Filmmaking

MARK GILL IN PARIS, INDIEFREUDE AND THIRD WAY DISTRIBUTION

I’m blogging from Paris where, the other night, I had dinner with two Palme d’Or-winning French producer friends. “What did you think of the Mark Gill article?” one wanted to know. Yes, Gill’s speech is dinner conversation across the Atlantic. In fact, the producer had printed it out and circulated it among her staff. I’ve commented before on the Gill piece, which I mostly agree with. Now we’re seeing a second wave of responses to the article, and one must-read for indies is by writer/director John August, who blogs about the release of his Sundance film The Nines and relates […]

By Scott Macaulay on Jul 8, 2008 Filmmaking
GOING THEATRICAL AND PROJECT 281

At Stream, Jamie Stuart muses on the possibilities of theatrical for one’s first feature. An excerpt: More and more independent producers and distributors with years of experience are trying to convince indie filmmakers that theatrical distribution isn’t that important. This isn’t because these people in the know dislike the theatrical experience. It’s because they understand that the costs of going theatrical are becoming a legitimate burden, and that the real revenue streams lie in the ancillary markets, especially for small movies. Unfortunately, the thing that most filmmakers understand — and this has nothing to do with advocating the communal experience […]

By Scott Macaulay on Jul 8, 2008 Filmmaking
BRUCE CONNER, 1933- 2008

Artforum reports that filmmaker Bruce Conner has died. Here is their notice: Bruce Conner, a San Francisco–based artist known for his assemblages, films, drawings, and interdisciplinary works, passed away Monday afternoon. Conner moved to San Francisco in 1957 and quickly found his place within the city’s vibrant Beat community. His gauzy assemblages of scraps salvaged from abandoned buildings, nylon stockings, doll parts, and other found materials gained him art-world attention, as did A Movie (1958), an avant-garde film that juxtaposed footage from B movies, newsreels, soft-core pornography, and other fragments, all set to a musical score. (In 1991, A Movie […]

By Scott Macaulay on Jul 8, 2008 Filmmaking
DIGITAL DOWNGRADE

Ryan Nakashima reports in the AP on a Lehman Brothers report that downgrades the entertainment industry because of what it sees as lower profits in the age of digital distribution. An excerpt: “Shifts from physical to digital will disrupt the marginal economics of the TV and movie businesses, just as it did for music,” analyst Anthony DiClemente said during a conference call. DiClemente argued that the average profit the companies see from new DVDs, including higher-priced Blu-ray discs, is $10.59. Selling the same movie through Apple Inc.’s iTunes online music and video store nets them $9.29, 12 percent less, he […]

By Scott Macaulay on Jul 8, 2008 Filmmaking
A Step Into the Mainstream

Canada’s Patricia Rozema has had an eclectic career, spanning films as diverse as her 1987 debut Cannes feature, I’ve Heard the Mermaids Singing to her Yo Yo Ma feature, Six Gestures: Suite No. 6 for Unaccompanied Cello to her 1999 Jane Austen adaptation, Mansfield Park. The themes and approaches of these films — Rozema’s concentration on adult eroticism, feminism, religious skepticism, and social revolution — would not seem to be the kind of interests which would speak to the upright members of the American Girl enterprise, protectorate of the indomitable Kit Kittredge and her wholesome doll sisters. Yet, the sweetly […]

By Jason Guerrasio on Jul 7, 2008 Directing
GOTHAMS FIND NEW VENUE

In an announcement this morning, the IFP‘s 18th Annual Gotham Awards will take place at the posh Cipriani Wall Street on Tuesday, Dec. 2. Last year the event was housed at Brooklyn’s Steiner Studios. The Gothams is the kick off to the awards season each year and honors independently-distributed American features. This year’s nominees will be announced on Oct. 20. For more on the Gothams go to gotham.ifp.org

By Jason Guerrasio on Jul 7, 2008 Filmmaking
MORE FROM THE SUNDANCE DOC LAB

Here’s part two of Diann Borshay Liem’s report from the Sundance Documentary Edit Lab. (For those who missed Part One, you can read it here.) It’s Day 5 at the Sundance Doc Edit/Story Lab. For me, the lab started where our film ends. During our first work day, editor/advisor Mary Lampson shared a personal story about duality and living a false life. We laughed, I cried. Scott (our assistant editor) cued up “Getting to Know You” and Vivien and I danced around our edit trailer. Amazingly, through this odd process we uncovered what I think will be the ending to […]

By Scott Macaulay on Jul 4, 2008 Filmmaking
LANCE HAMMER TRIES SELF DISTRIBUTION

Over at Indiewire Anthony Kaufman writes about Ballast director Lance Hammer’s decision to withdraw from a planned distribution deal with IFC to self-distribute via his own Alluvial Film Company along with Required Viewing. From the piece: “IFC is a really good company,” Hammer told indieWIRE last week. “The problem is the larger issue that’s plaguing every filmmaker right now: The distributors don’t really offer any money. That’s not that big of a deal if they would allow you to have control of your project, but they don’t.” If the current art-house climate isn’t challenging enough, Hammer’s decision highlights the harsh […]

By Scott Macaulay on Jul 3, 2008 Filmmaking
48 HOURS ONLY!

You may have noticed that there hasn’t been a ton of blogging here lately, and that’s because we’ve been working hard on the Summer issue of Filmmaker. It’s our “25 New Faces” issue, and the workload on that one is particularly heavy because we look at a ton of work before making our selections. Anyway, the issue shipped to the printer today, so we’ll try to get back into the swing of regular blog postings. I’m also going to take this opportunity to announce a special subscription offer. If you subscribe online here during the next 48 hours for our […]

By Scott Macaulay on Jul 1, 2008 Filmmaking
RAY-BAN AD BLOCKERS

Remember that Phil Dick-ian John Carpenter movie, They Live? In it, a special pair of sunglasses allows you to see the world as it really is, with all of the government’s subliminal messages exposed. I thought of that film while reading this blog post at Seeking Alpha entitled “How Video is Going to Take Over the World.” It summarizes a Forrester research reporter claiming that we are entering an age of “Omnivideo,” in which video playback will occur on multiple surfaces all throughout our daily life. From the post, quoting Forrester: “Once video becomes this easy to produce, deliver, store, […]

By Scott Macaulay on Jun 23, 2008 Filmmaking

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