri) form a perilous romance that rivals Bonnie and Clyde’s in Young. Wild. Free., director Thembi Banks’s feature debut. Filmmaker asked editor Lindsay Armstrong about her experience cutting the film, including the unexpected importance of VFX. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job? Armstrong: Director Thembi Banks and I met and became good friends while working towards our MFAs in Film Production […]
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“When a Place Is Transformed and Scrubbed, so Are the Original Memories”: Editor Mel Mel Sukekawa-Mooring on The Stroll
In The Stroll, the gentrification of New York City’s Meatpacking District is told through the history of the trans sex workers who long worked and resided in the neighborhood. Through extensive archival materials and intimate interviews, co-directors Kristen Lovell and Zackary Drucker explore how police violence factored into the downfall of “The Stroll” where this community would congregate. Editor Mel Mel Sukekawa-Mooring discusses cutting the film, also touching on the “roundabout journey” that brought them to the industry. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the editor of your […]
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“I Never Realized How Gifted He Is With Comic Timing”: Editor Michael Harte on STILL: A Michael J. Fox Movie
The life and career of Michael J. Fox is told through recreations of his most iconic acting roles in STILL: A Michael J. Fox Movie. Editor Michael Harte tells Filmmaker about working on the latest film from Davis Guggenheim. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job? Harte: I grew up in the 80s so like a lot of people my age I loved Michael’s movies as a kid. They […]
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“The World Just Sounded Different 50 Years Ago”: Editors Peter Hagan and Lawrence Klein on Fairyland
Based on Alysia Abbott’s memoir of the same name, Fairyland chronicles Alysia’s (Emilia Jones’s) coming of age in the ’70s and ’80s. After her mother dies, her father moves to San Francisco with the then-5-year-old Alysia and begins openly dating men. The film follows Alysia’s ever-evolving relationship with her father as she relocates to New York for college, travels to France for a study abroad program and eventually returns home to San Francisco. Co-editors Peter Hagan and Lawrence Klein discuss how they worked together to cut Andrew Durham’s debut feature. See all responses to our annual Sundance editor interviews here. Filmmaker: […]
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“Even the Biggest Fight Scene Was Ultimately About Character”: Editor Robbie Morrison on Polite Society
When Ria’s (Priya Kansara) big sister Lena (Ritu Arya) announces that she’s dropping out of art school and getting married, she immediately knows that something’s not right. As such, the London schoolgirl and aspiring martial artist recruits a couple of friends to save Lena from her own wedding before she moves to Singapore with her new beau. Robbie Morrison tells Filmmaker about cutting Polite Society, writer-director Nida Manzoor’s debut feature. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that […]
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“Develop a Workflow to Effectively ‘Play Ping-pong'”: Editors Roman Liubyi and Mila Zhluktenko on Iron Butterflies
Ukrainian director Roman Liubyi’s Iron Butterflies examines the ramifications of Malaysia Airlines Flight 17, which was shot down by Russian forces as it passed over eastern Ukraine on July 17, 2014, killing all 298 passengers on board. With an intricate nonfiction narrative laid out by Liubyi and Mila Zhluktenko, Iron Butterflies confronts the political aftermath of this atrocity. Liubyi and Zhluktenko discuss the process of cutting Iron Butterflies, as well as their involvement in the Babylon’13 film collective. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the editor of your […]
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“It’s Been a Mad Dash to the Finish Line” | Vuk Lungulov-Klotz, Mutt
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? “Miracles in real time.” I don’t know when in the production process we started saying that, but it’s kind of been our motto ever since. The biggest unforeseen obstacle for us was our lack of time. Mutt is having its world premiere only four months after wrapping principal photography. My editor and I had two weeks to put together a […]
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“We Were Forbidden to Film in the Archive” | Roman Liubyi, Iron Butterflies
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? COVID, and, after that, the expansion of Russian aggression against Ukraine, were pretty strong obstacles. It is a paradox, but we have never felt broken. I remember an expression that art is the material of resistance. This whole project is a search for creative solutions and remaining possibilities against these obstacles. An example is the scene that we shot in […]
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“The Unexpected Was To Discover That I, Myself, Was Expecting” | Rebecca Zlotowski, Other People’s Children
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? Any director can tell you that obstacles and crises to overcome are their daily basis on set. I wrote Other People’s Children with a desire to address a solidarity letter to child-free women, and as a child-free woman myself. While prepping the film, the unexpected was to discover that I, myself, was expecting, and the entire shoot was seen through […]
