Filmmaker Videos
-
Watch: “Michael Cimino / Wide Shot”
Director Michael Cimino passed away in July at the age of 77. In this video, Jorge Luengo Ruiz explores the way that Cimino used the widescreen in his work.
-
Watch: “François Truffaut On Roberto Rossellini & Alfred Hitchcock”
Kent Jones’ 2015 documentary Hitchcock/Truffaut airs tonight, August 8, on HBO at 9 p.m. EST. Inspired by François Truffaut’s book of the same title from 1966, the film delves into the work of Alfred Hitchcock. Here is a clip from the AFI Harold Lloyd Master Seminar where Truffaut discusses how Hitchcock and Roberto Rossellini influenced his own work.
-
Short Film Teaser: Frank Mosley’s Spider Veins
“Loosely inspired by Ibsen’s A Doll’s House,” Frank Moseley’s ominous new short film, Spider Veins premieres this month at the Sidewalk Film Festival. Here’s the description: Two women reunite in a quiet neighborhood before a party begins. But by turns mysterious and shocking, the film’s narrative begins to unravel even as the women’s relationship teeters closer to the edge of truth. Loosely inspired by Henrik Ibsen’s A Doll’s House, Spider Veins is a mercurial investigation into varying levels of everyday artifice. Starring Katey Parker, Danielle Pickard, and Jennifer Mazza-Nguyen, the film will have its world premiere this August 26-28th at […]
-
(Not Doing) Drugs, Schools and Higher Consciousness: A David Lynch Commencement Address
Summer’s still upon us, so it’s not too late to post this improvised commencement speech given by director David Lynch this past June at the Maharishi University of Management. Presented with a Doctor of World Peace honoris causa degree, Lynch, a proponent of Transcendental Meditation, gives a typically anodyne set of answers to students wanting to balance the practicalities demanded by the job market with the searcher for a higher consciousness. Time, Inc’s Motto provides a complete transcription of the talk. Here is Lynch answering a question about his own school years. From Motto: I was very lucky. I was […]
-
Watch: Beemus, It’ll End in Tears, from Lauren Wolkstein and Frances Bodomo
collective: unconscious, the anthology film in which independent filmmakers interpret each other’s dreams, is being released this coming Tuesday, for free, via BitTorrent. Today, producer Dan Schoenbrun — who, by the way, has just launched a regular column here at Filmmaker — has posted one episode of the film (a teaser, if you will). It’s Lauren Wolkstein’s adaptation of Frances Bodomo’s dream. (And, hey, another Filmmaker aside: both directors are veterans of our 25 New Faces series.) Here’s the one-line for Bodomo’s dream given to Wolkstein: My PE class and I are stuck in a volcano and we’re being made […]
-
Daniels’ Possibilia Explores the Possibilities of Interactivity
Billed as an “interactive love story set in the multiverse,” Possibilia, a short film from the dynamic writing/directing duo known as Daniels, tells the story of a couple (Alex Karpovsky and Zoe Jarman) on the verge of a break-up with 16 potential outcomes that are left to the viewer. The project, which screened at both Sundance, Tribeca, and other festivals back in 2014, now gets an online release over at Eko (previously Interlude), the interactive video creation platform. Like Daniels’ recent feature Swiss Army Man, Possibilia relies on humor to subvert the genre and push the conventions of the medium. Filmmaker recently […]
-
Watch: “A Tribute to Andrei Tarkovsky”
Movies in 5 Minutes made this Andrei Tarkovsky tribute featuring seven of his films. The video is the latest in a tribute series that has included Michael Mann, Ingmar Berman, and others.
-
Watch: Martin Scorsese on Stanley Kubrick, 2001
From 2001, it’s Martin Scorsese discussing Stanley Kubrick with Charlie Rose. They start with The Shining and go from there.
-
Watch: Seventy Years of Los Angeles, Then and Now
The New Yorker recently commissioned filmmaker Kevin McAlester to recreate a 70-year-old drive through downtown Los Angeles. The resulting split-screen tour of the same streets in the downtown L.A. neighborhood of Bunker Hill in the 1940s and today shows how much the streets have changed and the city has grown. By the 1950s, the neighborhood, which had previously featured some of the city’s most elegant mansions and hotels, had been turned into low-income housing, according to The New Yorker. The area was highlighted in several noir films as well as in The Exiles, the 1961 film which chronicled the lives of young Native Americans living in […]
-
Watch: Pasolini’s Eye Contact
“The eye of the camera always manages to express the interior of a character,” according to the late filmmaker Pier Paolo Pasolini. The latest video essay (above) by Daniel Mcilwraith at Fandor meditates on Pasolini’s use of the close-up to capture the interior of his characters. “Pasolini’s faces are often confrontational, breaking the barrier between screen and spectator. There is something unnerving, yet often playful, about making eye contact with those on screen,” writes Mcilwraith. What do you see when you look into the eyes of his characters? Check out the video essay above and draw your own conclusions.
