Festivals & Events
Festivals & Events
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“The Sea Has Always Been Sensual and Angry”: DP Ashok Meena on Against the Tide
Two best friends struggle to make a living as fishermen in Bombay’s Indigenous Koli community in Against the Tide, director Sarvnik Kaur’s documentary that explores the impact of pollution, invasive species and other environmental factors contributing to a region’s dwindling fish population. DP Ashok Meena discusses her experience working on the project, including the influence that Iranian cinema has had on her work. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this […]
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“Our Material Spans 150 Years of Camera Technology”: DPs Axel Danielson and Maximilien Van Aretryck on Fantastic Machine
Axel Danielson and Maximilien Van Aertryck are co-directors, producers, cinematographers and editors of Fantastic Machine, their documentary that serves as a “meticulous dissection of image-making and a mapping of its movement through society.” Below, the duo discuss how they approached their duties as DPs on the film, including how they view that role as distinctly hunter-like. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Danielson & Van Aretryck: As directors, […]
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“I Would Cry Every Take We Shot”: DP Carolina Costa on Heroic
The sophomore feature from writer-director Carolina Costa, Heroic examines the brutality of the Mexican military through the experiences of 18-year-old recruit Luis (Santiago Sandoval Carbajal), a cadet at the Heroic Military College located in the rolling mountainside. DP Carolina Costa talks about her experience shooting the film, which proved to be incredibly emotional. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Costa: This is the second film I shot for […]
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“I Usually Prefer To Embrace the Rushes as a Whole”: Editor Hoping Chen on Drift
Drift, the latest feature from Singaporean director Anthony Chen, follows Jacqueline (Cynthia Erivo), who finds herself struggling to scrape by on a Greek island after fleeing Liberia during the war. The daughter of a wealthy government loyalist, this new rough and tumble lifestyle is far from the luxurious life she used to live. When she meets Callie (Alia Shawkat), an American tourist traveling solo, she is charmed and takes a risk by forming a connection with her. Chen’s longtime editor Hoping Chen discusses the process of working on this film, revealing many of his established cutting habits. See all responses […]
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“The Tonal Balance Was a Bit of a Tightrope”: Editor Jacob Craycroft on Cat Person
Cat Person, the viral short story that originally appeared in The New Yorker is now a feature film from director Susanna Fogel. Editor Jacob Craycroft tells Filmmaker about bringing the re-imagined feminist cautionary tale to life in the cutting room. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job? Craycroft: As with most of my jobs that aren’t with repeat filmmakers, this came through my agent. I had read the short […]
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“It’s Great When an Idea Is Transformed So Much That the Author Is Rendered Unknown”: Editor Jon Philpot on Theater Camp
A dysfunctional summer camp for thespians in upstate New York is the setting of Theater Camp, the co-directing effort of Molly Gordon (who also stars as quirky counselor Rebecca-Diane) and Nick Lieberman. Editor Jon Philpot discusses the process of cutting the mockumentary-style film. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job? Philpot: The directors, Molly Gordon and Nick Lieberman, found me on IMDB while looking for editors that worked on […]
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“With Each Interior Location We Had a Distinct Color Palette”: DP Cary Lalonde on Young. Wild. Free.
Teenage lovers Brandon (Algee Smith) and Cassidy (Sierra Capri) embark on dangerous but lust-fueled journey in Young. Wild. Free., the feature debut from director Thembi Banks. Cinematographer Cary Lalonde tells Filmmaker about shooting this modern day take on Bonnie and Clyde. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Lalonde: The project was initially shut down after one day of shooting in the early days of COVID. Once it was […]
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“In Preparation We Talked About Claude Sautet’s Films”: DP George Lechaptois on Other People’s Children
Rebecca Zlowtowski’s longtime cinematographer discusses shooting Other People’s Children, the writer-director’s latest film that stars Virginie Efira and Roschdy Zem and grapples with themes of motherhood and the concept of being child-free. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Lechaptois: I met [director] Rebecca [Zlowtowski] in 2009 when shooting her first feature Belle Epine. I have since shot all her films. Filmmaker: What were your artistic goals on this […]
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“I Wanted the Lenses To Have Some Character”: DP Greg Harriott on Going to Mars: The Nikki Giovanni Project
Renowned poet Nikki Giovanni is the subject of Going to Mars: The Nikki Giovanni Project, co-directors Joe Brewster and Michèle Stephenson’s latest effort. Incorporating live poetry readings, space-age imagery, pivotal moments in American history and intimate moments with Giovanni herself, the documentary offers a holistic image of an invaluable artist and the broader cultural moment she continues to speak to. DP Greg Harriott talks about how he came to work on the film and how he approached capturing the wide range of visuals. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up […]
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“This Film Is Really a Poem in a Lot of Ways”: DP Laura Valladao on Fremont
In Fremont, writer-director Babak Jalali’s latest film, Afghan refugee and former U.S. Army translator Donya (Anaita Wali Zada) finds herself working at a fortune cookie factory in the Bay Area. She’s been having trouble sleeping, and her restlessness prompts her to send a message to the world through a uniquely sweet vessel. DP Laura Valladao tells Filmmaker about shooting the sumptuous black and white film. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired […]
