Taking a page from Lost Highway‘s long-ago trick of using “Two Thumbs Down” as a blurb for the poster, the trailer for Francis Ford Coppola’s Megalopolis pullquotes many of the negative responses to his work over the years, some from long-dead critics like Andrew Sarris and John Simon. (Here’s Vadim Rizov’s review from Cannes.) The film opens September 27 from Lionsgate. UPDATE: Lionsgate has pulled the Megalopolis trailer originally included in this post after critics and outlets pointed out that the negative blurbs contained in the trailer could not be sourced from the original reviews and may be fabricated. In a […]
David Gutnik’s Rule of Two Walls — the title referring to the recommended method of sheltering during a bombing raid — receives its theatrical premiere August 16 at New York’s DCTV Firehouse Cinema before rolling out to selected cities via Monument Releasing. The doc, which depicts the work of Ukrainian artists making defiant work during the current war in Ukraine, is executive produced by Liev Schreiber and is the director’s foll0w-up to his fiction debut, Materna, which, like Rule of Two Walls, premiered at the Tribeca Film Festival. In an interview with Lauren Wissot timed to that festival premiere, Gutnik […]
At Filmmaker we’ve long been a fan of Zach Clark, director of such witty and genre (and genre-adjacent) work as Little Sister, Vacation! and White Reindeer. He always brings real style and subversive smarts to his pictures, which often apply ingenious tonal twists to familiar situations and set-ups. For his latest, The Becomers, Clark fuses an Invasion of the Body Snatchers-type tale with a classic rom-com set up. Reviewing the film out of Fantasia, Erik Luers wrote: In depicting two shape-shifting entities who arrive separately on Earth searching for their misplaced mate, Clark’s film provides his Midwest cast the opportunity […]
With White Rose, My God, a new album from Alan Sparhawk — his first since the passing of Mimi Parker, his partner in the band Low — scheduled to appear in September, the singer/songwriter has released its first single with a music video directed by independent filmmaker Rick Alverson (The Mountain). Alverson has pixellated Sparhawk’s face as the musician has digitally manipulated his voice in this eerie clip. Check it out above.
As I wrote when sharing an exclusive clip from the feature upon its festival premiere, Christina Kallas‘s Paris is in Harlem “takes place the night before New York’s infamous Cabaret Law was repealed. In a historic Harlem jazz bar, a shooting alters the lives of several strangers who have gathered for the final night of ‘no dancing.’” With the film premiering on digital platforms July 4, check out the new trailer above. Comments Kallas, ““As a European filmmaker making films in America, I’m somewhat obsessed with guns ending up in the wrong hands. In Paris is in Harlem, I am […]
From our colleagues at Psyche comes a beautiful short film by Lynne Sachs that is a decades-long collaboration with the late pioneering feminist filmmaker Barbara Hammer. From the Psyche writeup: In 1998, the pioneering US feminist artist Barbara Hammer (1939-2019) spent a month at an artist residency in Cape Cod, Massachusetts. Feeling “compelled to do absolutely nothing” while living in a dune shack without running water or electricity, Hammer documented her solitude with a journal, a tape recorder and a 16mm film camera. For decades, these materials remained in her personal archive, until, as Hammer was nearing the end of […]
Lance Oppenheim, a 2019 25 New Face who is something of a non-fiction poet laureate of contemporary loneliness, oddball institutional rituals, and the ways in which fantasy and reality commingle in American life, premieres his latest documentary series, Ren Faire, tonight on HBO. Produced by Elara Pictures, with executive producers including Josh Safdie, Benny Safdie and Ronnie Bronstein, the three-part series tells a Succession-like drama involving an aging “king,” George Coulam, in the midst of deciding which of his employees will take over his sprawling and lucrative Texas-based Renaissance theme park. The series follows Oppenheim’s excellent Spermworld, for which the […]
Sarah Friedland made Filmmaker‘s 25 New Faces list last year as her she finished her Movement Exercises trilogy of short films and was completing production on her debut feature, Familiar Touch. Now, as Familiar Touch finishes post, Video Data Bank is streaming Movement Exercises for free on its website until June 11. From my 25 New Face profile: Realized from 2017 to 2022, Friedland’s Movement Exercises Trilogy consists of three short films exploring the ways in which movement contextualized within specific settings encodes personal, social and political meanings. The first of the trilogy, Home Exercises, depicts older adults navigating the […]
Artist and filmmaker Alison O’Daniel appeared on Filmmaker‘s 25 New Faces list in 2019 as her feature The Tuba Thieves, screening next week on Independent Lens, moved from stop-and-start production — she had been shooting the film in “bits and pieces” since 2013 — to a finishing sprint. Inspired by a news story about a rash of tuba thefts from Los Angeles marching bands, the film is an impressive and wholly original expansion of O’Daniel’s overall project. As I wrote in the 25 New Face piece, “Sound — as subject matter, metaphor, and structuralist organizing principle — is at the […]
Newly released is the first trailer for the thriller, New Life, the directing debut of Emmy-award-winning journalist John Rosman. Rosman was one of Filmmaker‘s 2023 25 New Faces, selected on the basis of this film, which Erik Luers described thusly: “A tale of two women—one being chased, the other a fixer doing the chasing—New Life is a pandemic-era horror film that rewards its audience with gory twists and a surprisingly heartfelt center.” One of the film’s two lead characters faces ALS, a subject Rosman covered for PBS while a journalist. Of the journey of his Fantasia-premiering film’s characters, Rosman said, “One […]