I fell in love with Alex Holdridge’s gorgeous, smart black-and-white LA-set romantic comedy In Search of a Midnight Kiss when I saw it on the film festival circuit in 2007, and later interviewed Holdridge for Filmmaker when Kiss was released theatrically in 2008. In the intervening years, Holdridge and I were in occasional contact, and through Facebook I was aware that he had left L.A. and decamped to Berlin. But little more than that. When I read earlier this spring that he was in postproduction on his follow-up feature, Meet Me in Montenegro – a film co-written by and co-starring Holdridge […]
Second 5217, 86:57 I wondered when, or if, this would happen: a Blue Velvet frame that depicts nothing. This comes from the time-space between the beating that leaves Jeffrey unconscious and waking up the next morning in the dirt. For around six seconds between these scenes, the screen is filled with a close-up of a candle flame holding its own against a roar of wind, only to be extinguished, followed by a black screen, from which this frame is taken. Jeffrey’s mind going black. Blank. The black screen, haunted with psychopaths and monsters. Of all of Blue Velvet’s uncharted associations, […]
One of the highlights of the 2012 San Francisco International Film Festival, which boasted a great lineup of films and filmmakers, was the new “live documentary” by Sam Green, The Love Song of R. Buckminster Fuller, featuring Green and Yo La Tengo live on stage. The notion of the live documentary is exciting as a new film movement, a far more powerful one than the overrated reemergence of 3-D. As part of their Buckminster Fuller exhibit, SFMOMA commissioned Green to create a live documentary on Fuller in the spirit of the filmmaker’s previous work Utopia in Four Movements. Fuller is […]
Video Time Machine, free this weekend on the App Store for both iPhone and iPad, is one of the most entertaining apps I’ve played with in a while. Like all good video viewing apps, it’s based around one simple curatorial concept. In the case of VTM that concept is — yep, you guessed it — time. Dial up a year and the app pulls from YouTube videos produced during that year. You can further drill down by category, browsing TV, movies, music, sports, news and advertisements. And, there’s a curatorial element: the videos are “hand-picked” and always seem to strike […]
“Where is Cooky Puss at?!?” I still remember breaking up over that line from “Cooky Puss,” the single from the Beastie Boy’s second EP. A recorded prank phone call to Carvel Ice Cream about their inexplicable dessert treat set to sleazy electro-funk and streaming over my college dorm room speakers via WNYU’s New Afternoon Show, it was my introduction to a group that swiftly went from novelty item to cultural force. “Cooky Puss” may not be the group’s highest moment, but it made me laugh then and it makes me laugh now even as it throws me back in time. […]
A filmmaker asked me, “Do you think I can raise $400,000 on Kickstarter?” I told her that that sounded like a lot. Start-up technology companies using Kickstarter as, essentially, a customer-financed pre-buy platform, are raising in the seven figures. But $400,000 would be on the high-end of a feature film raise. Blue Like Jazz raised about $350,000, and that was based on a New York Times best-seller. Koo did great with Man-Child, scoring about $125,000, but he spent a couple years seeding his campaign by building an audience at No Film School. But as I was talking, I realized the […]
It was with great sadness today that we read of the tragic passing of Adam Yauch at the age of just 47. As a member of the Beastie Boys, Yauch was an icon of American music, and for the last decade his involvement with Oscilloscope Laboratories, the film company he co-founded, made him a beloved figure within U.S. independent cinema. Until earlier this year, Yauch was an IFP board member, and on the IFP website Executive Director Joana Vicente offers the following tribute: On behalf of the IFP staff and board of directors, we are deeply saddened by the passing […]
Second #5170, 86:12 In the spirit of the humor of the scene from which this frame is taken (and because it’s Friday) this is a post of a different stripe. Part of what constitutes Blue Velvet’s weird chemistry is its humor, the humor that lies at the end of despair and that arises out of a confrontation with the absurdity of evil. Frank is terrifying in this scene—having just wiped some lipstick from Jeffrey’s face with that talismanic swatch of blue velvet—but also oddly funny. He is a monster, but also pathetic, and the aura of theatrical performance he has […]
Today the full lineup for BAMCinemafest has been unveiled, including the opening and closing night films. (The initial slate of titles was announced just over a month ago.) The fest will be bookended by comedian Mike Birbiglia’s Sundance charmer Sleepwalk with Me and Rock ‘n’ Roll Exposed: The Photography of Bob Gruen, the latest doc from British musician and filmmaker Don Letts (Dancehall Queen). The Spotlight screening is Benh Zeitlin’s Sundance Grand Prize winner Beasts of the Southern Wild, and other highlights out of the newly announced titles include the Ross brothers’ Tchoupitoulas, Cory McAbee’s Crazy and Thief and Tim Sutton’s […]
(The purpose of Milestone Films’ ‘Project Shirley’ is to re-introduce the best available prints of Shirley Clarke’s work to audiences across the world. The Connection opens in NYC at the IFC Center on Friday, May 4, 2012. Visit the Milestone website to learn more.) Usually when you watch a once-banned film decades after the fact, it leads to a deflated feeling that the film wasn’t ban-worthy at all, that it wasn’t ever close to being “dangerous.” But when one of those films is also widely deemed a classic by trusted sources? Well, that just about guarantees it’s going to land […]