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DANFUNG DENNIS: FROM AFGHANISTAN TO SUNDANCE
Originally posted in the Web Exclusives section on February 11, 2011. Hell and Back Again is nominated for Best Documentary. “At first my view of war was boyish and romantic,” Danfung Dennis told me in his Brooklyn loft five years after we initially met in Kabul, “but that view of war was based on video games and Hollywood.” In the spring of 2006, Danfung flew from Beijing to Kabul and was driven to the Le Monde Guest House. I remember when he arrived. His clothes were neat, his hair stylish, he wore an easy smile and had soft brown eyes. […]
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RASHAAD ERNESTO GREEN, “GUN HILL ROAD”
Originally posted on Aug 4, 2011 in our Director Interviews section of the website. Gun Hill Road is nominated for Breakthrough Actor. Rashaad Ernesto Green’s stirring Puerto Rican tranny drama Gun Hill Road concerns a Bronx teenager in the midst of transitioning from Latino to Latina whoseworld is turned upside down by the return of her long absent father. Green gives us a fully developed familial antagonist in Esai Morales’ patriarch, fresh out of Rikers, who is adjusting to civilian life. His masculine self-image (already assailed by sexual assaults while incarcerated) is quickly hindered by the realization that his […]
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Trailer Watch: The Skin I Live In
Here’s the teaser for Pedro Almodovar’s Cannes-bound The Skin I Live In. It’s been described as a horror film, and this clip does have a bit of Franju in it. (Click the headline if you can’t see the clip.)
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New Year’s Resolutions for Filmmakers
Are you short a New Year’s resolution? Feel free to borrow one of the ones below. 1. Amplify your voice. You have a voice. Make it bigger in 2011. Spread it wider and connect it to more people. If you are working within your own little crew, spread out. If you’ve gotten into a pattern of relying on the same agents or producers or colleagues, enlarge the perimeter of that circle. If face-to-face is your preferred medium, get out more. Do you email or text too much? Call people more. (This one was suggested by Ira Deutchman via Twitter.) If […]
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SARAH JACOBSON GRANT APPLICATION DEADLINE NEXT WEEK
In the ’90s, Sarah Jacobson was a rising indie filmmaker. Beginning with her half-hour short film I Was A Teenage Serial Killer in 1993, she garnered enough underground critical success to make her feature debut, Mary Jane’s Not a Virgin Anymore, a coming-of-age tale about a teenage girl’s loss of virginity and her friends’ experiences with their first times. Jacobson was set to move on to bigger films, but she sadly passed away from endometrial cancer at age 32 in 2004. To carry on her life’s work and support for fellow filmmakers, Jacobson’s mother and film producer Ruth Jacobson and […]
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LENA DUNHAM’S APATOW-PRODUCED PILOT GREENLIT BY HBO
Tiny Furniture director Lena Dunham, one of Filmmaker Magazine’s “25 New Faces of 2009,” will write, direct the pilot for, and co-executive produce a new HBO series exec produced by Judd Apatow and Jenni Konner, reports Nellie Andreeva at Deadline Hollywood. The piece says the series “is expected to feature autobiographical elements” From Deadline: “Lena has a unique, truthful comic voice,” Apatow said. “I am excited to work with her and learn from her.” Konner said she was “obsessed with working with Lena” since HBO’s entertainment president Sue Naegle gave her a copy of Tiny Furniture. “She has a staggeringly […]
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FILMMAKER FLASHBACK: SPRING, 1996
Spring, 1996. It’s so strange now to look back at a piece in this issue by David Leitner on the new digital camera technology and read this bit of breaking news: 1996 will witness the inauguration of prerecorded films on CD-sized Digital Versatile Disks or “DVDs” (you and I will call them Digital Video Disks). DVDs not only doom VHS but also CD-ROMs as we know them for the mere reason that single-sided DVDs store 8.5 gigabytes compared to the puny 680 megabytes of CDs while manufacturing costs are the same. Also in this issue was filmmaker John Landis (yes, […]
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FILMMAKER FLASHBACK: WINTER, 1996
Spike Lee was our cover in Winter, 1996, and there were two tie-ins. First, his movie Girl 6 was about to be released. And, second, John Pierson’s Spike, Mike, Slackers and Dykes was just being published. For Filmmaker, Pierson gave us an expanded version of a talk he had with Lee and Kevin Smith that includes this interesting note from Lee. I had forgotten that Lee’s intended first feature was Messenger, an autobiographical tale about a young bicycle messenger. The film collapsed in pre-production when financing was pulled. Kevin: I want to do goofy young filmmaker questions, the kinds of […]
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FILMMAKER FLASHBACK: SUMMER, 1995
Summer, 1995. Safe. The Usual Suspects. Kids. Living in Oblivion. Double Happiness. The Brothers McMullen. The Incredibly True Adventure of Two Girls in Love. Art for Teachers of Children. All in the same issue. What a quarter for independent film releases! Julianne Moore from Safe was on the cover, inaugurating our irregular tradition of the big-head cover photo. Larry Gross interviewed Haynes, and it’s a great interview. An excerpt: Gross: Leaving the world of the film for just a second, do you ever feel ambivalent about making a film that’s this pessimistic? Is somebody watching the film gonna say “I […]
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FILMMAKER FLASHBACK: WINTER, 1995
Winter, 1995, was a great issue. Our cover story was Rick Linklater’s Before Sunrise. Andrew Hindes interviewed Linklater, Ethan Hawke and Julie Delpy, while Jean-Christopher Castelli detailed the film’s use of Austrian tax funds for its financing. Paula Bernstein interviewed James Gray about Little Odessa, and then there was one of the best pieces we’ve ever run: development executive (and, later, Oscar-winning short film director) Barbara Schock’s “The Write Stuff: Intelligent Screenplay Development.” Technology and methods of financing may change, but these notes on working with writers don’t date. From the piece: One of the biggest impediments I’ve encountered in […]
