Though Terence Nance has been quiet on the feature front since An Oversimplification of Her Beauty, he’s been regularly churning out short films and music videos. Brandon Harris called his recent “magic-realist-tinged” Rotterdam entry Swimming in Your Skin Again “astoundingly beautiful” and “sublime,” and his latest music video, for Oversimplification collaborators The Dig, conveys a similar conflation of the concrete and surreal. It opens with a young family being trailed by a collective of dancers, and only takes off from there. Watch it above.
This video by Jacob T. Swinney is exactly what it sounds like: the first and last shots from 55 films paired side by side in splitscreen. There are obviously deliberate parallels (Rosamund Pike, before and after the discovery of Amazing Amy’s true nature in Gone Girl), color scheme parallels indicative of overall palette obsessiveness (Her), and shots which have no real connection but which trigger a lot of memories of the films involved. The music, regrettably, is from Thomas Newman’s American Beauty score.
Simple and effective: Kevin B. Lee breaks down the opening credits sequence of A Hard Day’s Night into four separate editorial strands. The main two are the “Beatles cam” trained on the running band and the “fan cam” following their screaming admirers; runners up are the “milk cam” (a guy eating in front of a milk ad) and the “Paul cam” (Paul in fake facial hair disguise, sitting out the pursuit). Each segment is timed with stopwatch precision, with all four parts arranged in a quadrant formation reminiscent of a security system, suggesting the surveillance that comes with celebrity. Very neat.
Timed to the SXSW debut of Josh and Benny Safdie’s Heaven Knows What is the film’s latest trailer from Radius. With stark, declarative titles attesting to the authenticity of the film’s storyline — Heaven Knows What is based on a memoir by the film’s star, Arielle Holmes, detailing her life on the streets while addicted to heroin — the trailer is a bold edit capturing the movie’s beguiling blend of underground romance and urban nightmare. Heaven Knows What opens later this Spring.
World premiering in SXSW’s Visions section on Saturday is Ben Powell’s Barge, a project featured in IFP’s Spotlight on Documentaries Project Forum back in 2012. Aboard a towboat bound for New Orleans, Powell introduces us to the hands on deck, one of whom, Larry, is depicted in the exclusive clip below. Said Powell of his subject, “I wanted a well-rounded documentation of the crew and every position on the boat. On the last shoot I met a cook named Larry. He happened to be new to the kitchen after working as a deckhand for years. It seemed appropriate thematically to include […]
We’ve spoken to d.p. Shane Hurlbut about camera tests and other matters before. In this video, you can see him in action: with a model in the foreground, he sets about messing with c-stands, toppers, and other tools to systematically create the illusion of a latticed window shadow behind her. Light is systematically managed and reduced for detail when Hurlbut decides he doesn’t want it to spill onto the floor, which is exactly what thoughtful light manipulation (with an equipment budget) is all about.
I post my fair share of video essays, but arguably the most useful ones are the most specific, breaking down a filmmaker’s craft into a more ‘teachable’ method. Kevin B. Lee’s essay on the blocking, editing and camera perspectives at work in Eric Rohmer’s A Summer’s Tale is a prime example of the aforementioned. Lee clearly demonstrates how Rohmer crafts a world of uncertainty through reverse shots and eyelines, just as easily as he can lead the audience to side with a different character from one shot to the next via his cinematography.
A few years ago, director Linda Yellen met her hero, Dennis Hopper, at the Sundance Film Festival. As she writes on the Kickstarter page for The Last Film Festival, “Sundance is simply one of the best film festivals in the world, and I wondered what the worst would be like? Dennis turned to me and said ‘That’s a great idea kid, you write the script and I’ll do it.’ And he did!” From the page: The Last Film Festival is a feature length comedy starring Dennis Hopper, written by Michael Leeds and me. Dennis plays Nick Twain, a big-time Hollywood Producer […]
One of the more intriguing documentaries scheduled to premiere at SXSW is Stone Barn Castle, which depicts Academy Award-winner Adrien Brody’s restoration of a damaged stoned barn in upstate New York — “reminiscent of a European castle” — over the course of a seven-year period. As the short clip above details, the documentary appears to be as much about community, physical work and personal achievement as it is about design. The official blurb is below: In 2007, Academy Award winning actor Adrien Brody fell in love with a partially burned stone barn, reminiscent of an old European castle, hidden in […]
Last Friday, a day after Albert Maysles’ passing, Grey Gardens opened for a 40th Anniversary run at New York’s Film Forum. The new 2K digital restoration of the 1976 documentary, courtesy of Janus Films, will roll out in limited cities over the next couple of months, and the Criterion Collection has released a brief interview with Maysles on his working relationship with the Beales, in which he speaks about the women’s setbacks and their fascinating — not to be confused with abnormal — qualities. For reminiscences on Maysles and his work, I’d recommend this piece by Richard Brody, which speaks to the undying […]