Jillian Lucas and Lucas Leyva, two of our “25 New Faces” from 2012, are back at SXSW with their new short #PostModem after making their name at the fest last year with the mind-blowing Life and Freaky Times of Uncle Luke. Here they talk with Romain Thomassin as part of the Motionmaker series of Young Guns interviews with emerging filmmakers.
Rambling On, the independent film interview show produced by filmmakers Russell Costanzo and Melissa B. Miller (The Tested), returns with this latest installment featuring directors talking about, well, directing. Costanzo hosts, and the directors featured are Craig Zobel (Compliance), Ry Russo-Young (Nobody Walks), Alex Karpovsky (Red Flag) and Antonio Campos (Simon Killer). Check it out above, and then in next week for another installment.
The Steadicam — it can make things so easy, and so beautiful. It can be simply efficient, allowing you to bang out a smooth walk-and-talk without track. Or it can be a show piece, a shot whose virtuosity grabs the audiences’s attention, even if they are unaware of the level of skill and artistry involved. Writes Larry Wright at his Refocused Media blog about the long single takes most associated with the Steadicam: More often than not, these sequences are accomplished using a Steadicam, which is essentially a balanced stabilizer that allows for smoother and more easily controlled handheld camera […]
Congratulations to our friends and near neighbors POV for today winning a MacArthur Grant! You can read more here.
The last nine months or so have seen the release of a number of films about Abraham Lincoln, the latest of which is the indie Saving Lincoln, currently in theaters. The movie is a unique visual experience as a result of its groundbreaking use of archival photographs and green screen. You can see in the video above how much of the movie’s world was created, while below Saving Lincoln‘s director, Salvador Litvak, shares how he came up with the film’s innovative process, CineCollage. My new film, Saving Lincoln, was made within photographs of the American Civil War. Combining elements of theater and […]
Indie directors have to take on all kinds of soulless commercial work in order to pay the bills. But I suspect that Compliance writer/director Craig Zobel didn’t have too terrible a time making these videos for the upcoming release of Iggy and the Stooges’ new record, Ready to Die…
I tend to be a little skeptical about all the apps out there that aren’t particularly useful and don’t really merit existence. But I must admit this clapperboard app from the British company TIZA does seem to pretty cool and should streamline workflow for shoots using a DSLR.
The Oscars are not generally considered a crucial event for genre lovers; the inclusion of such films is often limited, and often ghettoized, relegated to technical awards only. This year there are several films in requisite categories like Makeup and Hairstyling, and Visual Effects (whose nominees include The Hobbit: An Unexpected Journey, The Avengers, Snow White and the Huntsman, and Prometheus). Another good category where one can snoop out genre fare is in Best Animated Film, and 2013 doesn’t disappoint, with the lovingly crafted and decidedly Gothic take on suburbia in ParaNorman and Tim Burton’s tale of a boy and […]
As I mentioned when I recommended this film’s Kickstarter campaign, I love depressing Christmas movies. At the time, its writer/director, Zach Clark (Vacation, Modern Love is Automatic), wrote, “White Reindeer takes on thirty-as-the-new-twenty and shows a suburban Virginia where sleaze and sadness may float on the surface, but hope and compassion aren’t too far away either.” From the trailer, I’d say he’s nailed it. Check it out above and the film itself at SXSW.
We’ve featured the work of filmmaker Mike Hedge on the site before, and he’s just forwarded the trailer for his “participatory documentary” shot at Burning Man, As the Dust Settles. It premieres next week at the Byron Bay Film Festival in Australia. From the site: Following a simple rule of working on this participatory documentary 50% of the time, we captured our life-changing experiences at the annual arts festival held in northern Nevada, known as Burning Man. Our documentary reveals an intimate glimpse of what we discovered about love, creativity, community, the environment, the art, the gift economy, and reality. […]