Columns
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“I’m Really Good at Getting a Laugh Out of Terrible Circumstances”: Griffin Dunne, Back To One, Episode 329
Griffin Dunne has balanced acting, directing, and producing for over 40 years in this business. Chilly Scenes of Winter, An American Werewolf in London, After Hours, Practical Magic, This is Us, to name just a small handful of his credits. For his latest, Ex-Husbands, he delivers a performance revelatory in its ease, miraculously blending lightness and dread. It’s so much fun, and even inspirational, to simply watch him walk around as this character, carrying this load. Hopefully, this is the start of a new chapter: Dunne as the contemplative man of a certain age who has seen it all. On […]
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Considerations: The Gascón Press Tour
Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. In October, I told (warned?) a publicist friend that it wouldn’t surprise me if we saw some old-fashioned, Weinstein- and Rudin-style opposition campaigning this Oscar season. Back then, the prominent narrative was that the field was wide open without a clear frontrunner, and most of the studios and marketing agencies were operating with smaller budgets. By this time last week, the only controversies were about the use of AI to perfect the Hungarian accents in […]
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“Being Clean with the Words Gave Me More Freedom than Anything”: Margo Martindale, Back To One, Episode 328
In movies like Million Dollar Baby, August: Osage County, Blow The Man Down, and series like The Americans, Justified, and Sneaky Pete, “esteemed character actress Margo Martindale” loves to play people much different from herself. And she’s been so good at it for so long that she only started to get truly recognized for her work in her 60s. Three Emmys later, she’s able to pick and choose what she wants to do. Her latest, the Amazon series The Sticky, finds her number one on the call sheet and having a blast playing the bombastic maple syrup farmer Ruth Landry. […]
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Considerations: Phase 2 Begins
Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. It rained in Los Angeles this weekend, and the way the phrase “we needed this” became a meme felt like a collective awkward laugh followed by a sigh of relief. For the past few weeks almost everyone has been on edge, many mourning massive losses from the fires in the Palisades and Altadena. Wind advisories meant our go-backs were still packed, phones facing up in case of Watch Duty notifications. (Oh, and a lot of […]
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Get In/On the Car: DP Terry Stacey on Den of Thieves 2: Pantera
The original Den of Thieves was all about the thin line separating insular tribes of cops and robbers in Los Angeles. In the breezier Den of Thieves 2: Pantera, Gerard Butler’s detective crosses that line to join forces with former nemesis O’Shea Jackson Jr. to rob the World Diamond Center in Nice. The heist franchise represents a line crossing for cinematographer Terry Stacey as well. The British DP began his features career lensing early aught indies (including American Splendor and films with Larry Fessenden, Allison Anders, Brad Anderson and Lisa Cholodenko) before working on a slew of studio romances and […]
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Actor and Teacher Brad Fleischer on the Importance of the Visceral Over the Intellectual in the Work of the Actor: Back To One, Episode 327
Brad Fleischer is an actor, teacher, coach, filmmaker, producer, and founding partner of GhostLight Media. He originated the role of Doug in Gruesome Playground Injuries alongside Selma Blair. On Broadway, he starred opposite Robin Williams in Bengal Tiger at the Baghdad Zoo, opposite Tony Schaloub in Golden Boy, and played the title character in the Olivier award winning Coram Boy. On the screen, Brad has worked with Robert De Niro in The Good Shepherd, Scott Frank and Liam Neeson in Walk Among the Tombstones, Greg Nicotero on The Walking Dead, among many others. For 17 years and counting, he continues […]
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“If You Remember That You Are a Creative Artist While You’re Being an Interpreter, You’re Gonna Be All Right”: Marianne Jean-Baptiste, Back To One, Episode 326
Marianne Jean-Baptiste is getting accolades and awards for her incredible performance in Mike Leigh’s Hard Truths. The two last worked together nearly 30 years ago, on Leigh’s Secrets and Lies, for which Jean-Baptiste was nominated for an Oscar. On this episode, she takes us all the way back to her first time working with Mike Leigh, on the play It’s A Great Big Shame, and details for us the ins and outs of working with him on these three projects. She talks about her love of process, how this intense character work fuels her on less actor-centric jobs, why she’s still mad at Leigh […]
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Considerations: Who’s Leading the Acting Races?
Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. This is the most important week of Oscar campaigning, the conclusion to what we collectively refer to as Phase 1: A slew of guilds announce their nominees this week (including the DGA, PGA and SAG, plus sound editors and mixers, art directors and cinematographers), and the Academy opens nominations ballots on Wednesday before closing the voting window on Sunday. (As such, campaign spending pauses from the end of voting until the nominations are announced on […]
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Mike Leigh Dishes Hard Truths: A Special Episode
The U.S. premiere of Hard Truths at the New York Film Festival in October brings director Mike Leigh back to the podcast for the third time (Ep. 54 and Ep. 204). He talks about working again with Marianne Jean-Baptiste after nearly 30 years, how a lower budget didn’t change his process but made him “dig vertically,” why American actors are unofficially not allowed in his films. Plus he shares his hope for cinema after he’s gone, but explains why he refuses to officially pass down his process. And much more! Hard Truths opens in select U.S. theaters on Friday January […]
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“Letting Go of Judgement of Myself and Just Having My Imagination Be So Big”: Tiffany Boone, Back To One, Episode 324
Tiffany Boone’s breakout role was Jerrika Little on the series The Chi. Little Fires Everywhere, The Midnight Sky, Nine Perfect Strangers, and Hunters followed. Now she voices Sarabi in Disney’s Mufasa: The Lion King. She explains how getting back to her childlike imagination was a must for that role. She tells the story of trying to break up with acting but acting wouldn’t break up with her. She talks about the importance of knowing the character better than anyone else, how focusing on connecting with people through her art allowed her to “let go of the desperation,” and much more. […]
