Filmmaking

SPITZER, THE ABOVE, AND THE BELOW THE LINE

Everything is connected. While the Elliiot Spitzer call-girl scandal seems to be providing cable news with a pre-Pennsylvania election break and bloggers with plenty of new linking opportunities, it’s impacting the film business as well — specifically, the successful NY tax credit program which has been up for an expansion. In the Hollywood Reporter, Gregg Goldstein writes about how “Spitzer exit threatens his tax-credit plan.” Here are two key graphs, but read the piece for the whole thing: By the end of Wednesday, both the Republican-led state Senate and Democratic-led Assembly had unveiled proposed budgets with their partisan versions of […]

By Scott Macaulay on Mar 13, 2008 Filmmaking
OBAMA IN 30 SECONDS

We’ve been covering on this blog the intersection between politics and user-generated video, most often by posting some of the better campaign mash-ups that have been posted to YouTube this season. But now, however, anyone (well, any Obama supporter) can go legit with their political ad by taking part in “Obama in 30 Seconds.” The contest is being sponsored by MoveOn.org, and it assembles an incredible panel of judges (Ben Affleck, Matt Damon, Lawrence Lessig, James Schamus, Ted Hope, Russell Simmons, Oliver Stone, Moby, Tom Ortenberg, John Legend and DJ Spooky are a few) to pick the best submitted Obama […]

By Scott Macaulay on Mar 13, 2008 Filmmaking
NO COUNTRY’s INVISIBLE MAN

Jamie Stuart emailed the following observation about No Country for Old Men after rewatching the film on DVD: I rented No Country yesterday. I’d read a few complaints on Anne T.’s blog about the scene where Bell goes to the motel room — and Chigurh is supposed to be behind the door (people were complaining that Chigurh seemed to have vanished). I always thought Chigurh was simply hiding behind the door, since that’s where he’s shown during the initial cross-cutting. But watching the DVD — and even brighting the image all the way — Chigurh IS NOT THERE when the […]

By Scott Macaulay on Mar 13, 2008 Filmmaking
STRANGER THAN FICTION?

Producer Keith Griffiths forwarded the below article about the great Thai filmmaker Apichatpong Weerasethakul and censorship of his latest acclaimed feature, Syndromes and a Century, released in the U.S. by Strand Releasing. He also forwarded the accompanying photos, which are of the actual censorship in progress. Read on… In his review of Syndromes and a Century the Guardian Film Critic Peter Bradshaw, wrote that the film was “Profoundly mysterious, erotic, funny, gentle, playful, utterly distinctive, it is the work of the Thai director and installation-artist Apichatpong Weerasethakul, who now has a claim to be approaching the league of Kiarostami and […]

By Scott Macaulay on Mar 12, 2008 Filmmaking
B-SIDE BEGINS SUBMISSIONS 2.0

In a story posted today on Variety‘s The Circuit, Michael Jones reports that B-Side, the company that gathers audience reactions for thousands of festivals, is now going into the fest submissions game with the announcement that it’s creating Submissions 2.0, a site where filmmakers can submit work to multiple festivals without paying a service fee. Set to launch this summer, it will certainly be in direct competition with Withoutabox. Read full story here.

By Jason Guerrasio on Mar 11, 2008 Filmmaking
EMAILING CHRIS DOYLE

I don’t know Chris Doyle that well — I’ve met him a few times, have sent him a script, once, I think, and we’ve run articles on him twice in Filmmaker. (One, an interview with August Doyle, is here; the second, by Matt Ross, is here.) But I do have his email address, and whenever I’ve sent him a question he’s always responded surprisingly quickly — like two minutes later. So when I read this interview conducted over the ‘net with Doyle by Stu Van Airsdale, I immediately recognized the great d.p.’s distinctive cadence and penchant for metaphorical musing. Both, […]

By Scott Macaulay on Mar 11, 2008 Filmmaking
GIRLS ROCKS ON

In Filmmaker‘s Fall issue we published And Nothing But the Truth, filmmaker Arne Johnson’s thoughtful meditation on issues of truth and reality as they play out in documentary film practice. Now, you have a chance to see how Johnson resolved these issues for himself in his charming and energetic doc, Girls Rock! The film is currently playing in NY, LA, San Francisco, Berkeley, Oakland, Chicago, Seattle, and Portland. Click on the link above to learn more, and check out the trailer below.

By Scott Macaulay on Mar 11, 2008 Filmmaking
THE REACH FILM FELLOWSHIP UNVEILED

Announced today, the new non-profit, Cinereach, has announced the first-ever recipients of The Reach Film Fellowship. Created last fall by a group of young filmmakers and philanthropists, Cinereach’s goal is to developing original features that focus on issues of cross-cultural communication, global unity and other matters of social relevance. The four Fellows, announced in a press release today, will show their work at a reception hosted by Mira Nair in New York City on March 19th. The Fellows were chosen through a judging panel that included Jeffrey Abramson of GenArt, producer Caroline Baron, GOOD founder Benjamin Goldhirsh and associate director […]

By Jason Guerrasio on Mar 11, 2008 Filmmaking
SMALL CAN BE GOOD

Over at his CinemaTech blog, Scott Kirsner responds responds to an article in the Wall Street Journal by Joe Morgenstern entitled “Size Matters.” In the article, Morgenstern questions whether the viewing medium of handheld devices will lead to artistic cinematic innovation and seems to think it will not. I’m incredibly interested in this subject and will be writing more on it in the future. I said at my SXSW panel that I’m mystified why more independent filmmakers haven’t tried to create innovative content for the web, but, unlike Morgenstern, I don’t think the answer is because the medium of the […]

By Scott Macaulay on Mar 11, 2008 Filmmaking
SXSW #1

Here at Filmmaker you’ll read about the films playing at the South by Southwest Film Festival (SXSW) at Austin, Texas, but to get the festival you need to understand that films aren’t the only game in town. There’s of course music — SXSW started as a music fest, and, mid-week, when it changes over, the crowded streets will really explode –- but there’s also SXSW Interactive, which focuses on new media and gaming. And then there’s the conference part of SXSW. In the huge Austin Conventional Center, which is the hub of the festival, panels and small group discussions with […]

By Scott Macaulay on Mar 10, 2008 Filmmaking

Cookie	Duration	Description
cookielawinfo-checkbox-analytics	11 months	This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Analytics".
cookielawinfo-checkbox-functional	11 months	The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional".
cookielawinfo-checkbox-necessary	11 months	This cookie is set by GDPR Cookie Consent plugin. The cookies is used to store the user consent for the cookies in the category "Necessary".
cookielawinfo-checkbox-others	11 months	This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other.
cookielawinfo-checkbox-performance	11 months	This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Performance".
viewed_cookie_policy	11 months	The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. It does not store any personal data.

Cookie	Duration	Description
cfmrk_cic		Used by Cloudflare to route user traffic for this Site.
sparrow_id		Installed by Cloudflare. Used to identify individual clients behind a shared IP address and apply security settings on a per-client basis. It does not store any personal identifiable information.

Cookie	Duration	Description
OAGEO		Installed by the Revive Ad Server. Used to cache geolocation (session, deleted when closing the browser)
OAID		Installed by the Revive Ad Server to distinguish users.