Columns
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“The Budgetary Challenges of Getting a Dead Squirrel Puppet”: DP Sam Davis on Dìdi
In the opening scene of Dìdi, the titular 13-year-old and his friends film themselves blowing up a mailbox and making a run for it while laughing hysterically. It perfectly encapsulates director Sean Wang’s view of adolescence as “the worst version of yourself, having the best time of your life.” Set in 2008 in Wang’s hometown of Fremont, California, the coming-of-age story follows a Taiwanese American teen during his final summer before high school. Though not strictly autobiographical, the film was inspired by Wang’s own adolescence and the making of it was awash in familiarity. The main character’s bedroom scenes were […]
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“The Process Was More Important Than the Result”: My First Film Star Odessa Young, Back To One, Episode 308
Odessa Young is only 26, but she already has a truly impressive body of work behind her. Assassination Nation, A Million Little Pieces, Shirley, Mothering Sunday, The Stand, The Staircase, Manodrome, in each of these projects, she seems to have an effortless command over her character, each unique, never forced, always true. Now she stars as Vita, the lead character based on Zia Anger in My First Film. On this episode, she talks about the need to “cultivate an obsession” as character preparation, recent musings on “how much an actor should act to the camera,” why she never worries about […]
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“It Sounded Like a Good Title”: Jeremy Saulnier on Rebel Ridge
In Jeremy Saulnier’s breakthrough films Blue Ruin and Green Room, the writer-director thrust protagonists into violent cacophonies they weren’t equipped to navigate. With his new Netflix actioner Rebel Ridge, Saulnier centers his story on a hero much more adept at meeting force with force. The film stars Aaron Pierre as a Marine hand-to-hand combat expert who comes to a small southern town to bail out his cousin. Before he can do so, his bail money is confiscated by the corrupt, militarized local police force (led by chief Don Johnson) via a bogus civil asset forfeiture claim. Confrontations—both verbal and physical—ensue. […]
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“Those Guidelines, Those Gates, Those Boundaries, Can Free You to Find the Infinite Within Them”: Shrinking’s Luke Tennie, Back To One, Episode 307
To be a standout on a show featuring Jason Segel and Harrison Ford is quite a feat, but that’s exactly what Luke Tennie did in his breakthrough role as Sean in the hit Apple TV+ series Shrinking. On this episode, the seemingly effortlessly-talented young actor takes us back to his early days and details how football played a pivotal part in helping him with the disciplines required for acting. He explains his belief that there can be no real “play” without massive preparation; talks about coming to a place of understanding that auditioning is simply a “demonstration of my capabilities;” […]
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“Eventually What I Realized I Was Doing Was Trying to Create an Empathy Machine”: Will Brill, Back To One, Episode 306
He was in The OA, The Marvelous Mrs. Maisel, and played Roy Cohn in Fellow Travelers, but the stage is where Will Brill has found the most satisfaction and success recently, in A Case For The Existence of God, Uncle Vanya, and, just this year, as Reg in Stereophonic on Broadway, for which he received a Tony Award. On this episode he talks about building Reg by starting with his voice, why following playwright David Adjmi to a bar was a pivotal move, the importance of directorial affirmation, how his pre-show ritual has changed, and much more. Back To One […]
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“Fear Lives Behind Your Back”: DP Andrés Arochi on Longlegs
Andrés Arochi’s cinematic indoctrination began at a Blockbuster Video in Mexico City when he was 12-years old. Stuck at home for the summer after being grounded for his grades, Arochi spent those months binging the offerings in his local Blockbuster’s small section of American arthouse cinema. The next summer he worked for his uncle to save money for his first stills camera. By the time he was 17, Arochi was shooting music videos and beginning to direct experimental films. Now, he’s behind the lens on his first narrative feature Longlegs, the well-received box office hit about an FBI Agent (Maika […]
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“I Just Turned 50 and I Feel Like I’m Just Getting Started”: Simon Rex, Back To One, Episode 305
He was a model and MTV VJ, and then Simon Rex transitioned to acting, becoming widely recognized for his comedic roles in the Scary Movie franchise, where his sharp timing and parody skills made him a fan favorite. But more substantial parts were on the horizon. On this episode, he talks about the job that changed everything, Sean Baker’s Red Rocket, which won him wide acclaim, an Independent Spirt Award, and a fresh chapter in his career. He talks about the interesting new place he finds himself now at the intersection of “not caring and caring SO MUCH.” He explains […]
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Color in Black and White: DP Robert Elswit on Ripley
“It’s the light! Always the light!” exclaims a priest to the murderous Tom Ripley (Andrew Scott) as they bask in the glory of a Caravaggio painting in Netflix’s new adaption of the Patricia Highsmith novel The Talented Mr. Ripley. There are a multitude of exquisite facets to cinematographer Robert Elswit’s work on the series, including the formal compositions that embrace the Italian setting’s architecture. But, more than anything else, it’s the light as Elswit harkens back to classic noirs, 1960s Italian cinema and the canvasses of the great masters of chiaroscuro. Elswit earned an Oscar nomination for his black and […]
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“That’s What Lights Me Up the Most, This ‘Dance’ with the Writer”: Marianne Rendón, Back To One, Episode 304
Marianne Rendón’s performance in Summer Solstice, Noah Schamus’ “modern twist on the buddy comedy from a queer and trans perspective,” is special in such a rare way that makes shinning a light on it actually detrimental to its effect on the new viewer. Its revelations are small and imbedded in the nuances of the character. It’s how they seem rooted and not created, “lived” and not “played,” that make them extraordinary. On this episode, Rendón takes us back to her training, and how being fed great experimental theater before the classics resulted in a kind of “reverse engineering” of her […]
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“I’m Learning to Give Over to the Fear a Little More”: Dylan Arnold, Back To One, Episode 303
Still in his early career, Dylan Arnold has already built a diverse catalog of roles, including a breakout one in season three of Netflix’s You, reprising a fan-favorite for the Halloween franchise in Halloween Kills, and last year, of course, playing Frank Oppenheimer, holding much more than his own, opposite Oscar-winner Cillian Murphy. Now he goes a good bit darker in Alma Har’el’s Apple TV+ series The Lady In The Lake. On this episode, he talks about the differences between these two incredible actor’s directors, Har’el and Christopher Nolan, and what works best for him. He explains the importance of […]
