In his dispatches from NAB this year, Joey Daoud noted the 4K Blackmagic URSA as one of the conference’s big announcements: URSA’s ergonomics definitely look more like a traditional ENG camera than Blackmagic’s Production cameras, but it’s got some interesting twists. First off the flip out monitor is huge – about the size of an iPad. It’s also got two touchscreens on both sides of the camera to change settings, check image, pull up scopes and monitor levels. Today our friends at No Film School drew our attention to the first publicly shared footage shot with the URSA, though note […]
“A real treat, a genuine discovery, a whirling dervish of a movie, some kind of roiling central-Brooklyn freak show, a film so searing with rip-your-throat-out and spit-on-your-grave anger, the indignity of mental illness, the messiness of race in this fast-gentrifying strip of American near-coastal land that it seems to have a pulse all its own; it feels alive in the ways only superior works of art can.” That’s Filmmaker‘s Brandon Harris on Drew Tobia’s See You Next Tuesday, a film that has multiple fans here at the magazine. There’s me, for one — I was on the jury at Indie […]
Actor and director Boyd Holbrook has been raising funds on Indiegogo to complete his short film Peacock Killer, which is based on a short story by Sam Shepard. He’s just released a new teaser trailer, which suggests an epic sweep. Check it out and, if it intrigues you, consider donating to Holbrook’s campaign. (Oh, and read our profile of Holbrook when we selected him for last year’s 25 New Faces list.)
Today is Dustin Hoffman’s 77th birthday, as good an opportunity as any to post this 33-minute interview from 1975. Conducted with patient professionalism and minimal intrusiveness by veteran interviewer Michael Parkinson, the conversation starts with lots of long pauses and deadpan stares from Hoffman, who claims his real name is Clare Boothe Luce. Loosening up, he deadpans that his “first fantasy was to be a sex symbol film star,” discusses how he drew upon his high school fear of buying “male prophylactics” for the scene in The Graduate when Benjamin Braddock nervously checks into a hotel, recounts his first sexual […]
Wiseman’s At Berkeley was a favorite of mine last year, and I’m just as eager for his follow-up, a three hour rumination on London’s National Gallery. Here’s our first look at the documentary, en route to TIFF and likely NYFF after its Cannes premiere, which covers the visiting public, the curators, the staff and, of course, the art, with Wiseman’s characteristic brand of watchful analysis. It’s all faintly reminiscent of the Bruegel room conversation in Museum Hours, in the best possible way. Watch above.
Fresh out of AFI Docs is Laura Naylor’s The Fix, a character-based documentary about Bronx-based IV drug users with Hepatitis C who organize to fight this epidemic. The film screens in New York September 5 at 6:00 PM at Lehman College’s Lovinger Theater in a screening organized by the Albert Einstein College of Medicine of Yeshiva University and the Public Health Program at Lehman College. It is free and open to the public.
The life of Steven Hawking is given what looks like a gauzy, romantic approach in this trailer for The Theory of Everything, directed by Man on Wire‘s James Marsh. Eddie Redmayne stars as Hawking and Felicity Jones as his love, Jane Wilde. The film premieres at the Toronto International Film Festival and is in theaters November 7 from Focus Features.
Last week, Sight & Sound released their poll of the top 50 documentaries of all time, sourced from 340 critics, programmers and filmmakers. The list includes seminal films such as Nanook of the North, Sans Soleil, Man With a Movie Camera, and Salesman, as well as recent, form-pushing works in The Act of Killing and Leviathan. Robert Greene took time out of his impressively hectic schedule to craft a video essay that is a send up to said titles and more, examining documentary for its inimitable, observational approach, and noting that “the art of nonfiction lies in the tension between chaos and structure.” Head over to Sight&Sound to view it.
Thanks to The Seventh Art for flagging this haunting 2006 short documentary from Sam Green, a belated inquiry into the murder of Meredith Hunter at the 1969 Rolling Stones concert in Altamont. Green’s presentation of the bizarre silence surrounding Hunter’s identity at the time of his death is relayed through archival newspapers, footage from Gimme Shelter, and a tour of his unmarked gravesite in California (a proper headstone was purchased in 2008). Despite its brevity, Lot 63, Grave C is a fascinating look inside the metaphorical end of an era.
Thanks to our friends at No Film School for pointing us to this useful video from DSLR workshop instructor Enrique Pacheco, which covers the basics of time-lapse photography in under three minutes. His useful tips include the importance of checking the position of the sun, moon and stars before shooting, why you should use an intervalometer, how to avoid flicker, and the importance of a simple ND filter.