Walter Murch speaks in this video about his top six considerations while editing, from emotion and story down through the more technical considerations of keeping the audience’s eye moving. Oddly, the video (edited by Max Chatfield) begins with a lengthy montage of opening credits logos from some of the films Murch has worked on and ends with an end credits montage of same; the meat of the comments starts around the 50-second mark.
“You have a story to tell that’s worthy. You have experience to share and you have a valid point of view,” producer Effie T. Brown told the audience during Sunday’s inspirational keynote at the 2016 Film Independent Forum at the Directors Guild in Los Angeles. Brown, who produced films such as Dear White People and Real Women Have Curves, is executive VP, production and development for TV and film at Lee Daniels Entertainment. Brown spoke of the need for diverse creators and told the audience they can make a difference with their wallets. “The next time there is a movie where there is […]
Jacob T. Swinney’s new video essay intercuts the short and feature versions of Whiplash seamlessly, showing how close the first incarnation was to the final feature project. And it’s also probably the only legal way you can see parts of the original short for now.
Candice Drouet’s latest video compares a number of shots from Steven Spielberg’s A.I.: Artificial Intelligence — which he famously took over at Stanley Kubrick’s request — with shots they’re modeled on from Kubrick’s work. Refreshingly for a supercut video, the Spielberg shots do seem directly modeled after specific Kubrick shots rather than merely relying upon vague similarities.
Fortune has partnered with WorkingNation to distribute four episodes of “FutureWork,” a series of digital shorts by award-winning director Barbara Kopple. The first of the films, A Story of Yesterday & Today, which explores the demise of the Eastman Kodak Company in Rochester, NY, and the impact it has had on local families, is available for free now. You can watch it above. It is also available at Fortune.com, Time.com and WorkingNation.com. WorkingNation is a new not-for-profit national campaign dedicated to raising awareness of the looming unemployment crisis and skills gap in the United States. The series consists of four 10-minute […]
Receiving its online premiere today here at Filmmaker is Iva Gocheva‘s haunting short film, Sunday, an impressionistic portrait of a young Bulgarian woman living in New York who is grappling with all the various impacts — emotional and existential — of her expired visa. It’s the second short from Gocheva, who has been seen most recently on screen, as a lead, in Claire Carre’s sleeper hit, Embers. Here, the Bulgaria-born, New York-based Gocheva writes about her impetus to make the film: I feel this story started from the idea of home and what it means or feels to each of […]
In Sophia Takal’s Always Shine, two actress friends (Halt and Catch Fire’s Mackenzie Davis and Masters of Sex’s Caitlin FitzGerald), leave Los Angeles for a weekend getaway in hopes of reconnecting. But as the two women’s suppressed jealousies and deep-seated resentments bubble to the surface, they lose grasp not only of their relationship, but also of their own identities. Check out the trailer to the film, which earned Davis the 2016 Tribeca Film Festival award for Best Actress, above. Always Shine will hit theaters on December 2.
“It’s harder and harder to get audiences to see independent films because I think there are other entities fighting for their entertainment hours,” said Michael Barker, co-president/co-founder, Sony Pictures Classics. “For my money, the best independent films being made today are things like The Night Of or Fargo on FX. It’s taking the audience to a certain extent.” In the above exclusive video from Sundance Institute’s Creative Producing Summit, Barker chats with Len Amato, President, HBO Films, about how The Wire lured indie film audiences to TV, what films work better on TV, and more.
In Werner Herzog’s latest film, Into the Inferno, the renowned auteur delves into some of the world’s most active volcanoes. The documentary, which will open in theaters in New York and Los Angeles, and launch globally on Netflix on October 28, just got its first trailer (above). “It is a fire that wants to burst forth and it could not care less about what we are doing up here,” notes Herzog about volcanoes in the trailer. Maybe so, but viewers will be curious to see what Herzog and volcanologist and co-director Clive Oppenheimer discover on their journey to visit the world’s […]
“Iggy and The Stooges reinvented music as we know it,” says Danny Fields, former Stooges manager, in the trailer for Jim Jarmusch’s documentary about the band (above). Relying on archival clips, interviews, and animation, the film traces the hard rocking history of the proto-punk band from its inception in late ’60s Michigan through the ups and downs of stardom (and drug addiction). Gimme Danger had its world premiere in the Midnight Screenings section at the 2016 Cannes Film Festival before screening at The Toronto International Film Festival and The New York Film Festival. The film is scheduled to be released on October 28, 2016, by Amazon […]