Check this out! A great series of videos (I’ve embedded the first—visit PitchforkTV for all four) of Ryan Gosling and Zach Shields’ Dead Man’s Bones performing with the Philadelphia St. Peter’s Children’s Choir. There’s a talent show too. This is one concert I wish I had been at.
As Paul Devlin’s article on his film BLAST! in the current issue of Filmmaker notes, films that touch on issues of faith and religion can be tricky sells in the independent film world — even as filmmakers like the Kendrick Brothers work outside of the independent community and find success with their explicitly faith-based films. Here’s a feature narrative on Kickstarter that caught my eye that explores issues of belief and non-belief. From the page on Faith, by Eli Daughdrill: The film is a personal, independent narrative that takes a sensitive but critical look at at religion in America. FAITH […]
Here’s the trailer for “25 New Face” filmmaker Lena Dunham‘s second feature, Tiny Furniture, which premieres in the narrative Competition at SXSW. From the Vimeo page: 22-year-old Aura returns home after college to her artist mother’s loft with the following: a useless film theory degree, 357 hits on her YouTube page, and no shoulders to cry on. Starring Dunham and her real-life family, Tiny Furniture is tragicomedy about what does and does not happen when you graduate with no skills, no love life, and a lot of free time. Tiny Furniture Trailer from Lena Dunham on Vimeo.
The Film Society of Lincoln Center and Museum of Modern Art have announced the films selected for this year’s New Directors/New Films. In its 39th year, the series, taking place March 24 – April 4 at the Walter Reade Theater at Lincoln Center and the Roy and Niuta Titus Theaters at MoMA, will screen 38 films from emerging filmmakers. Richard Press‘s documentary Bill Cunningham New York will be the opening film, while acclaimed Canadian writer-director Xavier Dolan will close ND/NF with the New York premiere of I Killed My Mother (J’ai tué ma mère). For tickets and more on ND/NF, […]
FEBRUARY – shot on the Canon EOS 550D / Rebel T2i (preprod unit) from Nino Leitner on Vimeo. From filmmaker Nino Leitner. This short film, FEBRUARY, was shot on a pre-production unit of the new Canon EOS 550D / Rebel T2i. This is UNGRADED footage straight off the camera (converted to ProRes LT first for easy editing). I used a “flattened” picture style as outlined by Stu Maschwitz on his blog. Check out his blog for a detailed review of the camera, which comes out next month and is priced at $799.
Big news out of Sundance tonight: Keri Putnam, former President of Production at Miramax Films and Executive Vice President at HBO Films, has been named the new Executive Director of the Sundance Institute. The position was previously held by Ken Brecher, who left Sundance last April. Keri is well known to many of us in the independent community for her leadership at Miramax and HBO, where she opened the door to both new directors as well as established veterans looking to explore new ideas that wouldn’t fly in the mainstream studio system. Among the films she has been involved with […]
Of all the people I know — artists, musicians, filmmakers — who make dark, dark things, the French director Philippe Grandrieux is the sunniest. In person, he projects a passionate joy about his filmmaking craft, and the disturbing events contained within his films are not projections of surface-level angst or garden-variety emotional torment but rather philosophical inquiries into our relationship with Nature, our bodies, and our selves. To hear him talk about his work is to realize that he comes from a line that includes De Sade, Blanchot, and Bataille as well as later post-structuralists like Gilles Deleuze. (Grandrieux’s bloody […]
Here’s the just-released trailer for Elijah Drenner’s American Grindhouse, which plays SXSW next month.
American Hardcore filmmakers Paul Rachman and Steven Blush have a new project: Lost Rockers, a documentary “about great musicians overlooked by pop culture.” From the project’s Kickstarter page: LOST ROCKERS… offers insight into what it takes to “make it,” and why so many of equal talent to famous stars fall through the cracks. The film tells the life stories of these forgotten artists — of different eras, genres, creeds and orientations — from their doomed paths to fame to their ultimate redemption. You’ll experience amazing music you can’t believe you never heard. LOST ROCKERS has only just begun. We’ve shot […]
The Wall Street Journal-hosted Venture Capital Dispatch blog linked to my article yesterday about the closing of independent film distributor and festival website service business B-Side Entertainment. Scott Austin’s piece focused on comments made in the piece by CEO Chris Hyams and President of Distribution Paola Freccero about the company’s fate at the hands of the VC funding model. The executives said that B-Side was on the road to being profitable but couldn’t deliver large enough returns in the time period desired by financier Valhalla Partners. Austin points to another B-Side investor: original Series A-funder Mike Maples, Jr. and his […]